Josef Krebs

Josef Krebs  |  Aug 27, 2013

The Great Gatsby

As with Baz Luhrmann's Moulin Rouge!, with this adaptation of F. Scott Fitzgerald's classic novel set during the Roaring Twenties, the writer-producer-director creates a series of set pieces of bravura filmmaking with careering camerawork of huge zoom-ins and acrobatic fly-arounds all tied together with rapid montages.

Josef Krebs  |  Aug 20, 2013

Boardwalk Empire: Season 3

This is a story of fathers and sons. As previous seasons have shown, every gangster, it seems, starts as a kid with a difficult relationship with their dad and every hood has an equally important relationship with their boy. James "Jimmy" Darmody (Michael Pitt) stabs his father, Commodore Louis Kaestner (Dabney Coleman).

Josef Krebs  |  Aug 13, 2013

Shane

A cartoon I once saw depicted a middle-aged businessman staring out of his corner office window and crying out in desperation, "Shane.

Josef Krebs  |  Aug 06, 2013

Oblivion

Based on director Joseph Kosinski's acclaimed graphic novel, Oblivion is set in the post-apocalyptic future in which an invading alien army is beaten but only through the use of nuclear weapons that leave the planet uninhabitable.

Josef Krebs  |  Jul 31, 2013

G.I. Joe: Retaliation

As if the 2009 blockbuster G.I. Joe: The Rise of Cobra didn't have impressive enough earnings in grossing $302 million worldwide box office, its follow-up, G.I. Joe: Retaliation, surpassed it with a $320 million take (aided by the surcharges this time for a 3D viewing). At this rate, if G.I.

Josef Krebs  |  Jul 23, 2013

The Ice Storm

This 1997 tale of middle-class conformity and malaise, directed by Ang Lee (Life of Pi, Crouching Tiger, Hidden Dragon, Brokeback Mountain) tells of the Connecticut suburb of New Canaan circa 1973, a land of bored, half-hearted adult experimentation with long-term relationships and casual sex while their youngsters experience their own first exci

Josef Krebs  |  Jul 16, 2013

42

42 is so schmaltzy, clean-cut, clean-living, and well brought up that it makes sentimental 1940s-made baseball biopics with Jimmy Stewart (The Stratton Story) or Gary Cooper (The Pride of the Yankees) seem positively cynical and bawdy in comparison.

Josef Krebs  |  Jul 09, 2013

The Life of Oharu

The Life of Oharu (Saikaku ichidai onna, 1952), from director Kenji Mizoguchi (Ugetsu, Sansho the Bailiff, A Geisha), tells of a 50-year-old prostitute no longer able to attract men looking back on her tragic life.

Josef Krebs  |  Jul 02, 2013

The Producers

When on-the-skids Broadway theatrical hustler Max Bialystock (Zero Mostel) has his financial books examined by timid, nervous nebbish accountant Leo Bloom (Gene Wilder), the casual conversation that ensues persuades each of them that by producing a really, really dreadful play in order to ensure a massive flop, they can make more money than if they had a hit.

Josef Krebs  |  Jun 25, 2013

Help!

The title song, Help!, kicks in beautifully - thrillingly - with snaredrums somewhere in the room up left, vocals in center, lead guitar in the surrounds - glorious. Whenever the film launches into one of its seven classic numbers (only seven?) in 5.1 channels the band leaps into the room filling the soundstage and bringing everything to life.

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