Mike Mettler

Mike Mettler  |  Mar 19, 2021  |  0 comments
Eric Clapton was in pain. Deep pain. He was hopelessly in love with Pattie Boyd, the wife of his close friend George Harrison, and there was little he could do about it. Hence, Clapton did what any relatively desperate artist would to express his innermost feelings about the situation—he created an alternate identity (Derek), gathered a semi-fictional band around him (The Dominos), and channeled all of his heartache into a triumphant, sprawling double album, November 1970's Layla and Other Assorted Love Songs.
Mike Mettler  |  Mar 12, 2021  |  0 comments
It's not a complete misnomer to observe the audience for King Crimson music tends to skew more towards the male side of the listening ledger—but that statement in no way means their forward-thinking music holds little or no sway with female music aficionados and audiophiles alike. In fact, far from it.
Mike Mettler  |  Mar 05, 2021  |  0 comments
Performance
Sound
Show of hands, please—how many of you rate August 1973's Goats Head Soup as your favorite Rolling Stones album? Anyone? No? Can't say I blame you. Any record following The Stones' May 1972 career-defining double-album masterpiece Exile on Main St. would have an impossibly high bar to overcome, no matter what made the final cut. Fact is, Goats Head Soup had a master chef's menu stacked against it from the outset. And time has very much not been on its side, as Goats Head Soup has long served as a relatively underappreciated entry in The Rolling Stones' somewhat uneven mid-1970s studio-album canon.
Mike Mettler  |  Feb 26, 2021  |  0 comments
Performances
Sound
It's hard to fathom counterculture icon and multitalented musician nonpareil Frank Zappa left this mortal coil almost three full decades ago in December 1993, given the sheer range of archival and new releases that continue to arise from the vaults of his legendary Utility Muffin Research Kitchen (UMRK)—a.k.a., Zappa's onetime home studio. Fact is, many of them were personally sequenced, mixed, and/or produced by the man himself before his untimely passing at age 52.
Mike Mettler  |  Feb 24, 2021  |  3 comments
Qello seeks to corner the market on streaming concerts and music documentaries but do they offer enough diverse material to satisfy our hunger for content?
Mike Mettler  |  Jan 29, 2021  |  6 comments
"I like to upset people, because it means I'm doing the right thing."

And that, my friends, is Steven Wilson for you in a nutshell. The once and future king of surround sound has taken yet another giant creative leap forward with his new solo album, The Future Bites (Arts & Crafts), which, after a pandemically induced half-year deferral, is finally being released on January 29, 2021.

Mike Mettler  |  Jan 15, 2021  |  0 comments
The Doors needed a win. Badly. After the, shall we say, appendage-related kerfuffle at a chaotic March 1969 show in Miami, the band was sidelined with legal troubles and limited performance options. Solace was found within the friendly studio confines of Elektra Sound Recorders in Los Angeles, with February 1970's Morrison Hotel the ensuing vibrant result.
Mike Mettler  |  Dec 18, 2020  |  2 comments
Gavin Harrison knows what he wants, and he knows how to get it. The critically celebrated, session-bred progressive-oriented British drummer vaulted into superstar status during his jaw-dropping eight-year stint as a member of Porcupine Tree, and he's since moved even further up the wide-acclaim foodchain thanks to all the mind-bending work he's done during his current, ongoing gigs behind the kit with both King Crimson and The Pineapple Thief. The thing is, Harrison pays little or no heed to the constant praise for his innovative drumming, nor does he spend much time ruminating over his impeccable legacy.
Mike Mettler  |  Dec 04, 2020  |  0 comments
Performance
Sound
I always viewed John Winston Ono Lennon as an inveterate seeker—an artist who was forever searching low and high to find both his ballast and his balance. During his time in The Beatles, Lennon was able to connect with listeners on an interpersonal level ("In My Life") while he also remained unafraid to address his own fears and insecurities ("Help!"), was eager to embrace the free-associative nature of the Sixties ("I Am the Walrus"), and was wholly game to confront the depths of his pain ("Julia").
Mike Mettler  |  Dec 03, 2020  |  0 comments
With large-scale live events still in a holding pattern, attending VR and AR concerts online could be the next best bet for diehard concertgoers.

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