Blu-ray Movie Reviews

Albert (Åke Grönberg), the aging owner and ringmaster of an impoverished travelling circus, takes the troupe to his home town in order to visit his estranged wife and sons with the hope of returning to the safe, bourgeois family nest. In reaction, his jealous young lover (the gorgeous Harriet Andersson), a horseback rider, allows a charismatic actor to seduce her.

In part because it has now endured for 40 years, but also because it is the sort of thrilling cinematic entertainment we never seem to tire of, Superman has appeared on just about every home entertainment format, and deservedly so. The first comic book blockbuster, director Richard Donner's visually stunning epic stars Christopher Reeve as the only survivor of a brilliant but arrogant alien culture who finds his place in our world as a god-like protector.

Say what you will about controversial superstar Tom Cruise, his dedication to the big-screen Mission: Impossible franchise he launched in 1996 is nothing short of inspiring. Performing stunts that would give a professional thrill-seeker pause, he literally throws himself into his work with unparalleled zeal. For this sixth go-round, secret agent Ethan Hunt (Cruise) is in hot pursuit of terrorists out to tear down our world order, bad guys armed with an apocalyptic manifesto, and some nuclear weapons. Expect betrayals and frame-ups that force Ethan to go rogue...again.

Director Stanley Kubrick's seminal sci-fi epic, co-written with author Arthur C. Clarke, takes the whole of human history as its subject—from the initial flicker of intelligent thought in hominids, to the present day where humans live with the assistance of computer-generated artificial intelligence. The film literally works as a space opera: long stretches pass dialogue-free with just classical music serving to enhance the hyper-realistic images of ships and passengers aloft in the cosmos. (2001: A Space Odyssey won an Oscar for best visual effects, the only one it managed to take home from the 1969 ceremony.)

Set in the early 1400s, Russian writer-director Andrei Tarkovsky’s greatest masterpiece depicts the life of the famous icon painter, Andrei Rublev. But it also keeps everyday village existence, extraordinary events, and medieval Russian history moving from background to foreground in an episodic narrative tapestry. Princes and religion rule every aspect of Russian life, with motivation for actions stemming from belief in God (or the retribution of the church), subservience, and fear of the merciless Tartar invaders. Faith and art are put to the test in this overflowing epic as the painter travels through the decades of his time.

“Imagine there’s no heaven. It’s easy if you try.” That profound statement set the table for the visceral round of revelations John Lennon had in store for us on his second proper solo album following his departure from The Beatles, September 1971’s Imagine. Whereas “God,” the critical denouement on Lennon’s galvanizing December 1970 solo debut Plastic Ono Band, served as a gasp-inducing, barrier-breaking declarative manifesto, “Imagine” proffered more of a “what if” scenario that embodied an inclusively universal yet concurrently subversive scope.

The controversial 2000 film American Psycho from co-screenwriter/director Mary Harron (Alias Grace) was based on the novel by Bret Easton Ellis. Set in the fast-paced 1980s, it follows the privileged, handsome, and narcissistic Wall Street executive Patrick Bateman (Oscar winner Christian Bale) who is all about greed and self-aggrandizement. By day he builds on the fortune and material things he has already accumulated, but at night the eviler demons inside him slip out to experiment with a dizzying array of sex and violence.