Price: $1,750 At A Glance: HVFR folded diaphragm tweeter • Dual woofers in slim enclosure • High sensitivity
There are no second acts in American lives,” F. Scott Fitzgerald gloomily mused. Don’t tell that to Sandy Gross. Having cofounded Polk Audio and Definitive Technology, he has recently formed a third Baltimore-based loudspeaker company called GoldenEar Technology. I’ve asked Gross more than once why he’s launched a third speaker brand when the first two have left him at a pinnacle of material success. He always starts his reply with a broad smile that says it all.
RSL Speaker Systems is the current manifestation of Rogersound Labs, a SoCal company that goes back a few years — 30 or so, in fact. Like many speaker makers, RSL got its start through garage tinkering, in this case by Howard Rodgers, owner of a well-known retail chain of the same name. (How the “d” got dropped from the company name is a story for another day.)
Despite a long, successful run, the original RSL, again like many other speaker companies, eventually faded away. But after regaining rights to the company name just last year, the firm was reincarnated after a long hiatus by its founder and his family.
If, that is, you consider the new Clarity HD Multimedia Speakers from MonsterCable (yes, the ex$pensive-wire people) to be "desktop audio." I do – they're flanking my 20-inch monitor as I write this, and while it's true that they rather crowd the work-top, they sound sweet enough in doing so that I'm willing to overlook their bulk.
Price: $2,199 At A Glance: Spherical steel sats and rounded fiberglass sub • Attractive aesthetics, high construction quality • Outstanding sound quality
Life is full of strange synchronicities. Around the time my friends in the country were posting pictures of their spring mushroom harvests on Facebook, I just happened to be setting up Morel’s SoundSpot Music Theatre 2 Ultra, a 5.1-channel satellite/subwoofer set based on the adorably spherical SP-2 sat and PSW10 sub. Would Morels in my system sound as good as morels taste on pizza? In omelets or pasta? With steak or veal? With asparagus? In wine or cream sauces? In gravy?
Price: $7,480 At A Glance: Two-way monitors with ribbon tweeters • High-quality parts including silver cabling • Three veneer and two lacquer finishes
No home theater system is complete without both a big screen and surround sound. But it’s no secret that the former is more popular than the latter. Surround’s Achilles’ heel is the audio/video receiver, with its peculiarly named features and labyrinthine menus. On the other hand, speakers are fairly straightforward. They usually have no controls aside from a few on the sub. Cable connection is red to red, black to black. Placement is key to performance but as much a matter of simple experimentation as knowledge. You don’t need to be a nuclear physicist to hear bass get louder when you shove a speaker toward a corner.
Price: $3,600 At A Glance: Glossy veneer makes a great impression • Crisp, up-front, detailed sound • Bipole/dipole surround provides subtle envelopment
Veritas is the Roman goddess of truth. It’s also a distinguished speaker line from Energy. Since 1973, Energy has passed from its founders through various Canadian and American owners. In 2006, along with its stablemate Mirage, it became the property of Klipsch. Earlier this year, the Klipsch brands—Energy, Mirage, Jamo, and Klipsch itself—became the property of Audiovox. Although Audiovox also owns a couple of other ancient speaker brands (Acoustic Research and Jensen), in recent years, those brands have focused on car audio, personal audio products, small-scale video products, and accessories. That leaves the home theater niche wide open for Energy and the goddess of truth.
Since time immemorial (or at least the late 1980s), designers of compact subwoofer/satellite speaker systems have struggled against The Hole.
The Hole is the gap between the lowest note the satellites can play and the highest notes the subwoofer can play. The Hole can make voices sound thin, and can rob gunshots and other sound effects of their dynamic impact. But the usual methods for filling The Hole can cause worse problems than The Hole itself.
Price: $699 (updated 1/28/15 At A Glance: Exceptional sonic performance for the price • Coherent soundfield • Good fit for small rooms • Extreme volume can cause distortion • Lacks depth and punch of larger systems
The ProCinema 600 5.1 speaker system is small, compact, and unobtrusive, capable of blending into any environment.
This sub-$1k system effortlessly provides a highly coherent surround field in a small room without degrading the sound quality, even at relatively high volumes. Using patented technology, the system delivers surprisingly good bass and midrange for a sat/sub system. Yes, it lacks the sheer depth, high impact, and fine details of more expensive systems with larger drivers and enclosures. But for basic home theaters in multi-purpose spaces, it not only gets the job done, it performs quite admirably for its size and cost.
As a lazy musician (redundant, yes) with a bad back, it have nurtured an enduring fantasy, that of discovering a 3-inch-cube loudspeaker that weighs less than a kilogram but delivers the output of a 15-inch JBL D-130.
Price: $1,398 At A Glance: Silk-dome tweeter with thermal protection • Race-car-inspired woven-fiberglass woofer • Sub’s passive radiators kill port noise
From Canada with Love
Canada has traditionally been a cornucopia of loudspeaker manufacturers. That isn’t exactly an accident. The Canadian government maintains a research facility in Ottawa with an anechoic (non-echoing) chamber that lures speaker designers like a garden lures honeybees. But Sinclair Audio’s roots are in Montreal, as is its Canadian distributor, Jam Industries, which began manufacturing, importing, and distributing musical instruments and other equipment in 1972 and expanded to include consumer electronics shortly thereafter. The company’s scope subsequently expanded to include lighting and audio equipment for concert, broadcast, and recording use. Sinclair is distributed in the U.S. by American Audio & Video. It’s sold via the same dealer network that handles Arcam, whose audio/video receivers and other products have attracted well-earned rave reviews in these pages.
Price: $879 (for updated SuperZero 2.1 system) At A Glance: SuperZero 2.0 updates popular mini-monitor • Voiced to be more relaxed and forgiving • Sub packs 8-inch driver into 11-inch enclosure
Feel-Good Sensation
Consider the mini-monitor. It’s smaller than a monitor and bigger than a satellite.
If the mini-monitor in question is the NHT SuperZero 2.0, it doesn’t have much bass and therefore needs to be mated with a subwoofer. But in the surround arena, where subs are standard equipment, bass-shyness is not so much a weakness as a characteristic.
Price: $528 At A Glance: Substantial and good-sounding monitors and center • Sub of modest size and power • Jaw-droppingly value packed for the price
Andrew Jones for All
Isn’t it preposterous for the Pioneer Corporation to assert itself as a loudspeaker manufacturer? After all, the company is best known in the home theater sphere as a maker of audio/video receivers. Those with just slightly longer memories recall Pioneer’s world-class KURO plasmas as some of the best HDTVs ever made. There was a time when the Laserdisc format, which Pioneer championed, was the signal source of choice among videophiles. Pioneer was also one of the Japanese audio brands that established the stereo receiver as a staple of dorm rooms (including mine) during the 1970s. But who thinks of Pioneer in connection with speakers?
Price: $850 (updated V2 system) At A Glance: Single-cube speaker with full-range driver • Polymer and extruded-aluminum enclosure • Wireless option
Surround Cubed
The cube speaker at the heart of Cambridge Audio’s Minx satellite/subwoofer set has become an enduring form factor for people who don’t like loudspeakers. Of course, in their zeal to get speakers off the floor, some speaker-haters poke holes in their walls for in-walls. But not everyone is willing to go to that extreme. And while in-wall and on-wall speakers have no footprint, they do have what you might call a wallprint. For folks who don’t like speakers, don’t like holes in their walls, and don’t like wallprints, but do like movies and music, the cube speaker—something the size of a Girl Scout’s fist—shapes up as the least invasive solution.
Price: $1,200 At A Glance: Well-balanced performance • Kortec soft-dome tweeters, ceramic glass fiber woofer cones • Glossy side panels enhance appearance
Born and Reborn
Loudspeaker manufacturers are born and then, in some cases, reborn. Although rebirth doesn’t necessarily ensure continued creativity or even longevity, some speaker makers thrive in their new incarnations. That’s what happened to Boston Acoustics. It was born as an independent company in 1979, was reborn in 2006 as a speaker brand following acquisition by D&M Holdings (the same company that markets Denon and Marantz), and is now healthier than ever.
Price: $1,019 At A Glance: Time Lens time-aligns tweeter and woofer • Acoustic Lens controls tweeter response • Wireless sub eliminates interconnect cable
Through a Lens, Blackly
Compact satellite/subwoofer sets were once surround’s entry-level configuration, a smart option for those who wanted to go beyond two-channel in a small room. More recently, they’ve ended
up in the middle ranks of the home theater hierarchy—below monitor-class and floorstanding speakers but above the relatively new soundbar category and built-in HDTV speakers.