Mike Mettler

Few biopics could get away with recurring nonlinear narrative beats the way Rocketman does, but given the larger-than-life nature of its titular subject, Sir Elton John, the movie's storytelling trajectory makes perfect sense. Director Dexter Fletcher's unabashed commitment to occasionally mirroring those classic MGM musical moments of yore—with Elton's full blessing, of course—succeeds with much audio/visual aplomb.

Can classical music and the streaming universe truly co-exist? Thanks to Primephonic, many hi-res movements are nothing but music to our ears.

British keyboard maestro Rick Wakeman called us from across the Pond to discuss the current (and future) status of that cherished Yes/ARW collective, why he continues to endorse surround sound and vinyl listening, why he needed to get Brian May’s approval to cover “Bohemian Rhapsody,” and when’s the right and wrong time to wear his signature cape onstage during a performance.

Oliver stone first heard The Doors while serving in the U.S. Army in Vietnam in the late-1960s, and the impact of their music never left him. Amid much controversy, the Oscar-winning director brought his singular vision for The Doors biopic to middling box-office success in 1991. Though some disagreement lingers regarding particular story beats and extrapolated mythologizing, there's no denying Stone conveyed much of the perpetual mystique surrounding Doors frontman Jim Morrison with an altruistic eye.