The S&V Interview

Keyboardist/vocalist Michael McDonald called us to discuss his upcoming summer tour with Chaka Khan, the true secret to his well-respected background-vocal prowess, the compositionally related reason why he was genuinely surprised at the chart-topping success of The Doobie Brothers classic “What a Fool Believes,” and what his real-time reaction was when he watched Rick Moranis pay, er, homage to him on a vintage episode of SCTV.

Kiefer Sutherland called us before heading out to a band rehearsal to discuss the songwriting process for his fine new album Reckless & Me, his love of vinyl, how playing music live has informed his subsequent acting choices, and what kind of music Jack Bauer and Tom Kirkman might have on their personal playlists.

Keyboard maestro Reese Wynans called us from his homebase in Nashville to discuss how he and producer/partner Joe Bonamassa decided where his organ should appear in the final mixes of his first ever solo album Sweet Release, why he began listening to vinyl again, and how he had to instantly be on his A-game when he first joined up with Stevie Ray Vaughan and Double Trouble.

Legendary Canadian songwriter Gordon Lightfoot called us from his homebase in northern Ontario to discuss why he personally tunes his guitars before every show, how and why he made the choices about where his vocals appear in studio mixes, and the continuing importance of historical accuracy in his songwriting.

We got on the line with iconoclast guitarist Steve Hackett to discuss the rudiments of the soundscapes that comprise his stunning new album At the Edge of Light, the importance of physical packaging in the digital age, and, of course, his plans for future solo-catalog-derived surround sound reissues.

We got on the line with iconoclast guitarist Richard Lloyd to discuss the vinyl-intended sonic template of his new laser-sharp solo album The Countdown, why Television’s seminal 1977 debut album Marquee Moon remains perpetually influential, and his take on creating sound in outer space.