Mike Mettler

Gavin Harrison knows what he wants, and he knows how to get it. The critically celebrated, session-bred progressive-oriented British drummer vaulted into superstar status during his jaw-dropping eight-year stint as a member of Porcupine Tree, and he's since moved even further up the wide-acclaim foodchain thanks to all the mind-bending work he's done during his current, ongoing gigs behind the kit with both King Crimson and The Pineapple Thief. The thing is, Harrison pays little or no heed to the constant praise for his innovative drumming, nor does he spend much time ruminating over his impeccable legacy.

With large-scale live events still in a holding pattern, attending VR and AR concerts online could be the next best bet for diehard concertgoers.

Like most musicians, Jakko M. Jaksyzk was not planning on spending the bulk of 2020 at home. For one thing, the celebrated progressive-leaning British guitarist/vocalist was more than ready to continue with King Crimson's ongoing 50th anniversary tour that had begun in earnest in 2019. (Sidenote: most of Crimson's 2020 dates have since been reset for 2021.). Not only that, Jaksyzk had composed a short set of experimental, narrative performance pieces that were commissioned by BBC Radio 3 for him to perform solo during the Edinburgh Festival Fringe in August, but that event was also scotched.

The third time was truly the charm for Supertramp. After two middling misfires, the British quintet's third LP, September 1974's Crime of the Century, vaulted them into the big leagues where progressive-leaning tendencies met not-so-subversive pop sensibilities head-on. Over the course of eight songs, Supertramp took full advantage of the dynamic range of tracks like "School" (punctuated by multiple piano bursts and yelping schoolchildren), "Bloody Well Right" (its razor-sharp guitar line wafting from back- ground to foreground and back like a talkbox in a tsunami), and the ascendant, power-packed rage of the title track (with a final lyrical twist worthy of the last episode of The Prisoner).