Ultra HD Blu-ray Movie Reviews

A Star Is Born manages to rise above the nigh-unavoidable clichés of the music drama genre through the sheer, undeniable force of Bradley Cooper's love of his craft. Were this not already the third remake of the 1937 film, the potential cinematic pitfalls of this tale of frustrated singer/songwriter Ally (Lady Gaga), who struggles amid the boozy, druggy stumblings of entrenched headliner Jack (Cooper) would still be many.

Westworld: Season One ended in a cliffhanger with Dolores (Evan Rachel Wood) taking charge of the adult amusement park. Westworld: Season Two picks up shortly after this event with the puppet show now over and the liberated “hosts” coming after the humans for their own pound of flesh.

In a story so jaw-dropping it has to be true, rookie African-American cop Ron Stallworth (John David Washington), the only officer of color on the Colorado Springs police force, initiates an undercover investigation into the Ku Klux Klan amid tense race relations in the 1970s. His part is played over the telephone, and to perpetuate his ruse he is partnered with white officer Flip Zimmerman (Adam Driver). Flip attends meetings in the guise of “Ron,” requiring the two men to coordinate their words and actions in order to present a unified front as they pretend to be a single hardcore bigot.

Director Stanley Kubrick's seminal sci-fi epic, co-written with author Arthur C. Clarke, takes the whole of human history as its subject—from the initial flicker of intelligent thought in hominids, to the present day where humans live with the assistance of computer-generated artificial intelligence. The film literally works as a space opera: long stretches pass dialogue-free with just classical music serving to enhance the hyper-realistic images of ships and passengers aloft in the cosmos. (2001: A Space Odyssey won an Oscar for best visual effects, the only one it managed to take home from the 1969 ceremony.)

Both a prequel and a sequel, Mamma Mia! Here We Go Again tells two stories: the first set in the present day as Sophie Sheridan (Amanda Seyfried) prepares for the grand reopening of her mother Donna’s (Meryl Streep) hotel, and the second when the young Donna (Lily James) first arrives on the island in 1979. Sophie learns about her mother’s fun-filled adventures with the young Dynamos, Tanya and Rosie, and how she first met her three possible dads, Harry, Bill, and Sam, all those years ago.

The most fun thread in the Earth-bound tapestry of the Marvel Cinematic Universe owes much to the presence of star/co-writer Paul Rudd, whose comedic charms and dramatic sensibilities embiggen an otherwise diminutive hero. Two years after the fallout from Captain America: Civil War, when ex-con Scott Lang (Rudd) illegally fought as Ant-Man, he’s nearing the completion of his house arrest and ready to get his life back on track.

Like its sci-fi counterpart, the horror film genre is packed with “cult classics.” But there are only a few horror titles that can lay claim to “classic” film status. Universal Monsters films from the 1920s through the 1950s notwithstanding (see Boxes of Joy on page 28), my list is limited to The Shining, The Exorcist, Night of the Living Dead, Psycho, Rosemary’s Baby, Halloween, and Carrie.