Is our most fervent technology infatuation about to reverse course?
Without question, smartphones are awesome, and they have dramatically changed our everyday lives. We measure our self-worth by the number of bars we have. When our phones are fully charged, we are happy. When they are discharged, we are in full panic mode. Kids today probably can’t fathom how anyone functioned before the advent of smartphones. They ask, “Dude, how did people post pictures of themselves on Facebook while water skiing?”
IK Multimedia has just released its latest product, aimed at musicians and music lovers alike: the iLoud portable speaker. The company claims it is “studio quality” and equips it with a guitar/microphone input. Hmm, “studio quality”—I’ve heard that one before, but I decided to check it out. Is it actually something I would have used in my own recording studio?
Q How big a subwoofer would I need to produce good home theater-quality bass in a 3,100-cubic-foot room? Would the Hsu VTF-15H be up to the job, or is there a better choice in my target price range (around $1,000)? —Steven Winter / via e-mail
Above the streets of Hollywood, at the top of the swanky W Hotel, Panasonic held a party to show off their upcoming 4K tablet.
That’s right, a tablet with 4K resolution.
What I wasn’t expecting is that it’s huge. I guess it’s still technically a tablet with a 20-inch 15:10 screen, but wow.
They also had their new 4K LCD. Fellow S&Ver Lauren Dragan and I headed to Hollywood and Vine to check it out (that’s where the hotel is, not just some random location we wandered by).
SS-NA5ES Speaker System Performance Build Quality Value
SA-NA9ES Subwoofer Performance Features Ergonomics Value
PRICE $19,000
AT A GLANCE Plus
Scandinavian birch
enclosures
Triple tweeter array
Warm and fatigue-free
Minus
Not exactly cheap
THE VERDICT
A pricey speaker system that offers an edge to those who want the very best.
Sony has always had a sense of its own destiny that transcends any one of its multifaceted operations. To gamers, it is the guardian of the PlayStation franchise. Moviegoers know it as the owner of Sony Pictures, while music lovers know it as the home of Dylan, Springsteen, and Adele. Tech historians recall how Sony’s small transistor radios and Walkman cassette player, respectively from the 1950s and ’70s, paved the way for the iPod in the ’00s. Cutting-edge computer audiophiles are excited about the potential of Sony’s DSD file format to transform the nascent world of high-resolution music downloads.
Audio Performance Video Performance Features Ergonomics Value
PRICE $700
AT A GLANCE Plus
Audiophile sound quality
Outstanding build quality
Successful YPAO room correction
Minus
Pedestrian power output
Suboptimal video processing
Crowded, hard-to-use remote
THE VERDICT
A $700 receiver that puts the audio first.
The AVR is the Grand Central Station of our home entertainment systems. Everything runs into one box from our source components and then out to our speakers and displays for audio and video. In the process, we hope the video signal moves through the AVR without being harmed and that the amplifiers in the receiver mate well with our speakers, providing them plenty of juice without any distortion or clipping.
Could there be a better-named band to push the boundaries of creating original music for surround playback than Dream Theater? The ever-adventurous post-prog-metal collective previously experimented with 5.1 via Paul Northfield’s valiant multichannel spin on 2007’s frenzied Systematic Chaos, but Richard Chycki’s all-in full-bore mix of the band’s new, sprawling self-titled epic is in another stratosphere of total envelopment.
White Heat is one of the greatest gangster movies ever made. It’s a true film noir, a Freudian character study, and a pioneering police procedural, with slick suspense, a dry wit, and a deep-cutting (but not bloody) cruelty that’s still jarring today. The script is by Ivan Goff and Ben Roberts, who later wrote a few seasons of the Charlie’s Angels TV show, which at its best pulled off a warmed-over, softly satirical simulacrum of those traits.
You take on some baggage when your movie stars Tom Cruise. He’s been a box office titan for decades, so you’re improving your chances of a hit. On the other hand, ever since the couch-jumping incident, he tends to bring a certain off-screen persona that rubs a lot of folks the wrong way. Plus, a leading man of his magnitude tends to be Tom first, character second.