Chris Chiarella

Blurring the line between sequel, reboot and remake, The Suicide Squad fairly leaps off the screen with something too often conspicuously absent from the DC Cinematic Universe: a sense of fun. Written and directed by James Gunn after his famous firing from Marvel's Guardians of the Galaxy series (and before he was rehired), The Suicide Squad gleefully embraces excess in every way imaginable. It's rated R for its gore, language, and nudity, yet seldom misses an opportunity to pause and appreciate the absurdity of it all—a drastic tonal shift from its joyless 2016 predecessor, simply titled "Suicide Squad."

After making Return of the Jedi, Executive producer George Lucas was looking for fresh creative frontiers, and he would embark upon new cinematic collabs with previous and first-time cohorts. One such experiment was his team-up with mastermind Jim Henson for the family-friendly fantasy, Labyrinth. With a playful script by Monty Python alum Terry Jones, the story follows an angry teenager Sarah (Jennifer Connelly) with a fondness for fairy tales.

Serial killers. Cannibalism. A disturbing journey into the darkest recesses of the human psyche. The Silence of the Lambs has more than its share of horrors, yet, through it all, the movie tells the very personal story of FBI trainee Clarice Starling (Jodie Foster, nabbing a second Best Actress Oscar here). Haunted by loss and her guilt over a childhood failure, she seeks redemption in a high-profile missing persons case that requires her to work closely with notorious murderer Hannibal Lecter (Anthony Hopkins, who netted a Best Actor Oscar). An outstanding piece of filmmaking in every way, Silence of the Lambs has transcended the thriller genre to become a genuine classic.

In what will surely go down in history as a textbook example of a successful online campaign to release a much-wanted movie, the #releasethesnydercut movement ultimately convinced Warner Bros. to complete and distribute director Zack Snyder's original vision for his DC Comics Extended Universe ("DCEU") team-up flick, Justice League. Snyder's departure from the project during production led to the hiring of Joss Whedon to oversee final work on the movie for its November 2017 theatrical debut, writing and directing new scenes on the way to a two-hour cut. That version largely left audiences cold, particularly fans of Snyder's previous DCEU films, despite co-star Gal Gadot's wave of popularity from her Wonder Woman solo film a few months earlier.