Blu-ray Movie Reviews

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David Vaughn  |  Sep 18, 2011
Yoda takes a group of Jedi younglings on a field trip to the Galactic Senate chambers when he suddenly feels a disturbance in the force and must leave the children. C-3PO and R2-D2 take over and find themselves in over their heads with the rambunctious force-sensitive group. As the Sith prepare to wreak havoc, it's up to Yoda and a young stowaway to save the day before the children are torn to bricks.

LEGO and Lucasfilm have collaborated on multiple projects including other mini-films, over 200 LEGO models, 275 minifigures, and Saga-inspired video games (which are extremely well done). Featuring situations, characters, and locations from throughout the entire Star Wars Saga, writer Michael Price captures the spirit of the franchise with a story is filled humor, adventure, and a surprise guest or two.

Chris Chiarella  |  Jul 31, 2020
There is nothing like Star Wars. Across its three trilogies of Roman-numeraled Episodes, creator George Lucas and the inheritors of his galaxy far, far away opened the minds of audiences across the globe as well as across generations of fiercely devoted fans, thanks to their unique spin on epic fantasy. Love it, hate it, or anywhere in the middle: Star Wars has left an undeniable mark on the world of entertainment.
David Vaughn  |  Sep 03, 2010
In the English countryside resides a small village bordering a mystical land which can only be reached by climbing through a wall. Young Tristan (Charlie Cox) crosses through in order to capture a falling star as a gift for a local hottie (Sienna Miller). Unbeknownst to him, in the parallel world the star is a corporeal being (Claire Danes) who's also smokin' hot. Soon thereafter Tristan learns his true destiny that will forever alter his life.

While the first act takes a little while to pick up steam this is a very entertaining movie. It reminds me of The Princess Bride because of the cute romance, adventure, and humor and in many ways is a superior film to the cult classic. The all star cast includes Michelle Pfeiffer, Robert De Niro, and Peter O'Toole in important supporting roles. Surprisingly the film didn't receive a lot of press when it hit theaters in 2007 but holds up well on repeat viewings.

Josef Krebs  |  Sep 28, 2008
Paramount
Movie •••• Picture •••• Sound •••• Extras ••••½

Apart from nailing the tone and look of the c

David Vaughn  |  Aug 24, 2009

<IMG SRC="/images/archivesart/state.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Washington, D.C., reporter Cal McCaffrey (Russell Crowe) stumbles into a cover-up that threatens to shake the nation's power structure when a congressman's aide dies in an apparent suicide and buried secrets come out in the investigation.

Corey Gunnestad  |  Jul 08, 2016
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It’s been said that true genius is never appreciated in its own time. Some of the most brilliant minds in human history have challenged the status quo, pioneered their field, and changed the world with their groundbreaking ideas and their seemingly limitless creativity. But the flip side of that coin almost always meant that their personal eccentricities left a gaping void in their capacity for being likable human beings. The film Steve Jobs explores that theme at great length and begs the question: Just how much leeway should geniuses be allowed before we dismiss them as the douchebags they are?
Ken Korman  |  Oct 02, 2008
Paramount
Movie ••• Picture •••½Sound •••• Extras •••
Is America still not ready for a movie that address
David Vaughn  |  May 27, 2016
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This is the true story of the rise of N.W.A., a Compton, California rap group who changed the musical landscape in the late 1980s with their blend of dope beats and hard-hitting lyrics about life in South Central L.A. Collaboration between Dr. Dre, Ice Cube, and Easy-E led to the hit release of Boyz in the Hood, which caught the ear of music manager Jerry Heller, who helped the group sign with Priority Records. Their first studio album, Straight Outta Compton, featured their controversial song “F*** the Police,” describing the reality of being a black man in L.A. in the 1980s.
Shane Buettner  |  Feb 14, 2007

It's a big credit to this film that its subject matter is something that has not only been done, but been done very well many, many times. In fact, the film it reminded me the most of, in many ways, is the excellent if not great <I>Truman Show</I>. Yes, like that movie this one highlights the dramatic skills of a genius-level sketch comedy actor, only this time around it's Ricky Bubb-eee himself Will Ferrell. Instead of the being the unwitting subject of a reality TV show, Ferrell's Harold Crick finds that he's the subject of a novel being written by a self-and death-obsessed writer played wonderfully and obsessively by Emmma Thompson.

Josef Krebs  |  Apr 26, 2019
"What are we doing here?" "I don't know." Stranger Than Paradise, the delightful deadbeat breakout film by writer/director Jim Jarmusch with its whack-character studies, unactorly acting, absurdist deadpan humor, and minimalist style brilliantly captured the mood of its time. It also established him as an instant auteur of the $100,000-budget, low-production-value indie-film scene and inspired many others to do likewise.
Josef Krebs  |  Oct 06, 2017
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From the get-go in this hugely provocative and highly challenging essay on violence, there’s a disconcerting, menacing montage of images that tilts you off balance. The setting is a small, insular, isolated, Wicker Man–ish Cornish community where Deliverance-like locals sit and wait.
David Vaughn  |  Apr 21, 2017
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What if Superman hadn’t been a good guy? Could the government do anything about it? After the events in Batman v Superman, members of the U.S. government are nervous that aliens and metahumans could wreak havoc upon the Earth at their whim and there would be nothing the human race could do about it. With this in mind, a covert government agent named Amanda Waller hatches a plan to use incarcerated supervillains to form her “Task Force X” in order to combat evil forces in the world. To control them, she has explosive devices implanted in their necks that will detonate if they decide to not follow orders. As circumstances have it, her team is needed shortly after it’s formed to battle an ancient villain named Incubus who has invaded Midway City.
Chris Chiarella  |  Oct 09, 2023
A funny thing happened on the way to the multiplex.

See, when studios invest hundreds of millions of dollars in their intended tentpole movies, they’re betting that sufficient tens of millions of people will be buying seats and popcorn to offset these exorbitant costs.

One of the ways they hedge these bets is to feature familiar characters in sequels, remakes, reboots and other sorts of “franchises'' with (they assume) a certain built-in audience. Of course, the movies need to be of a certain level of watchability and even rewatchability to reach that goal, and therein lies the challenge.

Josef Krebs  |  Jul 16, 2015
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Written and directed by silly-but-serious cynical genius Preston Sturges, Sullivan’s Travels starts out with a dark and gloomy film-within-a-film showing two figures battling on a train crossing a bridge, symbolizing labor grappling with management to their mutual destruction. But as soon as we get out of the screening room, things lighten up both visually and in mood, the movie becoming a bright, witty slapstick satire on Hollywood and a pretentious, self-important director, Sullivan (Joel McCrea). This auteur wants to make a sociologically and artistically meritorious picture with messages about grim death, war, and the suffering of the unemployed during The Great Depression but, coming from a privileged background, he knows nothing about trouble. So he decides to go looking for it by dressing as a hobo and drifting across America.
Avi Greengart  |  Apr 07, 2017
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How do you make a two-hour movie about a forced water landing in the Hudson River that lasted 208 seconds, where everyone already knows the happy outcome? You don’t. You keep it to a 90-minute running time and make two mini-movies: one about the exceptional skill and decision-making that saved lives in the air and on the ground, and one about bureaucrats second-guessing that decision-making. Weaving the stories together keeps Sully from being overly dull, but a documentary format might have been more interesting.

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