Chris Chiarella

Chris Chiarella  |  Oct 22, 2021  |  0 comments
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Serial killers. Cannibalism. A disturbing journey into the darkest recesses of the human psyche. The Silence of the Lambs has more than its share of horrors, yet, through it all, the movie tells the very personal story of FBI trainee Clarice Starling (Jodie Foster, nabbing a second Best Actress Oscar here). Haunted by loss and her guilt over a childhood failure, she seeks redemption in a high-profile missing persons case that requires her to work closely with notorious murderer Hannibal Lecter (Anthony Hopkins, who netted a Best Actor Oscar). An outstanding piece of filmmaking in every way, Silence of the Lambs has transcended the thriller genre to become a genuine classic.
Chris Chiarella  |  Oct 08, 2021  |  0 comments
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Anyone seeking to make a horror sequel would do well to study writer/ director John Krasinski's A Quiet Place Part II. A magnificent expansion of the established characters and story, this film wastes nary a second, framing the narrative with a bit of new backstory before picking up immediately after the events of the 2018 original and taking us in bold, terrifying new directions.
Chris Chiarella  |  Sep 24, 2021  |  1 comments
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In what will surely go down in history as a textbook example of a successful online campaign to release a much-wanted movie, the #releasethesnydercut movement ultimately convinced Warner Bros. to complete and distribute director Zack Snyder's original vision for his DC Comics Extended Universe ("DCEU") team-up flick, Justice League. Snyder's departure from the project during production led to the hiring of Joss Whedon to oversee final work on the movie for its November 2017 theatrical debut, writing and directing new scenes on the way to a two-hour cut. That version largely left audiences cold, particularly fans of Snyder's previous DCEU films, despite co-star Gal Gadot's wave of popularity from her Wonder Woman solo film a few months earlier.
Chris Chiarella  |  Sep 10, 2021  |  0 comments
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Movies can reveal a world mainstream audiences might not have been aware of, and in doing so they go beyond mere entertaining to offering actual enlightenment. Such is the case with Nomadland. Winner of 2020 Oscars for Best Picture, Director, and Actress, the film depicts a culture of folks with little in the way of material possessions—really just a vehicle and a few incidentals—who relish their freedom and mobility as they roam this great land.
Chris Chiarella  |  Jul 30, 2021  |  0 comments
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Universal Studios needn't have advertised on Nobody's disc cover that it sprang from the mind of Derek Kolstad, writer of John Wick, since it's at its core the same movie. And that's not such a bad thing, since the erstwhile-enforcer-makes-a-violent-comeback formula is a winning one. This time the story lives or dies on the substantial charm of star Bob Odenkirk, who for the most part keeps his renowned comedic chops under wraps, instead allowing the humor to grow from the incongruity of suburban schlemiel Hutch's explosive and deadly skills.
Chris Chiarella  |  Jun 11, 2021  |  2 comments
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Legend has it that director Zack Snyder was streaming his Dawn of Justice one day and was unhappy with the color, specifically red, a shade relevant to much more than a certain Last Son of Krypton. And so, the studio took the unusual step of remastering the movie from the existing 4K video transfer and rereleasing it, with the new version addressing Snyder's crimson concerns as well as showcasing the de rigueur IMAX scenes in their full and correct 1.43:1 aspect ratio.
Chris Chiarella  |  May 28, 2021  |  1 comments
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It can be taken for granted that if Tom Hanks is starring in a movie, we will become acquainted with a compelling lead character. Also, if Paul Greengrass is directing, it will be an exciting ride. Following the South's loss in the Civil War, Texas circa 1870 was a complicated place and time in the United States. World-weary Captain Kidd (not Phillips) ekes out a humble existence traveling from town to town, reading the news of the day to small groups of dime-paying customers who might otherwise remain oblivious.
Chris Chiarella  |  May 14, 2021  |  1 comments
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Pixar O.G. and now Chief Creative Officer Pete Docter touched our hearts with Up, then plumbed the intricacies of the human mind in Inside Out. It would follow, then, that his next movie would be Soul.

Together, these are arguably the most grown-up entries in the Pixar canon, not for any sort of overly mature content, but rather for their sophisticated themes and storytelling. And Soul might be the most adult-skewing: It's the longest of the three, exploring The Great Hereafter and even "The Great Before," namely where souls originate prior to their arrival on Earth. This concept requires quite a bit of exposition, and it's executed masterfully by Docter, co-writer/co-director Kemp Powers, and co-writer Mike Jones, through bold visuals and pithy gags.

Chris Chiarella  |  Apr 30, 2021  |  0 comments
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They are living amongst us, manipulating the entire human race, dominating us using hidden messages of obedience and rampant commercialism. Who they are and why they're doing it are less important than how we will expose them—and who will be brave enough to fight back. A down-and-out working-class hero and all-around good egg (Roddy Piper) stumbles across special sunglasses that block the oppressors' shenanigans and gives him a clear look at them…and he doesn't like what he sees.
Chris Chiarella  |  Apr 02, 2021  |  0 comments
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This is how director Christopher Nolan does time travel. Actually, to hear him tell it, this is how he does a spy thriller, inspired by the Bonds of his youth and enhanced with all of the mind-bending trappings we've come to expect from one of filmdom's brainiest auteurs. The central conceit of Tenet—one that commands audiences to pay full attention lest they be left behind—is the recent discovery of a temporal anomaly, possibly man-made, that can send certain objects backwards in time, rather than in the usual direction.

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