Josef Krebs

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Josef Krebs  |  Feb 02, 2018  |  0 comments
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Based the novel by E. M. Forster, Maurice is a groundbreaking room with a different view, projecting as much romance, passion, and class consciousness as producer Ismael Merchant and screenwriter-director James Ivory brought to their earlier hit adaptation of another Forster novel. In 1909, a student at Cambridge, Clive, urges college colleague Maurice to embrace the love of male physical beauty as described in classical literature and accept their mutual platonic love.
Josef Krebs  |  Jan 26, 2018  |  0 comments
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Shot on a budget of $5 million, acquired for $12 million, and promoted with a $20-million marketing budget, The Big Sick grossed $50 million worldwide and claimed much acclaim. For me, The Big Sick initially came across as The Big Suck, but on a second, more sobering screening, it made sense, building from the characters’ youthful shallowness to emotional growth into something like near-human depth.
Josef Krebs  |  Nov 10, 2017  |  0 comments
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This being the third film in a row I’ve reviewed on Blu-ray in which a man’s life is destroyed by the death of a child and the loss of a wife (alongside Manchester by the Sea and Nocturnal Animals) leads me to suspect that a strong sense of loss is vibrating through our national zeitgeist despite the blessings of unsocial media. Collateral Beauty, a feel-good downer (a romtrage, if you will), is a parable filled with It’s a Wonderful Life–like whimsy concerning a grieving advertising executive, Howard (Will Smith), who, two years on from the loss of his daughter, is writing letters to Time, Death, and Love to voice his complaints and express his trauma.
Josef Krebs  |  Nov 03, 2017  |  0 comments
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Writer/director Alex Cox wrote a script for a fictional rockumentary about highly original and articulate Johnny Rotten, writer/lead singer of The Sex Pistols. It might have been an extremely rewarding movie. Instead, he made Sid & Nancy, which focuses on two talentless, star-crossed, star-struck dope heads. Yet the film manages to capture the era’s excitement, disrespectful mockery, and aggressive antisocial attacks on mainstream consumer beliefs.
Josef Krebs  |  Oct 27, 2017  |  2 comments
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Auteur Michelangelo Antonioni set his story of a photographer who gradually looses perspective in the perfect place—swinging London of 1966. In the course of his jam-packed day, the freewheeling image-obsessed artist goes undercover in a shelter to snap pictures of homeless men, physically invades the spaces of various vacuous fashion models, and stakes out a couple in the park to capture pictures of their private, intimate moments.
Josef Krebs  |  Oct 06, 2017  |  0 comments
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From the get-go in this hugely provocative and highly challenging essay on violence, there’s a disconcerting, menacing montage of images that tilts you off balance. The setting is a small, insular, isolated, Wicker Man–ish Cornish community where Deliverance-like locals sit and wait.
Josef Krebs  |  Sep 22, 2017  |  0 comments
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Michael Mann is a thief—a damned good one. In telling this bigger-than-life tale of a career-criminal takedown crew and their nemesis, the writer-director robs from the best, especially for his brilliant set pieces. He steals heavily from crime-caper master, Jean-Pierre Melville; the overnight break-in on a precious metals storage facility has all the precision and intense silences of Le Cercle Rouge, and the wham-bam bank holdup takes the look and military precision of Un Flic. Mann’s grand, operatic airfield finale is snatched straight from the end of Bullitt, while others scenes echo The Godfather or Goodfellas, and he even jacks himself by reworking Thief.
Josef Krebs  |  Jul 28, 2017  |  0 comments
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Writer-director Kenneth Lonergan’s Manchester by the Sea is a story of ordinary folk who are sideswiped by life. Lee is a stiff working as a janitor-handyman in Boston, his inexpressive, glum detachment occasionally interrupted by outbursts of anger or self-punishing bar fighting. After his brother, Joe, dies due to a heart condition, Lee travels back to his hometown of Manchester to break the news to Joe’s teenage son, Patrick. While awaiting the funeral—which cannot take place until the ground thaws in the spring enough to allow the grave to be dug—Lee discovers that Joe has named him as Patrick’s legal guardian.
Josef Krebs  |  Jul 21, 2017  |  0 comments
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In screenwriter-director Tom Ford’s (A Single Man) adaptation of Austin Wright’s multi-reality novel, we discover Susan’s emotionally drained existence, disillusioned with marriage and her career in blue-chip art curating. It’s an expensive life of high-end fashion and cutting-edge contemporary paintings, antiseptic interiors in fancy galleries and elegant homes.
Josef Krebs  |  Jun 23, 2017  |  0 comments
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The heart of I’m Your Man is a celebratory concert of the recently passed Leonard Cohen’s songs performed by an oddball assortment of top talent at the Sydney Opera House. Between each number come interviews with performers telling of the inevitable life-changing moment of hearing Cohen for the first time. In addition, the poet/singer-songwriter/Jewish Zen Buddhist monk himself delivers anecdotes on personal history, his long, arduous working process, and meaning behind certain ballads illustrated and illuminated by archive poetry recitations, artwork, and photos and footage from childhood and career.

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