Blu-ray Movie Reviews

Closing an almost 50-year career that began with Un Chien Andalou, writer-director Luis Buñuel—aided by screenwriting partner Jean-Claude Carrière—created a trio of subversive amusements that savagely poke fun at pillars of French society, including church, military, and figures of the establishment. The master surrealist did so by playing with and disrupting conventional narrative structures, questioning the validity of his protagonists' rationality, and reducing their self-serving behavior and values to nonsense while upsetting cinematic expectations of viewers.

The Paramount Presents line kicked off last April, reintroducing viewers to some of the most enduring titles in the studio's vast library in reverent new Blu-ray editions. Thomas J. Norton recently reviewed the 13th release, The Court Jester, and three more are now available, spanning quite different eras of filmmaking.

Total Recall is a near-perfect mix of sci-fi action, plot twists, and the kind of warped tongue-in-cheek humor we expect from director Paul Verhoeven, delivered here with gusto by Arnold Schwarzenegger playing Douglas Quaid, a construction worker. More correctly, Schwarzenegger is Carl Hauser, a secret operative for the "Agency" who believes he is Quaid due to a memory implant. After being attacked by agents from the "Agency," Quaid escapes to Mars to aid the rebel independence movement and discover his true identity.

What a journey. Originally conceived as a simple sequel to his popular children's book, The Hobbit, J.R.R. Tolkien's The Lord of the Rings grew to become the epitome of epic fantasy. Set in the far-off, long-ago realm of Middle-earth, it introduces the good-hearted, vertically-challenged Frodo Baggins (wide-eyed Elijah Wood), tasked with destroying a cursed ring in order to stop a great evil from conquering the world.

"It's the getting started that's the puzzle—no way for a poor man to start. You need capital. Or you need some kind of miracle. Or a crime." These words, uttered by King-Lu, a Chinese immigrant seeking fortune in the mid-19th century Oregon Territory, set forth a series of events leading to a business selling baked goods to the hardscrabble inhabitants of Fort Tillicum. King-Lu's partner in the venture—which originates from a crime, as opposed to capital or a miracle—is Otis Figowitz, a mild-mannered cook also trying to carve out a future among the fort's traders and trappers.

District 9 rises above its disparate components—there are multiple strong influences, everything from Alien Nation to the faux-documentary feel of The Office—to deliver a socially resonant story that's even more relevant a decade after its release. Like all good science fiction, its impact derives from how it weaves in the trappings of everyday life, perhaps illuminating our own foibles.

Inspired by the 1962 Cinemascope epic The 300 Spartans that he saw as a lad, writer/artist Frank Miller would go on to create the five-issue graphic novel 300, a wildly stylized, heavily fictionalized account of the Battle of Thermopylae. In his telling, full of indelible images and gruesome violence, the historical events of brave King Leonidas and his 15-score soldiers' resistance against an innumerable horde are elevated to nigh-mythological status. Led by the self-proclaimed god-king Xerxes, Persia was mercilessly conquering much of the world, but the willful Spartans, still renowned as the greatest warriors ever, dared to stand their ground.