Josef Krebs

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Josef Krebs  |  Sep 22, 2017  |  0 comments
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Michael Mann is a thief—a damned good one. In telling this bigger-than-life tale of a career-criminal takedown crew and their nemesis, the writer-director robs from the best, especially for his brilliant set pieces. He steals heavily from crime-caper master, Jean-Pierre Melville; the overnight break-in on a precious metals storage facility has all the precision and intense silences of Le Cercle Rouge, and the wham-bam bank holdup takes the look and military precision of Un Flic. Mann’s grand, operatic airfield finale is snatched straight from the end of Bullitt, while others scenes echo The Godfather or Goodfellas, and he even jacks himself by reworking Thief.
Josef Krebs  |  Jul 28, 2017  |  0 comments
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Writer-director Kenneth Lonergan’s Manchester by the Sea is a story of ordinary folk who are sideswiped by life. Lee is a stiff working as a janitor-handyman in Boston, his inexpressive, glum detachment occasionally interrupted by outbursts of anger or self-punishing bar fighting. After his brother, Joe, dies due to a heart condition, Lee travels back to his hometown of Manchester to break the news to Joe’s teenage son, Patrick. While awaiting the funeral—which cannot take place until the ground thaws in the spring enough to allow the grave to be dug—Lee discovers that Joe has named him as Patrick’s legal guardian.
Josef Krebs  |  Jul 21, 2017  |  0 comments
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In screenwriter-director Tom Ford’s (A Single Man) adaptation of Austin Wright’s multi-reality novel, we discover Susan’s emotionally drained existence, disillusioned with marriage and her career in blue-chip art curating. It’s an expensive life of high-end fashion and cutting-edge contemporary paintings, antiseptic interiors in fancy galleries and elegant homes.
Josef Krebs  |  Jun 23, 2017  |  0 comments
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The heart of I’m Your Man is a celebratory concert of the recently passed Leonard Cohen’s songs performed by an oddball assortment of top talent at the Sydney Opera House. Between each number come interviews with performers telling of the inevitable life-changing moment of hearing Cohen for the first time. In addition, the poet/singer-songwriter/Jewish Zen Buddhist monk himself delivers anecdotes on personal history, his long, arduous working process, and meaning behind certain ballads illustrated and illuminated by archive poetry recitations, artwork, and photos and footage from childhood and career.
Josef Krebs  |  Jun 16, 2017  |  0 comments
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With Café Society, Woody Allen cleverly combines 1930s Pre-Code romantic comedies like Red-Headed Woman with the glamour-and-gangster nightclubbing of Manhattan Melodrama, all delivered with Purple Rose of Cairo–type old-school Allen evocation of era. Bobby Dorfman (Jesse Eisenberg) leaves his Bronx Jewish family to work as an errand boy for his powerful Hollywood agent-to-the-stars uncle (Steve Carell). When Bobby falls in love with his uncle’s secretary (Kristen Stewart)—despite her having a lover—things get complicated, especially on Bobby’s discovery that her boyfriend is his boss.
Josef Krebs  |  Mar 10, 2017  |  0 comments
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This elegant, suspenseful adaptation of John le Carré’s novel, Our Kind of Traitor, makes for a marvelous companion piece to the recent excellent TV miniseries adaptation of the writer’s The Night Manager. Here, a bored and lost university poetry professor whose marriage is in crisis—one of le Carré’s endless supply of honorable and principled innocent civilians who, seeking purpose and redemption, allow themselves to become involved in international intrigue—is seduced into helping Dima, a charismatic money launderer for the Russian mafia desperate to defect to England and save his family.
Josef Krebs  |  Dec 23, 2016  |  1 comments
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When a CIA operative is killed by a team of anarchists, invaluable information is lost—or is it? Not now that a scientist has developed an experimental procedure for transferring memories from a dead man into another man’s brain. The scientist’s name, of course, is Doctor Franks. Not Frankenstein or Frahnkensteeen, but close. The concept’s made all the more unlikely by the choice of recipient—an imprisoned psychopathic murderer called Jericho.
Josef Krebs  |  Dec 16, 2016  |  1 comments
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Stark, disturbing, disorienting, director Hiroshi Teshigahara’s Woman in the Dunes (1964) is a masterpiece of macabre metaphor. An entomologist searching for specimens of insects in a desert at the edge of a seaside misses his bus back to Tokyo and is offered to spend the night in the hut of a young widow at the bottom of a sand dune surrounding it on all sides. He discovers the next morning that the ladder has been pulled up by the local villagers trapping him with the woman for years to come.
Josef Krebs  |  Nov 04, 2016  |  0 comments
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A godlike eye in the sky that can send down hellfire; fake-fly-on-the-wall drones capable of entering anyone’s home to observe their most intimate moments; militia and religious police who, in the name of God, watch, search, and regulate every aspect of a person’s existence or end it with guns and explosive. In a place with no privacy, your life is not your own.
Josef Krebs  |  Aug 05, 2016  |  1 comments
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Two bounty hunters, a sheriff, and a prisoner walk into a haberdashery store… Such is the rambling setup of this old-dark-house-in-a-storm whodunit shaggy-dog story that writer-director Quentin Tarantino has turned into his meta-Western, The Hateful Eight. The colorful, gabby characters have been thrown together on a stagecoach heading for Red Rock, Wyoming, but are forced to take refuge from a raging blizzard in a log-cabin abode, stuck waiting it out with a rogue’s gallery of grizzled ragamuffins trustworthy as far as you can spit.

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