Spatial Audio File

Spoiler alert: Rush’s February 1981 masterpiece, Moving Pictures, is my personal No. 1 favorite album of all time, so I was very much looking forward to hearing the entire album in its full glory in Atmos. Interestingly, stellar Atmos mixes of two great Pictures tracks, “Tom Sawyer” and “Limelight,” were released last year on Apple Music in anticipation of celebrating the album’s 40th anniversary, but the balance of its seven tracks were held back until now, mostly due to supply-chain issues in order to align with the physical release of the Moving Pictures Super Deluxe Edition box set that finally came to market earlier this month—a mondo-disc collection that features a 24-bit/96kHz Atmos mix of the entire album on its included Blu-ray.

British supergroup Asia consisted of four virtuosic musicians who shared an uncanny knack for distilling their progressive-leaning chops into pop rock for the masses. The evidence is on full display all over their chart-topping self-titled March 1982 debut album, and the Atmos version of its popular lead track “Heat of the Moment” makes it even more appealing across the board.

“Jack & Diane,” the second No. 1 single from John Mellencamp’s multiplatinum breakthrough album, April 1982’s American Fool—which was originally released (and still catalogued) under the gimmicky stage name he never personally liked, John Cougar—cemented the feisty Midwestern rocker as an American songwriter to be reckoned with. The track’s most definitely best-they-can Atmos mix only serves to make this knowing tale of growing up in the heartland and clutching onto the fleeting vibrancy of youth that much sweeter.

Portuguese-Canadian songstress Nelly Furtado hit the Top 10 back in 2000 with her sultry debut single “I’m Like a Bird,” a deceptively melancholy flight-of-fancy kiss-off of sorts that soars even higher in its Dolby Atmos form. (“Bird” ultimately appeared on Furtado’s acclaimed October 2000 debut album, Whoa, Nelly!)

All-channel mixing maestro Giles Martin shared some truly key insights during his sitdown with Apple Music’s Zane Lowe in a global virtual live event this past Monday, in celebration of the Atmos mix Martin had recently completed for The Beatles’ November 2000 collection of (count ’em) 27 U.S. and U.K. chart-toppers oh-so-appropriately titled 1—as well as for their groundbreaking double-A-sided February 1967 single, “Strawberry Fields Forever/Penny Lane.”

Hear ye hear ye, o fine fellow hi-fi-inclined friends o’ mine! It’s Week Three here in the always aurally intriguing world of the Spatial Audio File, and I’m more than ready to delve right on into five more choice selections for the best of this week’s Dolby Atmos mixes Made for Spatial Audio on Apple Music. Happy Spatial Listening, everybody!

Welcome one and all to the inaugural weekly installment of Spatial Audio File. Some people call me the Spatial Audiophile—some people call me Maurice, though I advise against it—but at any rate, each Friday in this space, I will be reviewing select Spatial Audio releases on Apple Music by vetting and recommending key individual tracks and (occasionally) full albums via listening sessions on my home system and headphones alike.