The S&V Interview

Goo Goo Dolls guitarist/vocalist John Rzeznik and bassist/vocalist Robby Takac got on the line with us to discuss the finely prescribed music on their new album Miracle Pill, plus the best way to find analog sounds in a digital world, how to make albums that are immersive experiences, and what the secret to their longevity is.

Fifty years ago today, the Woodstock Music & Art Fair commenced at Max Yasgur’s Farm in Bethel, New York, at exactly 5:07 p.m. — the very moment rhythmic folk ’n’ soul singer/songwriter Richie Havens took to the stage. It’s quite the understatement to say that the world culture has never been quite the same ever since the very second Havens strummed the chords of “From the Prison” on his Guild D40 acoustic guitar, and the first sounds of Woodstock rang out into eternity.

Mike Peters of The Alarm called us to discuss the band's deeply affecting new album Sigma, how the vinyl revival reconnects you with your music-seeking instincts, how a good producer acts as a creative compass, and how The Alarm’s approach to songwriting and song structure set them apart from the pack.

Keyboardist/vocalist Michael McDonald called us to discuss his upcoming summer tour with Chaka Khan, the true secret to his well-respected background-vocal prowess, the compositionally related reason why he was genuinely surprised at the chart-topping success of The Doobie Brothers classic “What a Fool Believes,” and what his real-time reaction was when he watched Rick Moranis pay, er, homage to him on a vintage episode of SCTV.

Kiefer Sutherland called us before heading out to a band rehearsal to discuss the songwriting process for his fine new album Reckless & Me, his love of vinyl, how playing music live has informed his subsequent acting choices, and what kind of music Jack Bauer and Tom Kirkman might have on their personal playlists.

Keyboard maestro Reese Wynans called us from his homebase in Nashville to discuss how he and producer/partner Joe Bonamassa decided where his organ should appear in the final mixes of his first ever solo album Sweet Release, why he began listening to vinyl again, and how he had to instantly be on his A-game when he first joined up with Stevie Ray Vaughan and Double Trouble.