Blu-ray Movie Reviews

In some dialect, perhaps the language of cinema itself, the name Kubrick must mean "atmosphere." That's abundantly evident in his chilling film adaptation of Stephen King's haunted hotel opus, The Shining. Jack Torrance (Jack Nicholson), an aspiring novelist with a dark past, takes the challenging job of caretaker for a remote luxury resort during the off-season, meaning that his incredibly indulgent wife (Shelly Duvall) and young son with a mysterious gift will be the only living souls for miles around until the spring thaw. Life there is pleasant enough at first, if a bit dull, until curious events begin to unfold.

Marvel has undeniably defined the modern comic book movie universe. As a consequence, much of Shazam!, the latest effort from rival DC, feels clichéd, and not just by superhero standards. Good young protagonists facing adversity, otherworldly forces granting extraordinary abilities, bullies who ultimately get theirs— it's all here. Shazam! even borders on outright theft with an end credit sequence straight out of Spider-Man: Homecoming.

Tensions, rivalries, banter, squabbling, self-aggrandizement, and, above all, putdowns add to the hot air on this day in the life of Bedford–Stuyvesant, Brooklyn as the 98 percent Black (down to 70 percent in the last census) community and small mix of Hispanics, Whites, and Asians try to get along during a sweltering summer.

Expectations for the release of Alita: Battle Angel, the long-awaited film adaptation of the Japanese cyberpunk manga series, Battle Angel Alita, ran extremely high, no doubt due to the high-profile names involved in its production. Co-written and co-produced by James Cameron and directed by Robert Rodriguez, it stars Rosa Salazar as cyborg-warrior Alita, with supporting performances by past Academy Award recipients Jennifer Connelly, Mahershala Ali, and Christoph Waltz.

There is simply no precedent for a cinematic event of this magnitude. Avengers: Endgame is not merely the latest installment in the Marvel canon, but one that builds upon all that has come before to complete story arcs begun as far back as 2008's crucial Iron Man. It also concludes the most recent dramatic "phase" in the 22-film series, and of course drops the other shoe from the 2018 Avengers set-up, Infinity War. And it does all of this with a deft touch, despite its plethora of fantasy characters and an absurdly brisk three-hour running time.

S&M, voyeurism, murder, rape, violence, and torture. . . some of the typically wholesome activities to be found in small-town America. This psychosexual possible-murder mystery—set in a neo-Fifties 1980s logging town—soon gets weird when an innocent local finds a severed human ear in a field. Writer-director David Lynch uses various tactics to keep the viewer as off-balance as his attracted-to-the-hidden-underbelly protagonist.

Capturing zeitgeist moments as they happen are a filmmaker's dream. Lucky for us, drummer/rhythmatist extraordinaire Stewart Copeland picked up a Super 8 film camera when The Police were but budding bleached-blonde young punks, and he filmed, well, practically everything they did both onstage and off.