Bookshelf Speaker Reviews

PRICE $499 pr

AT A GLANCE
Plus
Flexibility of stand or speaker-top use
Strongly defined height effects
Horn-loaded tweeter
Minus
Potential timbre-matching issues
Footprint too large for some speakers
Requires flat or nearly flat speaker top

THE VERDICT
If you like your Dolby Atmos and DTS:X height effects well defined, the Klipsch RP-140SA and its horn-loaded tweeter do the ceiling bounce with vivid results.

Progress is great, except when it’s not. By now, you’ve probably read a lot about Dolby Atmos and DTS:X, the nextgeneration object-oriented surround standards, and pondered what they mean for your system. But maybe the news that height-enriched surround sound has finally come of age is bittersweet to you. What if you love your existing speakers and don’t want to let go of them? Which matters more: upgrading to the latest and greatest or holding onto the tried and true? You might prefer to stick with your existing 5.1- to 7.1-channel system and tell progress to take a hike.

PRICE $1,199

AT A GLANCE
Plus
True surround sound without the wiring hassles
Quick and easy setup
Hi-res wireless audio transmission
Minus
No Dolby TrueHD or DTS-HD Master Audio decoding
Remote is difficult to use
Lots of wall-wart power supplies to plug in

THE VERDICT
By eliminating the hassle of running speaker cables for a 5.1-channel system, the CineHome HD delivers a true, fuss-free surround experience that no single-point soundbar can match. While its feature set is pretty basic, that simplicity will likely be a plus for its targeted customers.

Here at Sound & Vision, we like to think of ourselves as hard-core home theater enthusiasts, so it’s difficult for us to fathom why average people don’t want to jump through hoops to set up a complete 5.1-channel surround system. Sure, you’d need to find space for an A/V receiver and a pile of speakers—plus you’d have to hook up a bunch of wires and thumb through a stack of onscreen menus to get everything properly configured and adjusted—but that’s all part of the fun, right?

PRICE $5,494 as reviewed

AT A GLANCE
Plus
Very dynamically capable, with high power handling, high output
Solidly integrated front stage
Impressive subwoofer output and extension
Flexible “tripole” surround speakers
Minus
Slightly forward tonal balance (but perfect for behind-screen placement)
Pricey

THE VERDICT
Reference performance for movie playback, from some unusual speaker designs.

Complete the sentence with the most appropriate choice: “Yah, I sure do love those Swedish…”

A) meatballs.
B) supermodels.
C) interior designs.
D) loudspeakers.

If you chose D), congratulations, you’re a winner! Because while Swedish loudspeakers may not be a household word, or available at IKEAs everywhere (yet), the examples before us here just might be a winner in your home theater.

XTZ defines itself as much pan-Scandinavian as Swedish per se, but the company’s home base is in the blue-with-yellow-cross zone. The speakers themselves, like so many others today, are made in China, though XTZ points out that they employ high-quality drivers from fellow Scandinavian manufacturers such as SEAS and Scan-Speak, and the drivers are housed in unusually heavy, non-resonant cabinets. (XTZ offers a wide range of other speakers, as well as Dirac DSP and measurement systems, on its Website.)

PRICE $2,399 as reviewed

AT A GLANCE
Plus
Titanium-dome tweeters in 90x90 Tractrix horns
Tractrix-shaped rear ports
Wireless sub option
Minus
Sacrifices some warmth for analytic detail
Sub subdued

THE VERDICT
Klipsch’s Reference Premiere achieves high resolution at a low price, though it can be too revealing for some content.

Klipsch is built on concepts so fundamental that they have transcended changes in audio fashion and even ownership. Chief among them is the concept of horn-loading, promulgated by the legendary Paul W. Klipsch (1904–2002) and marketed by him, his family, and their successors. It enables reasonably priced speakers to play louder, and to many listeners sound clearer, with less power. Klipsch speakers also look like no one else’s, thanks to the tangerine/copper color of the woofers, another of the brand’s 20th-century traditions.

PRICE $11,050

AT A GLANCE
Plus
Dolby Atmos enabled
Natural, open character
Superb match with InWall Bronze/4 SlimSub
Minus
Atmos operation limits use in cabinets or behind a screen

THE VERDICT
Awesome for Atmos and awesome at most everything else.

Nine out of 11.4 people (approximately) reading this report are thinking, “Who the hell is Triad?” (Hopefully, fewer folks are asking, “What the hell is Atmos?” If you’re one of them, hang in there. I’ll get to Atmos in a bit.) To answer the original question, Triad is a Swiss Army Knife-like manufacturer of custom-installed speakers. That is, regardless of the particular application, Triad has a blade—er, speaker—designed and built for it (in the U.S. of A., by the way). You need in-room, in-ceiling, or in-wall speakers? Check. Invisible in-wall speakers? Ditto. OK, what kind of subwoofer do you want? The standard in-room or an in-wall design? Yes and yes. (Yawn.) Why not try something a little less common, like one of Triad’s on-wall, in-cabinet, or in-ceiling subwoofers? Then there’s Triad’s esoteric and rather sinister-looking FlexSub, which includes an expandable, flexible tube that channels the bass output from the hidden subwoofer cabinet to a remotely located grate or grille.

PRICE $6,145

AT A GLANCE
Plus
Advanced driver designs
Fine-grained, transparent, dynamic playback
Compact but powerful subwoofer
Minus
Boxy, non-curved enclosures

THE VERDICT
Paradigm’s Prestige series speakers and Seismic 110 sub employ unusual driver design to achieve remarkable transparency and punch.

As I sat down to write this review of the Paradigm Prestige speaker system, I couldn’t get a seemingly unrelated subject—the Pono hate—out of my head. No joke, folks: I sat at the keyboard for hours mulling it over. What chance did I have to convince readers that a $6,145 speaker system is worth hearing when a $400 music player is greeted with language like “don’t buy” and “snake oil”?

OK, I know I’m preaching to the converted. You probably wouldn’t be reading Sound & Vision if you weren’t open to the idea that a well-designed speaker system has the power to bring you closer to music. That’s what the Paradigms did for me when I informally played a few recent additions to my high-resolution music library (more on them later). I felt as if a curtain had been lifted and music was in the room with me—not just recorded music, but music.

One thing you want to get absolutely right when assembling a home theater rig is the speakers. Pick the wrong ones and music will sound dull and movie soundtracks will lack dimension and excitement. Sure, you can fiddle with crossover and EQ settings and move speakers around but it’s not going to help. A bad speaker is a bad speaker.

At Sound & Vision, we’re constantly on the lookout for speakers that rise above the pack and possess that magical quality of bringing music and movies to life. If space is at a premium, here are 10 compact speaker systems you can’t go wrong with, broken into three price categories: $1,000 or Less, $1,000 to $2,000, and $2,000 and up.