Mike Mettler

"I'm a Soundist."

Forward-thinking guitar legend Steve Howe, the maestro of many iconic, nimble guitar riffs that have literally defined a generation or two of aurally challenging songs by the likes of Yes and Asia, is describing his raison d'être. "I'm a sound recorder, in a way," he continues. "I'm like Chet Atkins and Les Paul, who were both sound scientists. They were recording engineers and producers as much as I am, or as much as I hope to be."

ZZ Top ain't been nicknamed That Little Ol' Band From Texas for nothing, you know. But just in case you don't, please bear witness to this highly informative 2019 Banger Films documentary, which delves Rio Grande-deep into the true origins of this tight-knit blues 'n' boogie trio. (Incidentally, said trio also happens to comprise the longest-running unchanged lineup in rock history—51 years and counting, as of presstime.)

One thing our ongoing pandemic lockdown continues to remind many of us music lovers of on a daily basis is just how much we all miss attending live concert events.

Okay, you got me. I freely admit before all my fellow music lovers and audiophiles alike that I had a very specific ulterior motive when I noted in a recent Remaster Class column that the title track to Yes' September 1972 magnum opus Close to the Edge was my "second-favorite 5.1 mix." Following my primary intention of encouraging listeners to marvel at the fully enveloping scope of that song's truly amazing surround sound mix, I figured the next thing anyone reading said comment might wonder would be along the lines of, "Yeah, cool cool cool, that's great and all—but what's No. 1?"