Spatial Audio File

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Mike Mettler  |  May 27, 2022  |  0 comments

As we head into the long weekend ahead, might I respectfully suggest you open your ears to a fine quintet of all-new Atmos recommendations on display here in our latest weekly installment of Spatial Audio File? Each track has been lovingly test-driven via personal listening sessions on both my home system and headphones alike. And, hey, if your weekend winds up being somewhat travel-oriented in spots, you can tap directly into the very best of the immersive Spatial Audio and Dolby Atmos universe available in the always expanding Apple Music library to serve as your perfect on-the-road-again soundtrack companion. Win-win, I say!! And this week’s five superstar tracks are. . .

Mike Mettler  |  May 20, 2022  |  1 comments

Welcome back one and all to the latest weekly installment of Spatial Audio File. As a card-carrying Spatial Audiophile, it's my sacred honor to select five (count ’em) prime Spatial Audio releases on Apple Music by vetting and recommending key individual tracks and (every now and then) full albums via deep-dive listening sessions on my home system and headphones alike. What you will find here is the very best in the immersive Spatial Audio and Dolby Atmos universe that’s available in the ever-expanding Apple Music library so you can experience the aural wonders of it all for yourself.

And this week’s fab five are. . .

Mike Mettler  |  May 13, 2022  |  0 comments
A veritable houseful of tracks by L.A. legends The Doors came onto the Dolby Atmos marketplace last week. Being a consummate fan of the legendary envelope-pushing ’60s band, I just had to check them out, most especially one of my absolute favorite tracks of theirs—“Riders on the Storm,” the last cut on Side 2 of their April 1971 swan song of sorts, L.A. Woman. I say “swan song” only because it was their last album with vocalist/lyricist/shaman-in-chief Jim Morrison as frontman. (Sadly, and somewhat mysteriously, Morrison passed away in Paris, France just three short months after L.A Woman was released.)
Mike Mettler  |  May 06, 2022  |  0 comments
Can it really be 20 full years since singer/songwriter/piano ingenue Norah Jones burst on the scene with her stunning, multiple-Grammy Award-winning February 2002 debut album, Come Away With Me? This breakthrough album is currently being properly feted with a 20th Anniversary Super Deluxe Edition that contains bonus tracks galore, but the immediate impact of its lead-track sensation “Don’t Know Why” is what sealed Jones as the real deal in the first place—and it mesmerizes the ears (and soul) even more fully in its Dolby Atmos incarnation.
Mike Mettler  |  Apr 29, 2022  |  1 comments
Spoiler alert: Rush’s February 1981 masterpiece, Moving Pictures, is my personal No. 1 favorite album of all time, so I was very much looking forward to hearing the entire album in its full glory in Atmos. Interestingly, stellar Atmos mixes of two great Pictures tracks, “Tom Sawyer” and “Limelight,” were released last year on Apple Music in anticipation of celebrating the album’s 40th anniversary, but the balance of its seven tracks were held back until now, mostly due to supply-chain issues in order to align with the physical release of the Moving Pictures Super Deluxe Edition box set that finally came to market earlier this month—a mondo-disc collection that features a 24-bit/96kHz Atmos mix of the entire album on its included Blu-ray.
Mike Mettler  |  Apr 22, 2022  |  0 comments
British indie-rock sensations Wet Leg made quite a splash with their deadpan and earnestly quirky June 2021 debut hit single “Chaise Longue.” Now a key component of this dynamic duo’s full-length, self-titled April 2022 debut album, “Chaise Longue” gets to stretch its compositional legs that much more in Atmos.
Mike Mettler  |  Apr 15, 2022  |  0 comments
British supergroup Asia consisted of four virtuosic musicians who shared an uncanny knack for distilling their progressive-leaning chops into pop rock for the masses. The evidence is on full display all over their chart-topping self-titled March 1982 debut album, and the Atmos version of its popular lead track “Heat of the Moment” makes it even more appealing across the board.
Mike Mettler  |  Apr 08, 2022  |  0 comments
To certain observers, jazz multi-instrumentalist Jon Batiste’s March 2021 passion project We Are was the surprise winner of Album of the Year at the 64th Annual Grammy Awards last weekend. But to these ears, this multi-layered, genre-defiant album displays the best of all musical worlds—as in, everybody can find something to love within the grooves of its wide-ranging sonic palette.
Mike Mettler  |  Apr 01, 2022  |  0 comments
“Jack & Diane,” the second No. 1 single from John Mellencamp’s multiplatinum breakthrough album, April 1982’s American Fool—which was originally released (and still catalogued) under the gimmicky stage name he never personally liked, John Cougar—cemented the feisty Midwestern rocker as an American songwriter to be reckoned with. The track’s most definitely best-they-can Atmos mix only serves to make this knowing tale of growing up in the heartland and clutching onto the fleeting vibrancy of youth that much sweeter.
Mike Mettler  |  Mar 25, 2022  |  0 comments
Could it really be that Elton John is turning 75 today, March 25? (And here I thought he was on such a timeless flight. . .) Well, in celebration of our favorite pop piano maestro, we’re going to kick off this diamond birthday gala edition of Spatial Audio File with a pair of prime Elton tracks in all their Atmos-ified glory.
Mike Mettler  |  Mar 18, 2022  |  0 comments
Portuguese-Canadian songstress Nelly Furtado hit the Top 10 back in 2000 with her sultry debut single “I’m Like a Bird,” a deceptively melancholy flight-of-fancy kiss-off of sorts that soars even higher in its Dolby Atmos form. (“Bird” ultimately appeared on Furtado’s acclaimed October 2000 debut album, Whoa, Nelly!)
Mike Mettler  |  Mar 11, 2022  |  1 comments
It only took Roland Orzabal and Curt Smith, a.k.a. the twin towers of Tears For Fears, 18 years to follow up what was thought to be their final album (September 2004’s Everybody Loves a Happy Ending), but February 2022’s The Tipping Point might just be the release that resides at the apex of four decades’ worth of their creative push-pull partnership. (Incidentally, you can head on over to The S&V Interview later today to catch my deep-dive conversation with Orzabal about the making of the new album and his thoughts about TFF’s long penchant for serving up great surround sound releases.)
Mike Mettler  |  Mar 04, 2022  |  0 comments
All-channel mixing maestro Giles Martin shared some truly key insights during his sitdown with Apple Music’s Zane Lowe in a global virtual live event this past Monday, in celebration of the Atmos mix Martin had recently completed for The Beatles’ November 2000 collection of (count ’em) 27 U.S. and U.K. chart-toppers oh-so-appropriately titled 1—as well as for their groundbreaking double-A-sided February 1967 single, “Strawberry Fields Forever/Penny Lane.”
Mike Mettler  |  Feb 25, 2022  |  0 comments
The phrase “immersive audio” and the name of producer Giles Martin are practically synonymous terms these days, and his magic Atmos touch is out in full force on “Lucy in the Sky With Diamonds (Remix),” an updated Spatial Audio take on this most head-trippy of tracks from The Beatles’ truly seminal June 1967 masterpiece, Sgt. Pepper’s Lonely Hearts Club Band.
Mike Mettler  |  Feb 18, 2022  |  0 comments
Hear ye hear ye, o fine fellow hi-fi-inclined friends o’ mine! It’s Week Three here in the always aurally intriguing world of the Spatial Audio File, and I’m more than ready to delve right on into five more choice selections for the best of this week’s Dolby Atmos mixes Made for Spatial Audio on Apple Music. Happy Spatial Listening, everybody!