"The one that started it all" - that's how Disney Studios describes its first animated feature, Snow White and the Seven Dwarfs, the film that proved the naysayers wrong back in 1937 by drawing millions of people into theaters to watch an 83-minute cartoon.
Pixar O.G. and now Chief Creative Officer Pete Docter touched our hearts with Up, then plumbed the intricacies of the human mind in Inside Out. It would follow, then, that his next movie would be Soul.
Together, these are arguably the most grown-up entries in the Pixar canon, not for any sort of overly mature content, but rather for their sophisticated themes and storytelling. And Soul might be the most adult-skewing: It's the longest of the three, exploring The Great Hereafter and even "The Great Before," namely where souls originate prior to their arrival on Earth. This concept requires quite a bit of exposition, and it's executed masterfully by Docter, co-writer/co-director Kemp Powers, and co-writer Mike Jones, through bold visuals and pithy gags.
When soldier Captain Colter Stevens (Jake Gyllenhaal) wakes up in the body of an unknown man, he discovers he's part of an experimental government program called the "Source Code" that enables him to assume another man's identify in the last eight minutes of his life. Armed with the task of identifying the bomber of a Chicago-bound commuter train, Colter must re-live the incident over and over until he can solve the mystery and prevent an even deadlier second terrorist attack.
I was eagerly looking forward to giving this one a spin, and it more than met my expectations. It's nonstop action from start to finish, and Gyllenhaal has great screen presence as the troubled hero. Not only was I wildly entertained, but the DTS-HD MA audio track is outstanding and worth the price of admission all by itself. But don't get your hopes too high for the video encode, which isn't anything to write home about.
Join the boys as they publish award winning novels, struggle with a ban of fried chicken, fight off an invasion from New Jersey, and reveal the true identity of Mysterion. For them, it's all part of growing up in South Park!
Despite its crude writing, sophomoric behavior, and over-the-top potty humor, you have to hand it to Trey Parker and Matt Stone for catering to their audience and giving them what they want. I'm well outside the intended demographic, but still find myself laughing occasionally despite the low-brow one liners.
<IMG SRC="/images/archivesart/southpark.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>In the twelfth season, the boys from <i>South Park</i> follow the presidential election from the primaries through the new president-elect's acceptance speech, they help Britney Spears disfigure her body, and try to get the country of Canada back to work when it strikes for more money. The best episode during the season is "Elementary School Musical," when Stan realizes he'll lose Wendy forever unless he adopts the latest fad hitting the school—singing (think <i>High School Musical</i>).
<IMG SRC="/images/archivesart/spacebuddies.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>After stowing away on a school field trip to witness the test launch of a spacecraft, the Buddies—a group of dog friends featured in several other movies—sneak aboard to explore the ship, but disaster strikes when they are rocketed into space.
<IMG SRC="/images/archivesart/spacechimps.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Ham III (voiced by Andy Samberg) is the grandson of the first chimpanzee into space who's recruited to join two other NASA chimps on an important mission to retrieve a wayward spacecraft that disappeared into a wormhole. With the help of Lieutenant Luna (Cheryl Hines) and their trusty pilot Titan (Patrick Warburton), the three must work together to save the inhabitants of a distant planet from their evil dictator (Jeff Daniels) and find a way back to Earth.
<IMG SRC="/images/archivesart/spaceballs.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT><i>When the evil Dark Helmet (Rick Moranis) attempts to steal all the air from planet Druidia, a determined Druish Princess (Daphne Zuniga), a clueless rogue (Bill Pullman) and a half-man/half-dog creature (John Candy) who's his own best friend set out to stop him! But with the forces of darkness closing in on them at ludicrous speed, they'll need the help of a wise imp named Yogurt (Mel Brooks) and the mystical power of "The Schwartz" to bring peace and merchandising rights to the entire galaxy.</i>
Stanley Kubrick’s legendary depiction of a slave uprising in ancient Rome has long since entered the annals of cinema history, so there’s little else to say about this beloved movie. Produced long before the advent of digital filmmaking, it is an ambitious masterpiece, an incredibly lavish undertaking with scenes that assemble thousands of extras while driving home the story of one man making all the difference in the world.
The timeless overclass/underclass struggle was never more memorably explored than in Spartacus, a film adapted from Howard Fast's fact-based, heavily dramatized book. Directed by young up-and-comer Stanley Kubrick and starring old-school movie idol Kirk Douglas in the title role, it's the sort of epic spectacle often aspired to but seldom achieved.
<IMG SRC="/images/archivesart/spartacus.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Spartacus (Kirk Douglas) was born a slave although when sold to Batiatus (Peter Ustinov) he became a gladiator. Life was mildly improved although fighting to the death for the entertainment of the wealthy is a rough way to make a living. Spartacus gains new perspective on life when he falls in love with the slave girl Varinia (Jean Simmons) and develops a thirst for freedom.
After an acclaimed reboot that successfully shed the sillier trappings of the long-running James Bond franchise, the creators of the recent Spectre have now curiously chosen to embrace the clunky clichés and cartoon villains not only of the 007 canon but seemingly every thriller of the past decade. Big Brother has arrived! It’s the death of privacy! “We must stop this doomful technology before it goes online, or it will be too late!” (Not an actual quote, but you get the idea.)
<IMG SRC="/images/archivesart/speedracer.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Based on the popular Japanese cartoon, Speed Racer (Emile Hirsch) is a natural behind the wheel of his Mach 5. His loyalty to the family racing business, led by his father (John Goodman), is put to the test when Arnold Royalton (Roger Allam) attempts to lure Speed to the Royalton Industries race team. Speed declines and joins forces with the mysterious Racer X (Matthew Fox) in order to save the family business and protect the sport he loves.
The true superpower on display in the current Spider-Man franchise might be its irresistible charm. Marvel's beloved signature character has certainly had some Hollywood ups and downs, but in his most recent iteration he seems content to exist in the shadow of Tony Stark/Iron Man rather than stand truly alone. Add to that irksome choice an abundance of high school drama and perhaps an over-reliance upon comedy and big-screen Spidey is at risk of alienating longtime fans. Still, Spider-Man: Far from Home somehow manages to engage us from start to finish.