<IMG SRC="/images/archivesart/seabiscuit.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Based on the best-selling book by Laura Hillenbrand, <i>Seabiscuit</i> tells the true story of the horse that could and the three men who made him a winner—owner Charles Howard (Jeff Bridges), trainer Tom Smith (Chris Cooper), and jockey Red Pollard (Tobey Maguire). With the nation suffering from the effects of the Great Depression, the undersized racehorse gives America something to cheer for.
Behind every legend lies and impossible dream. Witness the spectacular journey of an incredible horse named Secretariat and the moving story of his unlikely owner (Diane Lane), a housewife who risked everything to make him a champion.
Disney is never one to shy away from an inspirational sports story and while this doesn't live up to the magic of Miracle, it has a lot of heart and explains the struggles Penny Chenery had to endure to be a woman in a male dominate world. I'm sure there were some liberties taken with some of the facts to liven-up the story, but that's not uncommon in Hollywood. Regardless, the performances are very good, especially by Lane and John Malkovich, who plays the eccentric Canadian horse trainer.
As a kid in England in the late 1970s, I loathed director Mike Leigh's BBC TV dramas about what seemed like the drab lives of dull, ordinary people because they lacked the glamour and drive of Hollywood classics. Years later, I became enthralled with the pathos of universal pain and struggle shown in Leigh's Secrets & Lies, a microcosm of real relationships and feelings that is as moving and massively encompassing as any film I've seen.
Damian Hale, an extremely wealthy and self-centered businessman (is there any other kind in the movies?), is in his late sixties and dying of cancer. But he’s found an escape in a secretive company that has developed a way to transfer the contents of someone’s brain into a younger, healthy human body. They call the process shedding. It succeeds on Damian, but with complications he didn’t anticipate.
Among the most anticipated and admired films of 2014, Selma depicts the epochal series of marches by Dr. Martin Luther King, Jr. (David Oyelowo) in Selma, Alabama, which led to the passage of the Voting Rights Act of 1965. Brought to the screen with power and sensitivity by director Ava DuVernay, this Oscar-nominated docudrama features a host of inspired and often intimate acting and noteworthy musical selections, which include the Oscar-winning song “Glory.”
<IMG SRC="/images/archivesart/sevenpounds.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Ben Thomas (Will Smith) is an unremarkable IRS agent who has the power to change seven strangers' lives. But when he meets Emily Posa (Rosario Dawson), everything changes as he realizes he's in love with the beautiful woman. Should he alter his plan and seek personal happiness or continue the quest for his own redemption?
Who can forget <I>Seven Years in Tibet</I>? In the early days of DVD, almost ten years ago, it was one of the first great releases. It offered stunning picture quality with video imagery that took full advantage of the top-of-the-line production values. The move is "panoramic." It shows vast Tibetan vistas, as well as exotic and colorful religious dress of the era – the late 1930s and early 1940s. Eventually, Sony even put out a "SuperBit" version, which was said to have even better picture quality.
What happens after you say "I do"? With three of the quartet married, how do they get out on the town and have a good time? They don't. Instead, the girls get together for a trip to Abu Dhabi when a wealthy sheik asks Samantha (Kim Cattrall) to visit his luxury hotel, hoping she will promote it in America. With her three best pals in tow, they jet off on a first-class trip to paradise away from the stresses of marriage, kids, and careers.
As a fan of the TV show and the first movie I thought I would enjoy spending more time with the characters I'd gotten to know over the years. Boy was I wrong. The script is pathetically weak and bloated and characters have lost their appeal as they've aged. Not their sex appeal, which is perfectly fineit's their vomit-inducing narcissistic behavior that wears you out over the 146 minutes and the far-fetched storytelling doesn't help matters.
<IMG SRC="/images/archivesart/sexandthecity.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Four years after the end of the hit TV series <I>Sex and the City</I>, life continues for Carrie Bradshaw (Sarah Jessica Parker), Samantha Jones (Kim Cattrall), Charlotte York (Kristen Davis), and Miranda Hobbs (Cynthia Nixon). Carrie and Mr. Big (Chris Noth) are taking their relationship to the next level; Samantha has moved from New York to Hollywood with her boyfriend of five years, Smith Jarrod (Jason Lewis); Charlotte is happily married to Harry (Evan Handler) with their three-year-old daughter; and Miranda is struggling through a less-than-happy marriage to Steve (David Eigenberg) in hell (aka Brooklyn).
Jay (Jason Segel) and Annie (Cameron Diaz) have lost the spark. The couple’s college sexcapades are a distant memory, as marriage and children have snuffed their sex drive… until, fueled by tequila shots, they decide to make a three-hour porno wherein they attempt every position in the classic handbook, The Joy of Sex. When Jay saves their video to his iPad, however, he mistakenly sends it to friends and family, then spends the remainder of the film trying to reverse his mistake. Jake Kasdan, who directed Diaz and Segel in Bad Teacher, completes the Power Trio here.
This indie revelation explores sexuality, relationships, and the way that both interact with technology. Therapy doesn’t seem to be opening uptight housewife Ann to her feelings; it takes videotaped erotic confessions for her to overcome her inhibitions. Meanwhile, Ann’s sister and husband are deceiving her with a steamy affair and endless lies. Eventually, a candid, oddball drifter comes to visit and uses his video project to untangle the tape tying up this dysfunctional family.
Along with Melvin Van Peebles' Sweet Sweetback's Baadassss Song, Shaft helped launch the Seventies era of so-called "blaxploitation" films that would dominate the world of Black entertainment for nearly a decade. Directed by prominent Black photographer Gordon Parks with Richard Roundtree in the title role and featuring a sizzling soundtrack by Isaac Hayes, Shaft didn't quite fit the mold of its subsequent ilk.
<IMG SRC="/images/archivesart/052308shallwedance.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>John Clark (Richard Gere) is in the midst of a midlife crisis. He has a devoted wife and family but feels he needs more. Each night on his way home, he sees an attractive woman staring out the window of a dance studio. On impulse, he decides to drop in to sign up for dance lessons. What will his wife say when she finds out?
<IMG SRC="/images/archivesart/shaun.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Shaun (Simon Pegg) is a lovable loser spending his days working as a clerk in an electronics store and looking forward to a few after-hours pints at the local pub with his best friend and roommate Ed (Nick Frost). Life takes a turn for the worse when his girlfriend (Kate Ashfield) dumps him, his stepfather (Bill Nighy) berates him for ignoring his mother (Penelope Wilton), and—oh yeah—the dead return to stake their claim to the Earth. Instead of running scared, Shaun uses the opportunity to prove his manhood, and not even the undead can stand in his way.
Marvel has undeniably defined the modern comic book movie universe. As a consequence, much of Shazam!, the latest effort from rival DC, feels clichéd, and not just by superhero standards. Good young protagonists facing adversity, otherworldly forces granting extraordinary abilities, bullies who ultimately get theirs— it's all here. Shazam! even borders on outright theft with an end credit sequence straight out of Spider-Man: Homecoming.