Josef Krebs

Josef Krebs  |  Aug 19, 2022  |  1 comments
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Oscar-nominated for best picture, direction, and screenplay, Licorice Pizza is a story of first love between a 15-year-old kid and a woman of 25 who's working at his high school. From their first conversation, Gary (Cooper Hoffman) pushes for a date, which Alana (Alana Heim), resists aggressively, but having already become a minor TV and film star and successful entrepreneur, he's soon able to charm her.
Josef Krebs  |  Jul 08, 2022  |  1 comments
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Based on incidents from writer-director Kenneth Branagh's own childhood in Belfast, Northern Ireland, and set against the outset of the Troubles in 1969, this bloody masterpiece—a joy from beginning to end—is a moving comic-tragedy on both personal and historical levels, one that's filled with warm sentiment, great Irish humor, and a touching sense of loss.
Josef Krebs  |  Mar 18, 2022  |  0 comments
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In this classy, hard-boiled, Prohibition-era noir saga by writer-director Joel Coen and co-writer Ethan Coen—with uncredited lifting from Samuel Dashiell Hammett, who actually created the memorable, colorful characters, plot, and mood in his 1931 novel The Glass Key—Tom Reagan (Gabriel Byrne) is right-hand man and wise, cool-headed adviser to powerful political boss Liam "Leo" O'Bannon (Albert Finney).
Josef Krebs  |  Sep 03, 2021  |  0 comments
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The messiah here is Fred Hampton, chairman of the Illinois chapter of the Black Panther Party (BPP), preaching and gathering disciples to join him in his efforts to help feed and free the people. Judas is Bill O'Neal, the follower who's secretly working for the oppressive force—the Chicago PD and the FBI circa 1968, who see the BPP as more of a threat than the Russians or the Chinese.
Josef Krebs  |  Jul 16, 2021  |  0 comments
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As a kid in England in the late 1970s, I loathed director Mike Leigh's BBC TV dramas about what seemed like the drab lives of dull, ordinary people because they lacked the glamour and drive of Hollywood classics. Years later, I became enthralled with the pathos of universal pain and struggle shown in Leigh's Secrets & Lies, a microcosm of real relationships and feelings that is as moving and massively encompassing as any film I've seen.
Josef Krebs  |  Apr 09, 2021  |  0 comments
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Closing an almost 50-year career that began with Un Chien Andalou, writer-director Luis Buñuel—aided by screenwriting partner Jean-Claude Carrière—created a trio of subversive amusements that savagely poke fun at pillars of French society, including church, military, and figures of the establishment. The master surrealist did so by playing with and disrupting conventional narrative structures, questioning the validity of his protagonists' rationality, and reducing their self-serving behavior and values to nonsense while upsetting cinematic expectations of viewers.
Josef Krebs  |  Feb 12, 2021  |  0 comments
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A professional assassin who lives by the ancient code of the samurai finds himself targeted by his Mafia bosses. Ghost Dog, a rare venture into genre films for Jim Jarmusch, allows the writer-director to frequently quote, reference, and build upon many classics in his own quirkily deadpan, deceptively honest way. Dog's unglamorous community of gangsters is reminiscent of John Cassavetes' hoods and lowlifes in The Killing of a Chinese Bookie, but—this being Jarmusch—an understated absurdist wit frequently underlies the drama.
Josef Krebs  |  Jan 08, 2021  |  0 comments
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Director David Lynch's film tells of Joseph Merrick, whose terrible deformities to head, limbs, and skin led to him being called the Elephant Man. It begins with Merrick's nightmare of his mother being attacked by elephants—supposedly the cause of Merrick's condition—in smeary, scary, surreal images as disturbing as those from Lynch's earlier fatherhood paranoia party film, Eraserhead.
Josef Krebs  |  Sep 25, 2020  |  0 comments
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At first glance, Marriage Story seems like six (or so) characters in search of a Woody Allen film. But it soon settles into writer-director Noah Baumbach's own rhythm and whine as two self-absorbed, narcissistic artistic personalities move toward a break-up and into the clutches of divorce lawyers.
Josef Krebs  |  May 08, 2020  |  1 comments
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Around 1890, two lighthouse keepers—isolated on a remote New England island with just gulls, each other, and a large supply of liquor for company—begin to gradually lose their sense of reality, civility, and eventually their sanity in an atmospheric concoction not conveyed this intensely since The Shining. It all makes for a great (if grueling) two-handed drama.

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