Blu-ray Movie Reviews

The 1982 science-fiction opus Blade Runner remains an undeniable visual spectacle that fired the imaginations of many a viewer. While neither a bona fide critical or commercial success upon debut, it visualized a Los Angeles of the future beyond anything we’d seen before and set the stage for endless fan speculation that has led to five different studio-sanctioned cuts thus far. The sequel, 2049, was released to much of that same indifference. Thirty-five years coming, it still failed to generate a response befitting a cult franchise of this magnitude.

Young Mr. Lincoln is a biography that avoids dramatizing any major achievements or historical events that make up a person’s destiny. Instead, they are alluded to by visual metaphor, audio clues, or pieces of Civil War music. At a local fair, we see Lincoln judging a pie contest, having to choose between a Georgia peach and an American apple pie, winning a logsplitting competition by dividing the body in two, and helping a tugof-war team succeed by hitching their end of the rope to a wagon; all subtly stand in for Lincoln’s moral struggles with slavery, justice and rule of law, and the coming Civil War.

In a not too distant future, the wealthy plunk down big bucks to enter Westworld, a Disneyland for adults populated by “hosts”—human-like A.I. androids capable of fulfilling their every desire. With a cast of A-list names such as Evan Rachel Wood, Anthony Hopkins, Jeffrey Wright, and Ed Harris, this psychological, character-driven drama series goes beyond the gimmickry of its 1973 original to offer up a well-crafted exploration of what it means to be human as well as the blurred lines between good and evil and past and present. Could it be a replacement for Game of Thrones? Only time will tell.

It’s time to remind everyone what a big deal Terminator 2: Judgment Day still is. The action/adventure genre underwent a serious evolution in the ’80s, and by 1991, to be taken seriously, T2 had to be bigger and better than anything that had come before.

And it was.

Director/Producer Steven Soderbergh is an admirably free thinker, a true creative with an eye on the future of filmmaking. He’s very particular about the projects he chooses, emerging from pseudo-retirement to direct his latest, Logan Lucky. Made largely outside the Hollywood system he walked away from, it still managed to score some A-list talent on a modest budget, with James Bond and Kylo Ren likely welcoming the opportunity to play against type, as a down-on-his-luck explosives expert and a goodhearted sad-sack, respectively.

War for the Planet of the Apes concludes a trilogy that began with Rise of the Planet of the Apes in 2011. It tells the story of Caesar, from a nascent, intelligent ape to the leader of a band of smart simians. Humankind here has been nearly wiped out, with the survivors fighting to retain their freedom and humanity. In a twist from the classic 1968 original, however, the humans here are the villains, and the apes, fleeing the remnants of an army led by an obsessed, Ahab-like colonel, are the heroes. We’re driven to root for the Apes, from the story’s beginning to its near-biblical conclusion.