Projection Screen Reviews

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Mark Henninger  |  Apr 03, 2024  | 

Home theater comes in many shapes and sizes, but one constant is that it could be a more portable experience. But it’s not impossible! Elite recently sent an ezCinema Tab-Tension CineGrey 4D screen to evaluate, which is an excellent match for an Anker Nebula Mars 3 projector ($1,099) that I have on hand. The Mars 3 has a built-in battery with up to five hours of playtime, although using the projector at its full light output lowers that to around two hours.
Al Griffin  |  Jun 16, 2022  | 

Performance
Setup
Value
PRICE $2,320

AT A GLANCE
Plus
Screen fully retracts when not in use
IR and RF remote controls
Very good value
Minus
Slight slackness at screen’s bottom edges when extended

THE VERDICT
The Elite Screens Kestrel is a well-made, reasonably-priced, and easy-to-set-up option for those who want their projection screen to disappear when it’s not in use.

Plenty of custom solutions have been developed to house ultra-short throw (UST) projectors, a category designed to beam bright, living-room friendly images from a position just a few inches away from the bottom edge of the projection screen. The main ones are furniture-grade cabinets with an interior compartment for stowing away the projector so it remains out of sight both in use and when powered off.

Michael P. Hamilton  |  Aug 25, 2021  | 

Performance
Setip
Value
PRICE $3,242 (as tested)

AT A GLANCE
Plus
Superb uniformity and detail rendition
Precise color tracking and accurate saturation
Minimal reduction in audio fidelity
Minus
Woven design involves inherent light loss
Beer budgeteers may find it champagne-priced

THE VERDICT
Stewart's remarkable new Harmony G2 is a reference-level Acoustically Transparent offering for systems with speakers installed behind the screen.

A myriad of boulevards dissects a tract of former citrus groves, referred to long ago as Hollywoodland. Of these thoroughfares, singularly, there is Hollywood Boulevard, known the world over for a century of broken dreams. As lore recounts, and contemporary tales of woe reveal, there is little left to ponder beyond what should have been after most fame-bound aspirants leave.

Al Griffin  |  Aug 11, 2021  | 

Performance
Setup
Value
PRICE $2,799

AT A GLANCE
Plus
Highly immersive image from 123-inch screen
Easy assembly
Five-year warranty
Very good value
Minus
Requires high brightness projector for best performance

THE VERDICT
If you're looking for an ultra-large screen to pair with your ultra short throw projector, the DarkStar UST 2 Efinity offers impressive performance and value.

With ultra short throw (UST) projectors available from a growing list of companies including Epson, LG, Hisense, Optoma, Vava, and now Samsung, it's clear that the category has become firmly established. That's no surprise given the ergonomic and screen real estate- per-dollar benefits such models offer, but getting the best picture quality from a UST setup requires a specific screen pairing. We've frequently discussed ambient light rejecting (ALR) screens in Sound & Vision and have reviewed a fair number of them. But a UST projector requires a specialized type of ALR screen—one like the DarkStar UST 2 Efinity from EPV Screens.

Kris Deering  |  Apr 28, 2020  | 

Performance
Setup
Value
PRICE $1,484 (material only, as tested)

AT A GLANCE
Plus
Excellent Image Uniformity
Dramatic reduction in artifacts over previous generation
Exceptional build quality and ease of installation
Minus
Minor artifacts on images with vertical camera motion

THE VERDICT
With dramatically improved performance over the previous generation StudioTek 130 material, Stewart Filmscreen's new ST130 G4 establishes a new reference standard for a gain screen.

I often feel that the screen is the most overlooked component of a video projection system. That's because the screen material itself lacks "wow" factor, and it typically doesn't get tagged with the sexy marketing buzzwords associated with other home theater gear. But selecting the right screen for a video system is crucial since the screen ultimately will serve to either enhance or reduce your projector's performance.

Michael Hamilton  |  Nov 13, 2019  | 
Performance
Setup
Value
PRICE $4,000 (as tested)

AT A GLANCE
Plus
Designer colors and mounting options
Rechargeable battery option allows varied placement
Silky smooth, silent retractable operation
Minus
Tab tensioning less robust than competitive retractable screens
Price may deter some

THE VERDICT
The Solo Pro 2 offers a highly flexible alternative to standard motorized screens. And when paired with the company's Slate 1.2 screen material, it provides satisfying viewing in elevated light conditions, and excellent results in lights-out theater mode.

Austin, Texas, that state's vibrant capital city, houses many cultural icons. For Millenials (not me), it means the South by Southwest film, music, and tech festival. For Formula 1 racing fans (ok, I confess...) the Circuit of The Americas is— finally—the home of a United States Grand Prix. And for music devotees of any age (y'all count me in), Austin's official motto, "Live Music Capital of the World," says it all.

Al Griffin  |  Jan 30, 2018  | 
Epson Home Cinema LS100
Performance
Features
Ergonomics
Value

Elite Screens Aeon CLR
Performance
Setup
Value
PRICE $3,000 (Epson), $799 (Elite)

AT A GLANCE
Plus
Bright picture
Compact form factor
Can be used in average room-lighting conditions
Minus
Below-average picture contrast
Some center-to-edge brightness dropoff
Mediocre remote control

THE VERDICT
This combination of Epson projector and Elite screen represents a great value for those seeking a daylight-friendly, ultra-large-screen viewing option.

Ultra-short-throw (UST) projectors are becoming an increasingly popular alternative to regular front-projection systems. The reason is that, unlike regular projectors, which require careful lighting control to perform their best, UST models can operate in well-lit environments. They beam light upwards and are designed to be mounted only a few inches away from the screen, an arrangement permitting clean installations that not only are free of ceiling mounts or long wiring runs but also avoid the problem of onscreen shadows when someone traverses a projector’s beam.

Michael P. Hamilton  |  Oct 05, 2017  | 
Performance
Setup
Value
PRICE $4,132 as reviewed

AT A GLANCE
Plus
Excellent off-axis light rejection
Wide viewing angle maintains color saturation
Very good calibration accuracy
Minus
Cloudy artifacts with camera pans on bright scenes
High price

THE VERDICT
A paradoxical hybrid that blends excellent contrast management for challenging viewing environments with a frustrating callousness about pristine image fidelity.

Two years ago, Sound & Vision contemplated how pairing sub-$2K projectors with innovative ALR (ambient light rejecting) screens might compete as similarly priced replacements for large flat panels in multipurpose environments. Compelling, immersive, life-size projected images for the same currency swap as a diminutive, backlit, uh…TV?

Al Griffin  |  Dec 01, 2016  | 

Performance
Setup
Value
PRICE $219 as reviewed

AT A GLANCE
Plus
Highly affordable
Good uniformity
Quality construction
Minus
Time-consuming to assemble

THE VERDICT
The VApex PRO is a great option for anyone looking to put together a home theater on a budget without cutting corners.

Recent advances in projection screen technology have created a shift in home A/V from cave-like theaters that block out every last drop of light to open spaces that integrate with the rest of the living environment. For screen manufacturers, a main mission over the past few years has been to design models capable of withstanding some degree of ambient light while delivering good image quality over a wide viewing angle. Known as ambient-light-rejecting (ALR) screens, these do exactly what their name suggests: cancel out the impact of lamps, overhead lighting, and undraped windows so that the light you see reflected off the screen is primarily what’s beamed at it by the projector.

Michael P. Hamilton  |  Mar 15, 2016  | 

Performance
Setup
Value
PRICE $2,257 as reviewed

AT A GLANCE
Plus
Uncanny ability to make any projection technology look exemplary
Greatly enhances contrast and black level, even with budget projectors
Easy assembly with superb fit and finish
Performance enhancement that would be banned if projection video were a sport
Minus
Slightly pearlescent sheen with some high-brightness, fully saturated, high-motion scenes
That it has appeared only recently

THE VERDICT
If you need evidence that a high-quality ambient-light-rejecting screen can give spectacular results with an entry-level projector, look no further than the SSE Ambient-Visionaire Black 1.2.

“Is this heaven?” John Kinsella unwittingly asks his son, Ray, in the 1989 movie Field of Dreams. “It’s Iowa,” Ray answers. Turning slowly to walk away, John halts, replying, “Iowa? I could have sworn this was heaven.”

Michael P. Hamilton  |  Oct 12, 2015  | 

Performance
Setup
Value
PRICE $3,138 as reviewed

AT A GLANCE
Plus
Exquisite color rendering
Solid black level with a tremendous sense of image depth
Glare-free viewing with sensible ambient light level
Minus
Pricey compared with Elite’s traditional screen materials, though in line with or cheaper than some other ALR solutions

THE VERDICT
No misgivings apply to this multi-layer, firm-surfaced material. Every atom of detail in the source reflects back with seemingly free, bonus lumens. If there’s color shift at extreme angles, it’s only measureable, not noticeable.

High light-output capabilities and receding prices in the DLP and LCD projector camps have recently broadened the application possibilities for two-piece projection video. One facet of design garnering prominent attention from screen manufacturers is ambient light rejection (ALR) technology, which allows a projector/screen combo to function as the big-screen TV in a multipurpose room the way a flat-panel TV might—though at a potentially much larger size.

Darryl Wilkinson  |  Jun 16, 2015  | 

Performance
Features
Build Quality
Value
PRICE $549

AT A GLANCE
Plus
Stupidly simple setup/takedown
Machine-washable screen material
Front- or rear-projection configuration
Minus
Thin (though strong) aluminum poles

THE VERDICT
Affordable, easy to set up, and convenient to transport, this huge screen has an awesome picture and provides more fun than just about anything else you can do outdoors with your clothes on. What more could you want?

Not everyone is as keen on outdoor televisions as I am. In fact, most people with whom I’ve discussed the subject have walked away convinced that I was a blithering idiot—or, at least, more of a blithering idiot than I’d previously proven myself to be. On the other hand, the folks who’ve had the chance to watch a movie or a playoff game on one of the outdoor TVs I’ve tested over the years have invariably come away from the experience with a totally different (ahem) outlook. For those of us who have watched TV au naturel, there is nothing ridiculous, extravagant, or abnormal about it. It’s just one heck of a good time.

Kris Deering  |  Oct 31, 2014  | 

Performance
Setup
Value
PRICE $3,097 (as reviewed)

AT A GLANCE
Plus
Pristine image with no obvious artifacts
Nearly perfect brightness and color uniformity
Minus
Performance hinges a lot on room
May not provide the gain needed to achieve desired brightness

THE VERDICT
The StudioTek 100 provides the most accurate picture I’ve ever seen from a screen at home. While it demands a truly dark viewing environment—and a bright projector—it’s worth the effort if you want the best image possible.

Your video playback system is like any other part of your home theater: It is only as good as its weakest component. In the last five years, massive improvements have been made in both video sources and playback systems, but we’ve also seen a huge growth in the options for projection screen materials. There are new designs that bring great flexibility, allowing customers to do front projection in rooms that they never would have considered before. But most of the time, just like with fancy video processing, these new, exotic materials give you one thing but take away another, imparting visible artifacts to the image such as sparkles, texturing, and hotspotting.

Thomas J. Norton  |  Sep 25, 2014  | 
Performance
Setup
Value
PRICE $2,049 (as tested)

AT A GLANCE
Plus
Superb color and contrast with room lights out
Lights-on viewing can be more satisfying than with a conventional screen
Minus
Don’t expect miracles: Lights-out viewing still offers a superior picture

THE VERDICT
No screen can provide a projector’s best performance in normal room lighting, but the Screen Innovations Slate takes aim at this goal and, though not scoring a bull’s-eye, comes closer than most.

The surest route to realizing a knockout, big-picture home theater is to install a separate projector and screen. Once you’ve experienced it, you’ll wonder how you were ever satisfied with a “tiny” flat-screen HDTV.

Up until a few years ago, the biggest obstacle to realizing that ideal was the price of a good projector. Today, however, you can buy an excellent projector for under $3,000, and although that’s not chicken feed, it’s within the reach of many serious home theater enthusiasts. But what was once a secondary stumbling block is now front and center: the need for a fully darkened room to wring the best performance out of that projector. With most projection screens, there’s little choice, and this has kept home projection a niche market.

Thomas J. Norton  |  Apr 17, 2014  | 

Performance
Setup
Value
PRICE $1,675

AT A GLANCE
Plus
Excellent picture quality
Competitive with Stewart’s upmarket designs
Minus
Varied sizes and configurations but no custom options

THE VERDICT
Stewart Filmscreen’s Cima lineup offers fewer options than the company’s long-respected but more expensive designs, but it makes Stewart’s pristine image quality now available to a wider range of buyers.

What can one say about a projection screen? Quite a lot, actually. A screen is much more than a bedsheet or the nearest white wall. While it can’t improve the quality of a projector, it can, if poorly designed, most certainly degrade it.

Screens can be solid or (mostly) acoustically transparent. They can be white or various shades of gray (the latter often incorporating special treatments designed to improve performance in a less than ideally darkened room). They’re available in a wide range of gains—1.0 for more or less neutral performance or higher values to enhance brightness from a less than torch-like projector and/or a super-large screen.

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