BLU-RAY MOVIE REVIEWS

Sort By: Post Date | Title | Publish Date
Filed under
David Vaughn Posted: Jul 11, 2011 0 comments
As a defense attorney, your job isn't to decide who's guilty or innocent, it's to make sure your client gets a fair trial and to present the facts of the case in a way to provide the jury with reasonable doubt in order to gain an acquittal. Hotshot Los Angeles lawyer Mickey Hailer (Matthew McConaughey) is hired to defend a wealthy young man (Ryan Phillippe) who's accused of rape and suddenly finds himself embroiled in a game of deception that threatens not only his career, but his own life.

Based on the book by Michael Connelly, The Lincoln Lawyer is one of the best thrillers I've seen in a while. The pacing and acting are both topnotch and l loved the twists and turns in the story. Furthermore, the video encode is picture perfect with razor-sharp detail, striking contrast, and inviting shadows.

Filed under
David Vaughn Posted: Oct 05, 2011 0 comments
Forced into exile by his evil Uncle Scar after the death of his father, young Simba hooks up with a meerkat named Timon and his warthog chum Pumbaa. Adopting their carefree lifestyle, Simba ignores his real responsibilities until he realizes his destiny and returns to the Pride Lands to stake his claim to the throne.

When The Lion King hit theaters in 1994, Disney had its third animation success in a row and solidified the fact that the studio had regained its hit-creating mojo. The voice cast is outstanding, the story is inspiring, and the soundtrack is just as fun today as it was last century. Looking to capitalize on the 3D craze hitting Hollywood, Disney converted the hand-drawn animated film into the new format with surprisingly good results. While it doesn't look quite as good as Beauty and the Beast, it fares much better than some live-action conversions I've seen.

Filed under
Ken C. Pohlmann Posted: Nov 02, 2003 0 comments
Photos by Michelle Hood Disney has always stood above every other studio when it comes to animation.
Filed under
Josef Krebs Posted: Apr 11, 2014 2 comments
Picture
Sound
Extras
Interactivity
In a museum of the Old West, a boy experiences an ancient noble savage figure in an exhibit coming to life and telling him about his times with the Lone Ranger. As was the case in Little Big Man, the character is an unreliable witness due to a mixture of his bullshit artistry and mental problems—and the whole incident is probably going on in the imagination of the kid, anyway. So the filmmaker has a lot of leeway for unlikely and implausible events, and he takes this artistic license to the limit.
David Vaughn Posted: Nov 12, 2012 0 comments
Picture
3D-ness
Sound
Extras
Interactivity
L ooking to impress the girl of his dreams by finding her a real-life Truffula tree, Ted Wiggins follows the advice of his grandmother and ventures outside the walls of Thneedville in search of the Once-ler. At first, the reclusive old man wants nothing to do with the teenage boy, but he eventually tells his story of how greed and ignorance led to the destruction of the Truffula forest and how he should have listened to the warnings of the mystical Lorax—the protector of the trees. Looking for a chance at redemption, the Once-ler put his faith in the teenager to correct the errors of his ways, although the ruthless Aloysius O’Hare will stop at nothing to deter the young lad from fulfilling his destiny to restore the trees and get the girl.
Filed under
David Vaughn Posted: Apr 05, 2010 0 comments

<IMG SRC="/images/archivesart/lotrbd.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>In case you've been in a coma for the past 10 years, Peter Jackson adapted the popular J.R.R. Tolkien novel with amazing results. Arguably, it's one of the greatest movie accomplishments of all time with 15 Academy Awards, over $1 billion in US box-office receipts, and nearly $3 billion worldwide.

Filed under
David Vaughn Posted: Jun 27, 2011 3 comments
In case you've been in a coma for the past 10 years, Peter Jackson adapted the popular J.R.R. Tolkien novel with amazing results. Arguably, it's one of the greatest movie accomplishments of all time with 15 Academy Awards, over $1 billion in US box-office receipts, and nearly $3 billion worldwide.

Many fans are angry that Warner decided to release the theatrical versions last year instead of the these extended director cuts, but Peter Jackson has stated publicly that the theatrical releases are the definitive versions of the films, not the extended cuts, but the fans want to see every minute of filmed footage come hell or high water.

Filed under
David Vaughn Posted: Jul 21, 2010 Published: Jul 22, 2010 0 comments
Sent to the Bolivian jungle on a search-and-destroy mission, members of an elite Special Forces unit now find themselves the target of a deadly double-cross instigated by Max (Jason Patric), a ruthless man hell-bent on embroiling the world in a new high-tech global war for his own benefit. The team must work deep undercover to clear their name and even the score with the evil megalomaniac.

As long as you check your brain at the door, The Losers provides a lot of entertainment, laughter, and adventure. It's based on a DC comic series, and while the plot is hardly original, the cast members never take things too seriously and seem to be enjoying themselves. Furthermore, the movie depicts a lot of violent action, but it doesn't spatter brain matter all over the screen, and I applaud the director's choice to aim for the PG-13 rating. I wouldn't call this a family-friendly picture, but it's not nearly has graphic as it could have been.

Filed under
David Vaughn Posted: May 14, 2009 0 comments

<IMG SRC="/images/archivesart/machinist.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Trevor Reznick (Christian Bale) hasn't slept in a year, and when we first meet him, he's in a darkened bathroom staring into a mirror looking like a man who's been to hell and back&#151;because he has. Why is he so tormented and why can't he get any sleep?

Filed under
David Vaughn Posted: Oct 11, 2010 0 comments
Sam Spade's (Humphrey Bogart) partner meets an untimely end while tailing a man for a new client (Mary Astor). Before he knows it, the sly detective finds himself in the middle of a mystery involving multiple parties in search of a jewel encrusted statue known as the Maltese Falcon.

Based on the 1930 novel by Dashiell Hammett, screenwriter/director John Huston launched his directorial career and turned Bogart into a leading man. Although the film is nearly 70 years old, the story and characters are timeless and Bogart's depiction as the private detective is the benchmark for other such characters in Hollywood.

Filed under
Josef Krebs Posted: Mar 04, 2016 3 comments
Picture
Sound
Extras
Like Hitler, Guy Ritchie has a certain style. Which doesn’t make either of them an artist. However, Ritchie has finally learned how to make a kick-ass action movie, and in adapting a somewhat silly and camp British 1960s TV series, the director has found something that fits his talents and temperament like a tight, flash suit. By far superior to his laughably bad Sherlock Holmes films, The Man From U.N.C.L.E. is a slick adventure that moves along at a clip from one set piece to the next, connected by banter—not witty, but efficient in setting up each character.
Filed under
Fred Kaplan Posted: Aug 30, 2011 0 comments
John Huston’s The Man Who Would Be King is one of those great films the likes of which “they don’t make anymore” (and, in fact, they rarely did), a grand tale of adventure and greed set against the great outdoors and the judgment of Nature. It’s based on Rudyard Kipling’s novel, but in many ways, it’s a throwback to The Treasure of the Sierra Madre, which Huston also directed, nearly 30 years earlier. This movie’s prospectors are former soldiers in Britain’s colonial army, seeking power and fortune by conquering tribal warlords in the mountains of Afghanistan, rather than American ne’er-do-wells panning for gold in the foothills of Mexico. But the outcome is the same: Our (anti-) heroes win everything then lose it all through avarice and arrogance. In Treasure, they dig up more gold than they can carry (or their capacity for mutual trust can endure); in King, they stumble into a cavern of riches, but one of them starts believing he really is a god (as they’ve tricked the natives into thinking), until the act is exposed.
Filed under
David Vaughn Posted: Jun 08, 2010 0 comments

<IMG SRC="/images/archivesart/noname.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>In <i>A Fistful of Dollars</i>, Clint Eastwood stars as a drifter who manipulates two rival gangs with the ultimate goal of destroying both. In the second installment, our hero takes on El Indio (Gian Maria Volonte), the territory's most ruthless bandit. The best film of the three concludes the series with Eastwood partnering with two gunslingers in order to obtain a fortune in gold. He discovers that teamwork isn't one of their better personality traits and staying alive isn't guaranteed.

Chris Chiarella Posted: May 13, 2016 1 comments
Picture
Sound
Extras
Andy Weir’s bestselling novel The Martian was justly lauded for its clever use of hard science facts to tell a thrilling yet believable tale of science fiction. Of course, the characters needed to be compelling as well if this bold survival epic was to work, and on screen as well as on the page, the futuristic drama is a smashing success. We begin a couple of decades from now as a manned Mars expedition is cut short due to a violent storm on the surface of the Red Planet.
Filed under
Shane Buettner Posted: Sep 20, 2013 0 comments
Picture
Sound
Extras
Oscar again made the safe choice for 2012’s Best Picture, choosing Ben Affleck’s blandly competent Argo, virtually ignoring the most provocative film of the year, writer/director Paul Thomas Anderson’s The Master. More egregious is that Anderson’s tour de force only garnered Academy nominations in the acting categories. One can’t help but wonder if the film’s Oscar fate would have been different if the subject was any other cult than Hollywood-chic Scientology. One also suspects Argo will occupy a place in film history closer to How Green Was My Valley, Ordinary People, and Driving Miss Daisy than to Citizen Kane, Raging Bull, or Do the Right Thing.

Pages