Blu-ray Movie Reviews

Donnie Darko is the 2001 indie cult film from Richard Kelly (Southland Tales). Set in the 1980s, the film is an amalgam of sci-fi, psycho-thriller, and horror that’s an early new-millennium answer to the John Hughes films of the 1980s. The titular character, played by Jake Gyllenhaal, is a disaffected high school student in suburban Middlesex living with his college-age sister (played by sister Maggie), his mother and, and younger sister. Donnie deals with psychological problems that cause him to see a 6-foot-tall rabbit named Frank that tells him the world is going to end in less than a month.

Discovering life on Mars would be the crowning achievement in any scientist’s career, so when a team on the International Space Station receives a care package of samples from the red planet, they can’t wait to begin their experiments. To their surprise, they discover there was once life on Mars after all, and they unleash a creature that evolves at an accelerated pace that has its eyes on the planet below them.

I never understood why MI-6 always gave James Bond the most expensive and exotic sports cars on the planet to take with him on his missions. Q Branch must know by now there’s no way in hell that thing is coming back in one piece. That same basic logic applies to the Fast & the Furious films: Why would you ever give a Lamborghini to someone who’s going to a demolition derby?

The long-running Japanese franchise Power Rangers is rebooted in this 2017 film from director Dean Israelite and writer John Gatins. The somewhat camp story follows a group of teen misfits who uncover a collection of ancient artifacts and a buried alien ship; endowed with superpowers, the teens must muster their new powers and learn to work together to save the world. Power Rangers is hardly high art, and it never has been. The American version of the series was culled from stock Japanese footage edited together with new English-speaking scenes.

Michael Mann is a thief—a damned good one. In telling this bigger-than-life tale of a career-criminal takedown crew and their nemesis, the writer-director robs from the best, especially for his brilliant set pieces. He steals heavily from crime-caper master, Jean-Pierre Melville; the overnight break-in on a precious metals storage facility has all the precision and intense silences of Le Cercle Rouge, and the wham-bam bank holdup takes the look and military precision of Un Flic. Mann’s grand, operatic airfield finale is snatched straight from the end of Bullitt, while others scenes echo The Godfather or Goodfellas, and he even jacks himself by reworking Thief.

In 2002, Sony Entertainment kicked off the Resident Evil film series based on the popular zombie apocalypse video game of the same name. Fifteen years and five sequels later, the beleaguered franchise comes to a close… sort of. Resident Evil: The Final Chapter is technically the last installment in the long-running series, but plans are already afoot to reboot the entire franchise and start over again from square one. The expression “beating a dead horse” springs to mind, but I digress.