Bookshelf Speaker Reviews

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Brent Butterworth  |  Mar 21, 2012  | 

It seemed that audio companies had surrendered the home-theater-in-a-box concept to the TV manufacturers.

Mark Fleischmann  |  Feb 07, 2012  | 
Performance
Build Quality
Value
Price: $1,706 At A Glance: Listening fatigue immunity • Extremely solid build • Factory-direct value

SVS Sound designs its products from the bottom up. The company got its start as a subwoofer manufacturer, fascinating point-one-obsessed audiophiles with unusual (and potent) cylinder-shaped models. Check out the company’s Website at svsound.com under products and you’ll find the subwoofer category listed above speakers and systems. If you want to add an SVS sub to an existing system, the Website’s Merlin engine lets you key in the make and model of your non-SVS speakers to obtain recommendations on compatible SVS subs. Merlin will even offer suggestions for subwoofer crossovers in both surround and stereo systems.

Mark Fleischmann  |  Dec 29, 2011  | 

Performance
Build Quality
Value
Price: $2,075 At A Glance: Compression Guide Technology enclosure • Top-to-bottom ease and authority • Sub controls in separate remote-controlled box

Longtime readers know I often revisit the same manufacturers in loudspeaker reviews. I like to see how speaker lines from the same crucible evolve and grow. The downside is that returning to the same brands cheats me (and you) of new experiences. So for this review, I found myself placing a call to Howard Rodgers of RSL Speaker Systems. I dialed his West Coast number at 10 in the morning East Coast time with the intention of leaving a voicemail—only to roust him out of bed, to my surprise and embarrassment. He told me a little about the company and the 5.1-channel speaker package I was about to review.

Michael Fremer  |  Dec 27, 2011  | 

Performance
Build Quality
Value
Price: $6,850 At A Glance: 0 for looks • 11 on a 10 scale for sound • Smooooth air motion transformer tweeter

Although Berlin, Germany–based Adam Audio is a recent player in the American A/V marketplace, the company has produced passive and powered loudspeakers for both pro and home use for 11 years. The acronym ADAM stands for Advance Dynamic Audio Monitors. ADAM Audio USA entered the pro market here in 2002 and only recently began building a home audio distribution and sales network.

Brent Butterworth  |  Dec 26, 2011  | 

Emotiva made its name by offering high-end audio electronics that look like they cost thousands but actually cost hundreds. With the X-Ref line, it’s trying to do the same in speakers. The company has offered speakers in the past, but X-Ref is its first concerted effort to deliver a broad line of speakers at prices low enough to attract budget-minded-yet -serious home theater enthusiasts. The line includes two tower speakers, two LCR (left/center/right) speakers, two bookshelf speakers, one surround speaker, and two subwoofers.

Brent Butterworth  |  Dec 22, 2011  | 

It’s been a dream of audio engineers and enthusiasts for decades: Create a compact speaker system that performs like a big one.

Mark Fleischmann  |  Dec 16, 2011  | 
Performance
Value
Build Quality
Price: $880 At A Glance: Super-smooth-sounding top end • Spacious, big-sounding midrange • Compact form factor • Modest price

There are two schools of thought about speaker design for movies and music. The purist approach is that the fundamentals of performance affect both equally—what’s good for music is good for movies and vice versa. On the other hand, the pragmatic approach calls attention to the differing demands of movies versus music, suggesting that your choice of speaker should be optimized for one or the other, whichever you care about more.

Mark Fleischmann  |  Nov 11, 2011  | 

Performance
Value
Build Quality
Price: $2,350 At A Glance: Smallest member of Imagine Series • Ingenious design, high build quality • Wood veneer or gloss finishes

A few decades ago, the Canadian government’s National Research Council built an anechoic—that is, non-echoing—chamber in Ottawa for the testing and refinement of loudspeakers. This investment nurtured a whole school of speaker designers. Paul Barton of PSB was among the earliest and most distinguished to emerge. Five years ago, Barton embarked on a wholesale redesign of his speaker lines, summing up his considerable experience and adding improvements made possible by the lowered cost of manufacturing in China. Yes, some manufacturers actually use China’s industrial prowess as an opportunity to improve their products. Barton regularly visits his contract manufacturers to ensure they’re delivering the quality he demands in his high-performing loudspeakers.

Mark Fleischmann  |  Nov 04, 2011  | 

Performance
Value
Build Quality
Price: $2,494 (updated 2/17/15) At A Glance: Rethink of price/performance champ • Perfectly voiced for affordable electronics • Optional Perfect Bass Kit tunes sub

I envy the Paradigm Monitor Series 7 speakers, the latest in a durable line. Over time, the Monitors have gotten better and better, while I have only gotten balder.

Brent Butterworth  |  Oct 16, 2011  | 

Romantics see Italy as a place of rich history and sophisticated culture. Not me. As a non-romantic, I can think of Italy only as the birthplace of the Fiat 128 that often left me walking instead of driving, and the location of a honeymoon in which I fought frenzied traffic and struggled to find a decent meal.

Mark Fleischmann  |  Sep 20, 2011  | 

Performance
Value
Build Quality
Price: $3,350 At A Glance: 90-by-60-degree Tractrix horn • Extremely focused imaging • More decibels for your watts

The story of Klipsch is often told, but the storytellers, myself included, typically fail to mention two of the three key principals. Every audiophile has heard of Paul W. Klipsch. He founded the loudspeaker company that bears his name in 1946 and spent several decades patiently perfecting his use of horn-loaded drivers to provide—and here I’ll just quote the Klipsch mantras—high efficiency, low distortion, controlled directivity, and flat frequency response. Paul was also known to take notes during sermons so that he could grill the minister afterward on the fine points of theology.

Mark Fleischmann  |  Sep 20, 2011  | 

Performance
Value
Build Quality
Price: $1,750 At A Glance: HVFR folded diaphragm tweeter • Dual woofers in slim enclosure • High sensitivity

There are no second acts in American lives,” F. Scott Fitzgerald gloomily mused. Don’t tell that to Sandy Gross. Having cofounded Polk Audio and Definitive Technology, he has recently formed a third Baltimore-based loudspeaker company called GoldenEar Technology. I’ve asked Gross more than once why he’s launched a third speaker brand when the first two have left him at a pinnacle of material success. He always starts his reply with a broad smile that says it all.

Daniel Kumin  |  Sep 20, 2011  | 

RSL Speaker Systems is the current manifestation of Rogersound Labs, a SoCal company that goes back a few years — 30 or so, in fact. Like many speaker makers, RSL got its start through garage tinkering, in this case by Howard Rodgers, owner of a well-known retail chain of the same name. (How the “d” got dropped from the company name is a story for another day.)

Despite a long, successful run, the original RSL, again like many other speaker companies, eventually faded away. But after regaining rights to the company name just last year, the firm was reincarnated after a long hiatus by its founder and his family.

Daniel Kumin  |  Sep 13, 2011  | 

Yes, you're going to need a bigger desk.

If, that is, you consider the new Clarity HD Multimedia Speakers from MonsterCable (yes, the ex$pensive-wire people) to be "desktop audio." I do – they're flanking my 20-inch monitor as I write this, and while it's true that they rather crowd the work-top, they sound sweet enough in doing so that I'm willing to overlook their bulk.

Mark Fleischmann  |  Sep 02, 2011  | 

Performance
Value
Build Quality
Price: $2,199 At A Glance: Spherical steel sats and rounded fiberglass sub • Attractive aesthetics, high construction quality • Outstanding sound quality

Life is full of strange synchronicities. Around the time my friends in the country were posting pictures of their spring mushroom harvests on Facebook, I just happened to be setting up Morel’s SoundSpot Music Theatre 2 Ultra, a 5.1-channel satellite/subwoofer set based on the adorably spherical SP-2 sat and PSW10 sub. Would Morels in my system sound as good as morels taste on pizza? In omelets or pasta? With steak or veal? With asparagus? In wine or cream sauces? In gravy?

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