Blu-ray Movie Reviews

"It's the getting started that's the puzzle—no way for a poor man to start. You need capital. Or you need some kind of miracle. Or a crime." These words, uttered by King-Lu, a Chinese immigrant seeking fortune in the mid-19th century Oregon Territory, set forth a series of events leading to a business selling baked goods to the hardscrabble inhabitants of Fort Tillicum. King-Lu's partner in the venture—which originates from a crime, as opposed to capital or a miracle—is Otis Figowitz, a mild-mannered cook also trying to carve out a future among the fort's traders and trappers.

District 9 rises above its disparate components—there are multiple strong influences, everything from Alien Nation to the faux-documentary feel of The Office—to deliver a socially resonant story that's even more relevant a decade after its release. Like all good science fiction, its impact derives from how it weaves in the trappings of everyday life, perhaps illuminating our own foibles.

Inspired by the 1962 Cinemascope epic The 300 Spartans that he saw as a lad, writer/artist Frank Miller would go on to create the five-issue graphic novel 300, a wildly stylized, heavily fictionalized account of the Battle of Thermopylae. In his telling, full of indelible images and gruesome violence, the historical events of brave King Leonidas and his 15-score soldiers' resistance against an innumerable horde are elevated to nigh-mythological status. Led by the self-proclaimed god-king Xerxes, Persia was mercilessly conquering much of the world, but the willful Spartans, still renowned as the greatest warriors ever, dared to stand their ground.

At first glance, Marriage Story seems like six (or so) characters in search of a Woody Allen film. But it soon settles into writer-director Noah Baumbach's own rhythm and whine as two self-absorbed, narcissistic artistic personalities move toward a break-up and into the clutches of divorce lawyers.

Star Wars imitators were both inevitable and plentiful in the late 1970s. The Buster Crabbe science fiction/adventure serials of old were a strong influence on that blockbuster, and whereas Buck Rogers was destined for a television reboot, mega-producer Dino De Laurentiis had already acquired the movie rights to Flash Gordon years prior. And so the space-faring hero returned to the big screen, reimagined in a lavish international production.

With a heavyweight cast including Robert De Niro, Christopher Walken, John Cazale, and Meryl Streep, 1979's five-time Academy Award-winning (including for Best Picture and Best Director) The Deer Hunter is an at times elegiac look at an America that was. It also explores the domestic woes of the working class, and later takes a brutal view of the experiences and consequences of war.

"I miss going to concerts."

It's a common refrain these days. Perhaps you've even said it yourself out loud on occasion to no one in particular but yourself, and/or to whomever you're jointly commiserating and quarantining with, and/or have typed it out as a comment-cum-lament underneath one of those incessant social media "memories" reminders that really only serve to bum you out about what you're missing—not to mention what you most decidedly won't be able to replicate in a comparable fashion in the near future.