Bookshelf Speaker Reviews

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“A Book of Verses Underneath the Bough/A Jug of Wine, a Loaf of Bread—and Thou.” So runs the most famous translation of The Rubáiyát of Omar Khayyám. The essence of the quotation is we need only a few basic things to attain happiness, and the Persian poet seems to imply that the fewer, the better. So what does it take to make you a happy listener? Does an audio system invariably have to follow the traditional model of speakers, amp, and source components?

V52 Speaker System
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Power FL-10 Subwoofer
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Phase Technology is one of the great American loudspeaker makers. The man behind that achievement was Bill Hecht, a genuine first-generation audio pioneer. This review can’t begin without noting his passing last fall at age 89, the end of a life devoted to bringing movies and music into both the public and private realms.

Hecht began his career as an expert in Cinemascope Stereophonic Sound, installing systems at New York’s Radio City Music Hall and other pleasure palaces. His company United Speaker Systems (USS) launched in 1955 as he hand-built speakers, including drive units, in his garage. USS got a boost when Avery Fisher offered a commission to build the first Fisher loudspeakers. Hecht earned several patents, most notably for developing the soft-dome tweeter. He also patented a self-damping woofer voice coil, a manufacturing process for flat piston drivers, silicon-injected drivers for resonance damping, and a basketless midrange/woofer mounting system.

Aon 2 Speaker System
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ForceField 5 Subwoofer
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A review is more interesting when it tells a story. How should the story of the GoldenEar Aon 2 begin? There’s the technology angle: The Aon 2 is among the few speakers on the market with an unusual pleated tweeter design that uses a squeezing motion (as opposed to a piston motion) to generate the changes in air pressure that we hear as sound waves. Because the benefits—wide horizontal dispersion and vivid imaging—are easy to describe, that would be a good way to begin. And then there’s the human interest angle: GoldenEar is the third brand to be cofounded by Baltimore-based loudspeaker impresario Sandy Gross, whose genuine love for audio is balanced by his love for gourmet food, Expressionist canvases, and ancient statuary. The only thing wrong with these angles is that reviewers hither and yon have used them so often in the past. That leaves the musical angle. Here I believe I have a variant that might qualify as an exclusive.

MSubwoofer
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The question “what speakers should I buy?” is increasingly giving way to the more provocative “why should I buy stand-alone speakers at all?” Loudspeakers have to argue for their very existence in a world where consumers are logging fewer listening hours with component systems. Instead, stylish music sources such as tablets and smartphones are driving listeners toward equally stylish all-in-one wireless/docking systems and headphones. Today, the poor old loudspeaker has to work harder to attract attention. It has to convince you to buy it—oh, and one of those pesky audio/video receivers to power it.

For decades, the minispeaker has been a touchstone for audio enthusiasts. Because you can get a respectable pair of minis for a few hundred dollars, the mini is where most audiophiles start their journey into sound.

“Really?” I blurted out loud when I opened the RTiA1’s box to find a substantial, beautifully made minispeaker with curved sides and a higher level of fit’n’finish than that found on any of the other speakers in this group (the Monitor Bronze BX1 perhaps excepted). I even double-checked the price, doubting that Polk could sell such a nice-looking speaker for less than $400 a pair, especially $325 a pair (or even less online).