Mike Mettler

Two words I'd never dream of associating with Nick Mason would be "idle hands." If anything, the longtime co-founding Pink Floyd drummer has always liked keeping himself busy, whether it's been behind the drum kit or handling the respective steering controls of exotic cars and/or flying machines (a.k.a. airplanes, in everyday parlance).

When the final notes of "Trouble No More" rang out in the early morning hours of October 29, 2014 at The Beacon Theatre in New York City, the unthinkable was finally upon us, for that meant The Allman Brothers Band were truly no more. After five-plus decades as the consummate road warriors, America's premier jam band was hanging up its collective boots for good at the venue they'd held an annual residency at for a quarter-century.

Forgive the imagery, but Jon Anderson is like the Energizer bunny of progressive music—he just keeps on going and going. The legendary founding Yes vocalist/lyricist forges ever onward like a man perpetually possessed by his muse, whether he's adding to his own solo canon or collaborating on shared-name releases with the likes of violinist Jean-Luc Ponty, Flower Kings guitarist/vocalist Roine Stolt, or his former fellow Yesmates in the short-lived but quite well-loved musically acrobatic acronym known alternately as ARW, or YES Featuring Jon Anderson - Trevor Rabin - Rick Wakeman.

"I miss going to concerts."

It's a common refrain these days. Perhaps you've even said it yourself out loud on occasion to no one in particular but yourself, and/or to whomever you're jointly commiserating and quarantining with, and/or have typed it out as a comment-cum-lament underneath one of those incessant social media "memories" reminders that really only serve to bum you out about what you're missing—not to mention what you most decidedly won't be able to replicate in a comparable fashion in the near future.