In 2023, it would be fair to say that Steven Spielberg is a household name. His body of work as a filmmaker transcends generations and has been entertaining moviegoers for decades. I am certainly a fan, and as such, I was very interested in his latest, The Fabelmans. The semi-autobiographical film revolves around young Sammy Fabelman, Spielberg’s onscreen doppelganger. Most of the story takes place in post-World War II Arizona where Sammy and his family live before relocating to Los Angeles after his father, Burt, accepts a job offer.
The problem with writer/director David O. Russell’s most recent outing, Amsterdam, might be summed up as “too many”: too many famous faces cast as too many characters possessing too many quirks to the point that it feels like a great big party for them but rather a chore for us, especially considering the two-hour-plus runtime. Much like his overwrought American Hustle, it combines a fictitious storyline intertwined with historical events, and this time at least it sheds light on some forgotten but worth-remembering chapters from our past.
The Usual Suspects, 106 mins. Picture Sound Extras
Boutique label Kino Lorber Studio Classics has been coming on strong the past couple of years, and their recent Ultra HD 4K output has been second to none. With the freedom to work with a variety of studios, they’re amassing an enviable catalog of time-honored films in uncompromising video quality. We spun four of their newest, all utilizing Dolby Vision HDR and proffered on roomy triple-layer 100GB discs. All of them use pre-existing DTS-HD Master Audio 5.1 soundtracks, maintain key legacy bonus features, and also include the movie on freshly minted 1080p Blu-rays.
The cover art and title for filmmaker Olivia Wilde’s Don’t Worry Darling is rather misleading. We could be excused for thinking that we are about to sit down to watch some sort of romantic drama, but on the contrary, the film is a psychological thriller in the vein of The Stepford Wives, if not an indirect remake of that film.
Rather than spoon-feed moviegoers, writer/director Jordan Peele opts to challenge us with his stories, so much so that upon first viewing, I didn't quite grasp what Nope was really about. Yes, a softspoken horse wrangler's father dies suddenly and mysteriously, leaving the future of the struggling generations-old family business—supplying four-hooved stars to show business—in doubt.
The Woman King is inspired by true events and centers around General Nanisca (Viola Davis), the seasoned leader of the Agojie, an all-female group of warriors that protects the African kingdom of Dahomey. After Gen. Nansica suggests to the king that the slave trade, an essential part of their economy, has put their future at risk, she urges him to seek other means of commerce through their foreign partners...
Michael Mann's preeminent crime thriller somehow eluded wide audiences in 1995 but has since become an absolute classic of the genre. As he did with Thief several years prior, the writer/director goes deep into the world of career crooks, imparting specific tricks of the trade while revealing the perpetrators as utterly no-nonsense individuals. We can't dismiss them as heartless—their attempts to establish or maintain relationships yield much of the film's fascinating character drama—yet they are incredibly dangerous, willing to kill without hesitation as needed.
When an immensely talented young screenwriter with something to prove fights to make his movie his way—and wins—every once in a while, we get a Reservoir Dogs. Quentin Tarantino's auspicious directorial debut is rough and raw and all the better for it, the story of a heist gone wrong and the rat in the criminals' midst, with copious amounts of blood spilling and bodies piling up as plans spin wildly out of control.
As a film enthusiast and writer, I often find myself involved in discussions revolving around what are my favorite films, and what I consider to be The Best Film of All Time. Neither question can be simply answered, however there is no doubt that Casablanca will always be a part of the conversation.
Technically not a "non-stop thrill ride" (it's a classy commuter vehicle so passengers need to board and disembark periodically), Bullet Train is nonetheless a rousing, violent and quite funny adventure. The story moves as fast as the locomotive itself, indulging themes of fate, luck and revenge as an errand boy (Brad Pitt) dealing with a midlife crisis runs afoul of assassins and international crime syndicates, all of them circling a high-value briefcase while the clock counts down to their ultimate destination.
Someone once posited that the way to gauge the quality of a sequel is to plot the delta—better or worse—from the movie that spawned it. Employing that metric, Top Gun: Maverick might be the best damned sequel that I've ever seen.
What becomes an iconoclast the most? Some pop culture icons stand the test of time (The Beatles, The Godfather), while others only capture the zeitgeist of the era/movement they oh-so perfectly served (Strawberry Alarm Clock, we hardly knew ye!).
And then there are those larger-than-lifers who ride the sine wave of the popularity index, depending on which way the cultural-acceptance winds are a-blowing at any given moment.
Chucky, the possessed plaything who would go on to become one of the premier icons of late 20th-Century horror, got his start right here in this 1988 outing. When a dying serial killer with a fondness for the occult transfers his soul into the only vessel available—the hot new talking doll on display at a toy store—little Chuck winds up going home with a single mom and is soon in the hands of a cherubic six-year-old boy.
Writer-director duo Dan Kwan and Daniel Scheinert, known for their work on Awkwafina Is Nora from Queens and Swiss Army Man, collaborate on this mind-bending and surreal actioner. Michelle Yeoh plays middle-aged Chinese immigrant Evelyn Wang whose family owns a coin-operated laundromat.
Before comic book adaptations became their own industry, this earnest action-comedy take on Lowell Cunningham's lesser-known creation became a runaway hit, spawning a popular movie, TV and merch franchise. These supremely discrete "MIB" government agents monitor the comings and goings of Earth's rather frequent alien visitors, maintaining peace through secrecy. Their newest recruit, Jay (Will Smith), needs to step up when a particularly nasty creature lands with ill intent for the galaxy, and Jay's winning chemistry with his world-wearier partner, Kay (Tommy Lee Jones), combined with many highly imaginative sight gags, yields plenty of laughs. At a brisk 98 minutes--the plot was cleverly streamlined after negative test audience feedback--Men in Black is definitely a fun re-watch.