Josef Krebs

Josef Krebs  |  Feb 12, 2013

Skyfall

Bond is back - or is he? With 007 shot and plunging down to disappear into a waterfall like Sherlock Holmes in The Final Problem, MI6 blown to hell both physically and digitally, and M being forced into retirement . . . could this be the end?

Josef Krebs  |  Feb 05, 2013

Flight

Flight, as directed by Robert Zemeckis (Cast Away, Forrest Gump, Back to the Future trilogy), states loudly and firmly the message that the ordinary working man - and woman - doesn't stand a chance against the system and the pressures of modern life. The only choices they have to help them cope are booze and drugs or religion.

Josef Krebs  |  Jan 22, 2013

Ivan's Childhood

Many big-budget movies are actually radio serials with special effects. Many dramas are just theatrical productions that have leaked off the stage. And then there are real films of which this is one. Mood and meaning are created by the visuals and cinematic language, not just the music.

Josef Krebs  |  Jan 15, 2013

To Rome With Love

Sleeper

Hannah and Her Sisters

With his latest comedy To Rome With Love, Woody Allen's interweaves a series of unconnected characters' stories set in the "The Eternal City" into a magic-realist tapestry.

Josef Krebs  |  Jan 08, 2013

Dread

Graphic violence, gore, and wholesale shoot-'em-up slaughter. In the weak of heart or the strong of mind this might instill . . . well, dread - especially accompanied by catchphrase statements like "I am the law!" and "Judgment time!" - but the film is surprisingly inventive and at times visually striking.

Josef Krebs  |  Jan 01, 2013

Looper

In 2074 time travel is a marvelous reality — and has therefor been immediately banned. As is always the case with laws, though, hoods rarely heed inhibitions and use the technology to dispose of enemies by sending them back thirty years to 2044 for execution by Loopers. In the future, no body no murder. In the past, no citizen no crime.

Josef Krebs  |  Dec 25, 2012

Arbitrage

In Arbitrage, Richard Gere plays Robert Miller, a New York hedge-fund magnate with the world at his feet - money, power, mansion, a loving, supportive wife (Susan Sarandon), a beautiful, young mistress (Laetitia Casta), and a devoted daughter (Brit Marling) who works loyally by his side.

Josef Krebs  |  Dec 24, 2012

Arbitrage

 

In Arbitrage, Richard Gere plays Robert Miller, a New York hedge-fund magnate with the world at his feet - money, power, mansion, a loving, supportive wife (Susan Sarandon), a beautiful, young mistress (Laetitia Casta), and a devoted daughter (Brit Marling) who works loyally by his side.

Pages

X