I’d heard of Angry Birds but completely missed their first flight of fame in an immensely popular game for smartphones. Subsequently, they went bird-flu viral with follow-up games, an animated TV series, and more. A movie launch was inevitable. It features hotheaded Red and other (non-flighted!) feathered citizens of Bird Island. Sentenced to take an anger management course, Red meets a few similarly explosive (sometimes literally!) souls.
Last year’s Best Picture, The Artist, embodies a simple enough idea: a silent movie about silent movies, told in the classic style. Set in the waning days of the era, the story introduces us to aging matinee idol George Valentin (Oscar winner Jean Dujardin) who meets the wide-eyed ingénue Peppy Miller (nominee Bérénice Bejo) outside one of his premieres. Seldom does the screen see such an intoxicatingly attractive couple, and yet their relationship is a complicated smolder of admiration and respect that has its share of ups and downs across years of drastic change.
In 8th century China, the Tang dynasty, in decline, had built garrisons at the frontiers of its empire, but a hundred years later, some of those militarized provinces chose independence from the emperor. Weibo is the strongest, so a lovely assassin is sent to kill the head of its clan, Lord Tian. Made by Taiwanese writer-director Hsiao-Hsien Hou, The Assassin’s gorgeous, static imagery and characters, glacially slow-moving camera, and mood-filled silences are matched by the mysteries of the story that are only very gradually revealed, all of which evoke the poetic films of the great Andrei Tarkovsky.
When Marvel Comics’ gang of superheroes—Captain America, Thor, Iron Man, The Hulk, Black Widow, and Hawkeye—get together after the first four of them starred in their own movies, you know something big is up. And it’s no surprise that Loki, Thor’s adopted brother, who teamed up with an army of nasty aliens, is behind it.
Batman movies keep evolving, changing and—surprisingly—getting better with each reboot, in one way or another. Director Tim Burton's Batman relied heavily upon its extreme art deco design to sweep away the goofiness of the Adam West TV incarnation, before that film series quickly descended into its own absurdity. Christopher Nolan's Dark Knight Trilogy was the cure, finding ways to make believable the exploits of a vigilante dressed as a flying mouse fighting a clown and a scarecrow, owing in large part to inspired casting choices.
Subtitle it, Let It Breathe. When The Beatles: Get Back initially aired across three consecutive nights on November 25, 26, and 27, 2021 on the Disney+ streaming platform, it was, to say the least, a cultural phenomenon. Not only did Get Back grant a new generation access to many of the sights and sounds required to understand the full scope of the ongoing impact of The Fab Four to this day, but director Peter Jackson's almost-8-hour docudrama also served as a redemption of sorts for the lingering, decidedly mixed reactions to the 1970 band documentary directed by Michael Lindsay-Hogg, Let It Be.
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The Best Years of Our Lives is the best film ever made about war veterans. That’s not exactly an alluring endorsement, so let me add that it’s a nearly three-hour film without a moment of mind-drift. It’s funny, moving, wrenching—a total tear-jerker that earns its emotional wallop.
The Dude (Jeff Bridges) gets involved in a case of mistaken identity when some thugs show up at his place to collect a debt owed by another man who shares his last nameLebowski. To add insult to injury, the goons pee on his favorite rug and he seeks out compensation from the other Lebowski, a well-healed wheelchair-bound millionaire who's willing to help The Due as long as he does one little favor.
The Coen Brother's have a unique perspective on the world and they definitely don't "go with the flow." While I don't consider this to be one of their best films, it does contain their most interesting characterThe Dude. At the time of its release in 1998, it wasn't as critically acclaimed as Fargo or O Brother, Where Art Thou? but over the years it has obtained cult-like status with its fans and Bridge's portrayal of the iconic character set his career on an upward path.
Based on Michael Lewis’ non-fiction book, The Big Short brings together the ensemble cast of Steve Carell (who plays Mark Baum, a character based on the real-life Steve Eisman), Christian Bale, Brad Pitt, and Ryan Gosling as a number of Wall Street moneymen who discover the fraud underpinning the mortgage lending practices of the big banks and independently make moves to profit from the impending collapse of the system. Additionally, the film makes comical use of celebrities, playing themselves, to explain some of the technical financial jargon in layman’s terms. Margot Robbie in a bubble bath explaining subprime mortgage-backed securities is my personal favorite.
Shot on a budget of $5 million, acquired for $12 million, and promoted with a $20-million marketing budget, The Big Sick grossed $50 million worldwide and claimed much acclaim. For me, The Big Sick initially came across as The Big Suck, but on a second, more sobering screening, it made sense, building from the characters’ youthful shallowness to emotional growth into something like near-human depth.
If you’re going to steal, the saying goes, steal from the best. Like many a filmmaker, Dario Argento was strongly influenced by the works of a certain British director, so much so that he earned the nickname “The Italian Hitchcock.” His debut film, The Bird with the Crystal Plumage, embraces many a cliché of the thriller genre while also forging its own path. Shot and scored with genuine inspiration, the film boasts a clever plot, with twists that are not easy to predict, as well as a distinctive sense of humor.
Author Walter Farley’s sweet, timeless tale of a young boy and his special bond with a spirited horse was brought to cinematic life with irresistible visual and sonic beauty, more appreciable than ever on Criterion’s fantastic new Blu-ray. Our boy, Alec (Kelly Reno, what a find), is washed ashore on a remote island after a shipwreck, and the only other survivor is a magnificent Arabian stallion. Their time alone together is a prolonged marvel of wordless storytelling, while the post-rescue second half is quite a different animal, as a grizzled old trainer (a wonderfully cast Mickey Rooney) agrees to prepare the horse to race. It’s a thrilling adventure for kids, but without the sap that might otherwise send the adults fleeing.
Teenager Michael Oher (Quinton Aaron) is living on his own when he is spotted on the street by the Tuohy family. Learning that the young man is one of her daughter's classmates, Leigh Ann (Sandra Bullock) invites him to stay at their home for the night. What starts out as a gesture of kindness turns into something more as Michael becomes part of the family despite the differences in their backgrounds.
In the 2009 NFL draft, Michael Oher's rags-to-riches story reached new heights when he was drafted in the first round by the Baltimore Ravens. I love inspirational sports stories, and this is one of the best I've seen in years. The performances are outstanding, especially by Sandra Bullock, who won her first Oscar for the role, and by young Jae Head, who provides a lot of comic relief in an otherwise dramatic subtext.