Editor's Eye

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Al Griffin  |  Jun 10, 2021  |  0 comments
Yes, it had to be done. Consider it a form of spring cleaning. The “it” is in this case is a streaming service — HBO Max to be specific — that I decided to drop. My video streaming plate had become over-filled during the pandemic as I spent much of my free time at home, and now that I was vaxxed up and ready to re-engage (as much as possible) with the world, I made the decision to dump at least one service. It’s not that I wanted to lose it — in the final days of my active subscription, I of course happened upon a new original series, Mare of Easttown, that was right up my alley — but something had to give, and it was going to be HBO Max.
Al Griffin  |  Apr 22, 2021  |  0 comments
In a recent letter to the editor, reader Paul Brians makes the case that current home theater systems, including ones that use a 65-inch TV, offer a superior viewing experience in comparison with a typical movie theater. I’ll confess to having had that same thought many times, even as I continue to be a fan of theatrical venues such as the Cinerama in Seattle that Mr. Brians mentions.
Al Griffin  |  Feb 10, 2021  |  0 comments
Home video streaming received a boost in 2020 for obvious reasons, while movie theater attendance took a dive for equally obvious reasons. But even with a massive paradigm shift in the way people experience movies and other forms of entertainment clearly taking place in real time, it still came as a shock when WarnerMedia announced in early December that its full slate of theatrical releases for 2021 would drop day and date on the company’s HBO Max streaming service.
Al Griffin  |  Dec 08, 2020  |  0 comments
It’s hard to believe 40 years have passed since John Lennon was fatally shot outside his home on Manhattan’s Upper West Side on this very day. We’re marking the anniversary of Lennon’s untimely passing with a review of the new Gimme Some Truth: The Ultimate Mixes box set and Matt Hurwitz’s story on the production of tracks remixed in stereo, 5.1, and Dolby Atmos.
Al Griffin  |  Oct 01, 2020  |  5 comments
It seemed like a miracle when Christopher Nolan’s new film Tenet was released in theaters a few weeks ago. But there was a dilemma. I live in New York State, and the governor hadn’t yet cleared movie theaters for reopening. And that’s still the case.
Al Griffin  |  Aug 20, 2020  |  3 comments
TAP, TAP, TAP. . . is this thing on? We’re back! If you’re a print subscriber I’m sure you’re wondering what happened to the June/July issue of Sound & Vision so here’s the deal.
Al Griffin  |  Apr 29, 2020  |  1 comments
In a recent letter, long-time reader David K. Johnson laments the changes that have impacted the content of Sound & Vision in the years following its merger with Home Theater magazine back in 2013. My response to David attributes these changes to a resurgence in audio gear, spanning a number of categories.
Al Griffin  |  Feb 06, 2020  |  5 comments
Looking over the list of products that earned a Sound & Vision Top Pick award in 2019, one entry towered over the others: JVC’s DLA-NX9 D-ILA projector. Congratulations to JVC for a job well done in being selected as S&V’s overall Top Pick for 2019!
Al Griffin  |  Nov 14, 2019  |  0 comments
Depending on how you look at it, the arrival of Apple TV+, Disney+, and other streaming options — some still on the horizon — is either a glut or an embarrassment of riches.
Al Griffin  |  Aug 22, 2019  |  0 comments
In May I had an opportunity to attend High End in Munich, Germany, an event considered by many to be the world’s leading hi-fi show. It was the second consecutive Munich show I had attended, and this one was even more bustling with activity than the last. While the show does provide trade-only days, it’s primarily a consumer-focused event — audiophiles from all over Europe flock in to look at and listen to the latest gear, much of it on active display in rooms that pump out nonstop music.
Al Griffin  |  Jul 30, 2019  |  0 comments
Road trips are a common enough activity in the U.S., but most, if not all, drivers leave their loudspeakers behind. Not Wendell Diller. The marketing mind behind Magnepan hit the road earlier this year with the company’s 30.7 Magneplanar loudspeaker, a flagship model, in tow. The plan? To visit every one of the company’s U.S. dealers and demo the new $30,000/pair loudspeaker.
Al Griffin  |  Jun 27, 2019  |  1 comments
A persistent theme I’ve observed in recent articles from several long-time Sound & Vision contributors is a sense of unease over the encroachment of AI (Artificial Intelligence) into the traditional consumer electronics space.
Al Griffin  |  May 14, 2019  |  0 comments
DALI (Danish Audiophile Loudspeaker Industries) was founded in 1983 by Peter Lyngdorf, who is also the founder and owner of high-end audio company Steinway Lyngdorf. The company currently employs 300 people, with the bulk of its manufacturing carried out in a 220,000-square-foot factory located in farm country midway between Aarhus and Aalborg. DALI produced 250,000 speakers in 2018, and exported products to 70 countries.
Al Griffin  |  Apr 26, 2019  |  2 comments
As someone who has spent the past two-plus decades writing about and reviewing TVs, projectors, and associated gear, I have to say that the addition of high dynamic range to video is among the more impressive developments I’ve encountered. Not since high-definition TV took over the airwaves back in 1999 and then made its way to Blu-ray (and HD DVD) discs a few years later have video enthusiasts been treated to such a massive leap in visual quality. Oh right, there was the launch of Blu-ray 3D back in 2010, a format that required a new player and TV, goggles, and a 50 percent hit in screen brightness, but…oh, never mind.
Al Griffin  |  Jan 07, 2019  |  0 comments
Last year — oh, around the same time that I’m sitting down to write this — I penned an editorial lamenting changes to the Consumer Electronics Show in Las Vegas that made it inhospitable to writers covering the high-end audio and home theater categories. The gist of my article was that for us CES had become mostly irrelevant, and that I would sit the 2018 show out and quite possibly future ones as well.

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