Q I have been reading A/V magazines for years, as well as conducting my own research, and am still a little confused about how to select the right amplifier to use with MartinLogan electrostatic speakers. The literature I’ve read clearly indicates that the ohm rating of a receiver is just as important, or more so, than its wattage per channel when considering an A/V receiver to pair with speakers. Does the ohm rating of MartinLogan electrostatic speakers make them incompatible with typical AVRs?
Nucleus Micro SE Speak Performance Build Quality Value
TR-1D Subwoofer
Performance Features Ergonomics Value
PRICE $1,614
AT A GLANCE Plus
Highly compact steel sphere enclosures
Transparent sound quality
Big soundstage with no restrictive sweet spot
Minus
On-wall or near-wall placement well advised
Tricky subwoofer mating
Likes a lot of power
THE VERDICT
A sub/sat system whose great strengths are its midrange clarity, wide dispersion, and décor-friendly form factor.
The interaction between speaker manufacturers and the public they serve has changed markedly since the days when I was a longhaired college kid buying my first speakers. Back then, design ideas flowed in one direction, from the top down, from the drawing board to the sales floor—and if you bought a speaker, you nearly always bought a box speaker. Now speaker-design imperatives flow in both directions. With a greater variety of beckoning form factors, speaker buyers influence the design process simply by choosing the products that fit into our lives.
Inspired by his grandmother’s architectural and interior designs, Rudy Brown set out to surprise his family with a home theater that he built from the ground up. Beyond inspiration was the sheer desire to build a dedicated theater space. Rudy knew drywall, framing, and painting, but he got the rest of his knowledge from frequenting the DIY section of AVSforum.com and reading Home Theater magazine.
Punk. Rock. Reggae. Hip-hop. Ska. Dub. Soul. Jazz. Rockabilly. No, this isn’t a listing of all the sections in one of the only remaining cool record stores left standing; this is the breadth of the genre-bending legacy of The Clash. And the sonic scope of Sound System is set to prove The Clash may very well be The Only Band That (Still) Matters.
Silver Linings Playbook is the most oddly enticing rom-com in a long time. Think Billy Wilder filtered through Martin Scorsese, which isn’t a bad way to describe the flip sensibility and kinetic style of writer-director David O. Russell at his best (Three Kings and Flirting with Disaster, not I Heart Huckabees). It’s a movie about crazy people: self-destructive and socially oblivious in various ways to varying degrees, all of them finding a place in the sun through love, family, community, music, and sports.
Advance ticket buyers also receive digital HD version of the movie
Regal Entertainment announced that Super Tickets go on sale today for director Peter Jackson’s highly anticipated The Hobbit: The Desolation of Smaug, which opens in theaters on December 13.
Back when I was a kid, I took my TV watching very seriously. It was an active event that demanded laser-like, sugar-fueled focus. I mean, just one glance away from those glowing cathode rays could result in missing some crucial Scooby Doo or Brady Bunch plot twist, possibly resulting in years of wondering what exactly happened to Marsha’s nose.
Reaching back into the days before DVR, DVD-R, or even VCR, you basically got one shot at watching something. And that meant TV viewers had some serious skin in the game when watching a show that was important to them. There were no pausing, no on-demand, and no Web streaming alternatives.
In a recent Ask S&V column, I answered a reader question about North American-made audio: Does anybody make audio gear over here anymore? One name I listed in my response was Canadian speaker-maker Paradigm, a company that manufacturers a wide range of speaker models, subwoofers, and audio electronics in a 225,000 square-foot facility located in Mississaugua, Ontario. Sound & Vision has rarely met a Paradigm speaker or electronics component from Paradigm’s sister-brand Anthem that it didn’t like, so the company is obviously doing something right. To get an overview of just what is happening under the roof of that 225,000-square foot facility, Paradigm’s marketing dept. invited me up for a day to check things out. Ready for a tour? Let’s go!
For the last few months I’ve thought a lot about the health of the audio/video industry. I worried that the success of smartphones and tablets was irreparably overwhelming traditional consumer-electronics technologies like audio/video. I tried to convince myself that smartphone mania would taper off and the mass market will rediscover big stereos and big TVs. I desperately wanted to evangelize for the profound pleasure that a kick-ass home theater can bring. But lately I’ve changed my mind. I have a new message for everyone glued to their phone: drop dead.
For last week’s SV Poll we asked you to pick your ultimate AVR Deal breaker from a list of nine choices. The number one deal breaker? “Not enough power,” which claimed more than a third of the votes. Finishing strong in the number two and three spots were “ineffective room correction/EQ” and “overly complicated operation” with 21 and 18 percent, respectively. Combine low power and lackluster room correction/EQ with complicated operation and you have three super AVR dealbreakers that together account for three quarters of the votes. Trailing at number four and five were “too few features” and “too many features.” Wireless features such as Wi-Fi and Bluetooth were met with a shrug. Here’s the complete breakdown…