Brandon A. DuHamel

In The Unbearable Weight of Massive Talent, co-written and directed by Tom Gormican, Nicolas Cage plays "Nick Cage," a fictionalized version of himself. Facing mounting expenses, dried-up roles, and struggling to take care of his daughter and estranged wife, the aging actor is forced to take a million-dollar gig in Mallorca, Spain to attend a birthday party for superfan Javi (Pedro Pascal). Javi turns out to be a dangerous mobster also trying to sell his screenplay and wanting to collaborate with Cage. All of which leads to the Oscar winner being enlisted by a CIA agent (Tiffany Haddish) to go undercover and spy on Javi to help the government bring down his criminal enterprise.

In The Matrix: Resurrections, Neo (Keanu Reeves) is a developer responsible for the most popular game trilogy, one that ponders what would happen if AI took over the world and we didn't realize it. In his everyday life, listless and disconnected, Neo is seeing a therapist called the Analyst (Neil Patrick Harris) who has been prescribing him blue pills so he can get his head right. Turns out that Neo is back in the Matrix and he doesn't know it, but he can feel it. Thankfully, people are trying to rescue him. They also stumble across something new in the Matrix, called "modals," where incidents from Neo's past are being replayed over and over, but the outcomes are slightly different each time.

It's the end of the world and Donnie Darko (Jake Gyllenhaal) doesn't feel fine. He's unhinged and uneasy. He's been sleep- walking, waking up in the middle of golf courses, and experiencing waking daydreams. A jet engine has fallen from the sky and crashed into his bedroom and a giant rabbit named Frank is telling him the world will end soon unless he stops it. But how?

With a heavyweight cast including Robert De Niro, Christopher Walken, John Cazale, and Meryl Streep, 1979's five-time Academy Award-winning (including for Best Picture and Best Director) The Deer Hunter is an at times elegiac look at an America that was. It also explores the domestic woes of the working class, and later takes a brutal view of the experiences and consequences of war.