The S&V Interview

David Crosby spoke extensively with music editor Mike Mettler just a few months before he sadly passed away at age 81 on January 18. The voice of a generation, Croz discusses his knack for recognizing the chemistry he had with certain musicians, how the song “Compass” helped recalibrate his songwriting acumen, what album of his he’d like most to be listened to a half-century into the future, and much more.

The Beatles’ Revolver further solidified the creative validity of the rock album format when it was released in August 1966. Seeing how Revolver’s Super Deluxe Edition multidisc LP/CD box set incarnations have been officially released via Apple/UMG today, October 28—not to mention the inherently excellent Revolver Atmos mix by producer Giles Martin concurrently being made available digitally—I had to find out why I needed to get that Atmos mix into my listening life. Therefore, Martin and I got on Zoom together recently to discuss exactly that. He also shared with me what his late father, original Beatles producer George Martin, thought of his multichannel mixing skills. These are all perfect topics for this month’s Spatial Audio File (he said he said), so read on, read on. . .

Sound & Vision talks high dynamic range and the evolution of HDR10+ with Bill Mandel, head of the Visual Solutions Lab at Samsung Research America and co-manager of HDR10+ Technologies, LLC.

That's rock legend Carlos Santana, succinctly summarizing two things at once: a) the fine art of making music worth listening to, and b) being able to hear that music as clearly as the artist intended. (To that end, Carlos and I wound up switching phone lines during the front end of our conversation in order to hear each other with a much better-sounding connection, but that's another story.)

A conversation with Tony Ostrom, president of the Wireless Speaker & Audio Association.

We’ve tracked the progress of the Wireless Speaker & Audio Association (WiSA) since its humble beginnings many years ago. A lot has changed since those early days when the Association showed up in a CES hotel room to demonstrate a home theater system devoid of speaker cables. It was a remarkable demo, not just because it worked, but because the enabling technology made it possible to send uncompressed 24-bit/96-kHz audio signals through the air from an AV receiver to seven speakers and a subwoofer. Today, wireless music is everywhere and better than ever but in those days transmitting hi-res audio wirelessly was a daunting task. It’s been a few years since we checked in with the Association so we caught up with WiSA president Tony Ostrom to get an update on the technology and the products it enables.