Ultra HD Blu-ray Movie Reviews

Ridley Scott’s stunning dystopian allegory about the meaning of life, where technology ends and humanity begins, Blade Runner—from the Philip K. Dick cyberpunk novel Do Androids Dream of Electric Sheep?—draws from many influences. Perhaps the strongest are the classic Fritz Lang film Metropolis and the Heavy Metal sci-fi magazines of the 1970s. The story follows gruff lawman Deckard (Harrison Ford) chasing androids called “replicants” that are nearly indistinguishable from humans.

Many filmmakers would surely crack under the challenges of finally bringing Wonder Woman to the big screen. But the remarkably gifted Patty Jenkins (writer/director of 2004’s Monster, her last feature) tackles the ambitious production—an action-heavy World War I– era period piece—with educated gusto, thoughtfully honoring and expanding upon the beloved heroine’s legacy. Of course, none of that matters without the right star, and Gal Gadot’s Princess Diana combines strength, brains, and innocence to give this movie an irresistible heart.

I typically tend to bash films that rely on hackneyed plot devices and laughably implausible action sequences, and Disney’s latest escapade in their beleaguered Pirates of the Caribbean franchise is guilty on all charges. The entire series has anchored its plot lines to a host of supernatural elements like cursed pirates, leviathan sea monsters, and homicidal mermaids.

Captured in 1943, a battalion of British soldiers is forced to work as slave labor to build a bridge for the Japanese over the River Kwai. The sadistic POW commander, Col. Saito, insists the British officers work alongside the enlisted personnel against the bylaws of the Geneva Convention. The British officer, Col. Nicholson, brings this to the attention of Saito, who promptly puts him in the “hot box” until he changes his tune. Nicholson refuses to back down, and a battle of wills ensues. Saito eventually realizes he’s fighting a losing battle and must find a way to inspire the prisoners to work faster, and Nicholson is the key to getting the bridge built on time.

Remember how excited we were when we heard that George Lucas—the man who started it all—was going back to directing Star Wars movies? And a lot of us went to see Episode I and said, “Oh.” And then, a few years older and wiser, we sat through Episode II and said, “Oh. Well.”

Ridley Scott is putting us through much the same ringer with the Alien franchise he began, famously returning for 2012’s technically accomplished but overly complicated Prometheus (also newly available on 4K). And now he’s back again with Alien: Covenant, which might just be the nadir for the series.

In a world of seemingly infinite crappy sequels, Guardians of the Galaxy Vol. 2 is worthy of special praise for getting so much right. While delivering another dose of the irreverent humor and hybrid-fantasy action that made the first film so popular, it also cultivates the themes and plot lines so that the two volumes fit seamlessly, telling an epic story.

Robbed of his birthright when his father is murdered by his uncle and ascends to the throne, Arthur somehow escapes. He’s found floating down the Thames by some prostitutes doing their laundry, and the young man ends up being raised in a brothel and learns how to survive on the streets of the big city until that fateful day he pulls Excalibur from the stone.