Blu-ray Movie Reviews

Say what you will about controversial superstar Tom Cruise, his dedication to the big-screen Mission: Impossible franchise he launched in 1996 is nothing short of inspiring. Performing stunts that would give a professional thrill-seeker pause, he literally throws himself into his work with unparalleled zeal. For this sixth go-round, secret agent Ethan Hunt (Cruise) is in hot pursuit of terrorists out to tear down our world order, bad guys armed with an apocalyptic manifesto, and some nuclear weapons. Expect betrayals and frame-ups that force Ethan to go rogue...again.

Director Stanley Kubrick's seminal sci-fi epic, co-written with author Arthur C. Clarke, takes the whole of human history as its subject—from the initial flicker of intelligent thought in hominids, to the present day where humans live with the assistance of computer-generated artificial intelligence. The film literally works as a space opera: long stretches pass dialogue-free with just classical music serving to enhance the hyper-realistic images of ships and passengers aloft in the cosmos. (2001: A Space Odyssey won an Oscar for best visual effects, the only one it managed to take home from the 1969 ceremony.)

Set in the early 1400s, Russian writer-director Andrei Tarkovsky’s greatest masterpiece depicts the life of the famous icon painter, Andrei Rublev. But it also keeps everyday village existence, extraordinary events, and medieval Russian history moving from background to foreground in an episodic narrative tapestry. Princes and religion rule every aspect of Russian life, with motivation for actions stemming from belief in God (or the retribution of the church), subservience, and fear of the merciless Tartar invaders. Faith and art are put to the test in this overflowing epic as the painter travels through the decades of his time.

“Imagine there’s no heaven. It’s easy if you try.” That profound statement set the table for the visceral round of revelations John Lennon had in store for us on his second proper solo album following his departure from The Beatles, September 1971’s Imagine. Whereas “God,” the critical denouement on Lennon’s galvanizing December 1970 solo debut Plastic Ono Band, served as a gasp-inducing, barrier-breaking declarative manifesto, “Imagine” proffered more of a “what if” scenario that embodied an inclusively universal yet concurrently subversive scope.

The controversial 2000 film American Psycho from co-screenwriter/director Mary Harron (Alias Grace) was based on the novel by Bret Easton Ellis. Set in the fast-paced 1980s, it follows the privileged, handsome, and narcissistic Wall Street executive Patrick Bateman (Oscar winner Christian Bale) who is all about greed and self-aggrandizement. By day he builds on the fortune and material things he has already accumulated, but at night the eviler demons inside him slip out to experiment with a dizzying array of sex and violence.

The most fun thread in the Earth-bound tapestry of the Marvel Cinematic Universe owes much to the presence of star/co-writer Paul Rudd, whose comedic charms and dramatic sensibilities embiggen an otherwise diminutive hero. Two years after the fallout from Captain America: Civil War, when ex-con Scott Lang (Rudd) illegally fought as Ant-Man, he’s nearing the completion of his house arrest and ready to get his life back on track.

The first decade of the Marvel Cinematic Universe has all been leading to this, an adventure so utterly spectacular that...well, it’s going to need a whole other movie to wrap the story up. Jam-packed with a who’s-who of familiar faces (and masks), Infinity War is a remarkably complex tale of conflict and loss highlighted by thrilling, high-stakes action. No time is wasted in thrusting us into the battle against the malevolent Thanos (Josh Brolin from Deadpool 2).