Bookshelf Speaker Reviews

3000 5.1 Speaker System
Performance
Build Quality
Value

3070 Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Sweet and smooth sats
Dual 6.5-inch sub
Minus
Deep sub juts out from wall

THE VERDICT
A sweet-sounding system, with a sub worthy of the satellites, the Q Acoustics 3000 is one of the best under-$1,000 5.1-channel setups I’ve heard.

Tube amps. Mono pressings. And now, 5.1? Has bedrock surround sound indeed joined the ranks of retro audio technologies? Surround receivers beyond the most entry level nearly always have more than five channels (though their uses vary), while Dolby Atmos and DTS:X have made seven (5.1.2) the new minimum system configuration. What happens when you go in the other direction? The flood of 5.1 speaker sets that I used to review in the late 20th and early 21st centuries has tapered to a trickle. I see fewer new ones at CES and CEDIA, and plain old stereo is dominant at the rest of the domestic and international audio shows. However, the British manufacturer Q Acoustics has been marketing 5.1-channel speaker sets since the company’s inception about a decade ago and continues to actively develop them. The brand’s latest entry is called the 3000 5.1 Home Theatre System.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
For desktop or in-room listening
PC-friendly USB and line inputs
Class A/B analog amp
Minus
Limited (but adjustable) bass

THE VERDICT
Audioengine, always a champ in powered compact speakers, sweetens the deal on this one with a PC-friendly USB input and headphone jack.

Twelve-year-old Audioengine is best known for active compact speakers, though the company also makes passive compact speakers, a subwoofer, a small amplifier, a USB stick DAC, and a couple of streaming DACs. The HD3 loudspeaker is more or less an amalgamation of most of those products, infusing a sweet little speaker with a Class A/B amp, DAC, Bluetooth streaming, and a couple of less common features that just might make it irresistible to those in the market for a pair of small wireless speakers.

Dôme Flax 5.1 Speaker System
Performance
Build Quality
Value

Sub Air Subwoofer
Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Flax cone woofer
Aluminum-magnesium inverted-dome tweeter
Wall-hugging sub
Minus
Limited bass from sats

THE VERDICT
Unique driver materials, overall quality of construction, and adroit voicing make the Focal Dôme Flax 5.1 one of the best-sounding compact sat/sub systems I’ve heard.

As the home theater milieu increasingly divides into Atmos and non-Atmos camps, the satellite/subwoofer category seems destined to remain part of the old guard, usually sold in a set of five little speakers and a sub or two. Is it possible for a satellite speaker to retain its merciful compactness if it’s also to include an Atmos-enabled upfiring driver? I’d love to review such a product, but right now it’s a figment of my imagination and hopes. Focal, the prodigious French speaker manufacturer, does now offer a 5.1.2-channel Atmos-capable sat/sub system that takes a different approach (see below), but you’ll be happy to know that plain ol’ 5.1 is still alive and supported by this and other fine speaker makers. Even now it remains the bedrock configuration of surround sound.

Performance
Build Quality
Value

AT A GLANCE
Plus
Flexibility of stand or speaker-top use
Strongly defined height effects
Horn-loaded tweeter
Minus
Potential timbre-matching issues
Footprint too large for some speakers
Requires flat or nearly flat speaker top

THE VERDICT
If you like your Dolby Atmos and DTS:X height effects well defined, the Klipsch RP-140SA and its horn-loaded tweeter do the ceiling bounce with vivid results.

Progress is great, except when it’s not. By now, you’ve probably read a lot about Dolby Atmos and DTS:X, the nextgeneration object-oriented surround standards, and pondered what they mean for your system. But maybe the news that height-enriched surround sound has finally come of age is bittersweet to you. What if you love your existing speakers and don’t want to let go of them? Which matters more: upgrading to the latest and greatest or holding onto the tried and true? You might prefer to stick with your existing 5.1- to 7.1-channel system and tell progress to take a hike.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
True surround sound without the wiring hassles
Quick and easy setup
Hi-res wireless audio transmission
Minus
No Dolby TrueHD or DTS-HD Master Audio decoding
Remote is difficult to use
Lots of wall-wart power supplies to plug in

THE VERDICT
By eliminating the hassle of running speaker cables for a 5.1-channel system, the CineHome HD delivers a true, fuss-free surround experience that no single-point soundbar can match. While its feature set is pretty basic, that simplicity will likely be a plus for its targeted customers.

Here at Sound & Vision, we like to think of ourselves as hard-core home theater enthusiasts, so it’s difficult for us to fathom why average people don’t want to jump through hoops to set up a complete 5.1-channel surround system. Sure, you’d need to find space for an A/V receiver and a pile of speakers—plus you’d have to hook up a bunch of wires and thumb through a stack of onscreen menus to get everything properly configured and adjusted—but that’s all part of the fun, right?

Cinema M6 Speaker System
Performance
Build Quality
Value

SUB 1X12 Subwoofer
Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Very dynamically capable, with high power handling, high output
Solidly integrated front stage
Impressive subwoofer output and extension
Flexible “tripole” surround speakers
Minus
Slightly forward tonal balance (but perfect for behind-screen placement)
Pricey

THE VERDICT
Reference performance for movie playback, from some unusual speaker designs.

Complete the sentence with the most appropriate choice: “Yah, I sure do love those Swedish…”

A) meatballs.
B) supermodels.
C) interior designs.
D) loudspeakers.

If you chose D), congratulations, you’re a winner! Because while Swedish loudspeakers may not be a household word, or available at IKEAs everywhere (yet), the examples before us here just might be a winner in your home theater.

XTZ defines itself as much pan-Scandinavian as Swedish per se, but the company’s home base is in the blue-with-yellow-cross zone. The speakers themselves, like so many others today, are made in China, though XTZ points out that they employ high-quality drivers from fellow Scandinavian manufacturers such as SEAS and Scan-Speak, and the drivers are housed in unusually heavy, non-resonant cabinets. (XTZ offers a wide range of other speakers, as well as Dirac DSP and measurement systems, on its Website.)

RP-150M Speaker System
Performance
Build Quality
Value

R-110SW Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Titanium-dome tweeters in 90x90 Tractrix horns
Tractrix-shaped rear ports
Wireless sub option
Minus
Sacrifices some warmth for analytic detail
Sub subdued

THE VERDICT
Klipsch’s Reference Premiere achieves high resolution at a low price, though it can be too revealing for some content.

Klipsch is built on concepts so fundamental that they have transcended changes in audio fashion and even ownership. Chief among them is the concept of horn-loading, promulgated by the legendary Paul W. Klipsch (1904–2002) and marketed by him, his family, and their successors. It enables reasonably priced speakers to play louder, and to many listeners sound clearer, with less power. Klipsch speakers also look like no one else’s, thanks to the tangerine/copper color of the woofers, another of the brand’s 20th-century traditions.