BOOKSHELF SPEAKER REVIEWS

Sunny Side Up

Folks buying compact satellite/subwoofer sets to complement their flat-panel HDTVs? That’s old news. Now some manufacturers are offering even more compact speakers to complement the new breed of flat panels. The focus is now on flat panels that reduce the frame surrounding the screen to an absolute minimum, so that the picture seems to float against the wall.

Little Speaker Lusts for Power

My lonely battle to establish the satellite/subwoofer set as a respectable speaker category just got a little less lonely. Bob Carver, legendary designer of amps and speakers, has joined me on the space-saving speaker front. Carver first gained fame when he founded Phase Linear in 1970. He designed what the industry then considered some of the world’s most powerful amplifiers. His current company, Sunfire, has branched out into surround processors, an extensive subwoofer line, and speakers. With the HRS line, he enters the sat/sub category with a product that—like most Carver products—shows a healthy lust for power. Take these four satellites, a barely larger center, and one of Carver’s famously potent subs, and you’ve got a sat/sub set that’ll turn heads and change minds.

Producing loudspeakers at mass-market prices is a thankless task. It takes the resources of a big company like Harman International to do it right. I’ve determined in one review after another that JBL has long been a budget-speaker champ. You could even call me a JBL fan. But I was still surprised when I took the ES20 loudspeaker out of its box. Its tapered non-rectangular form announced that this was no low-end junk-in-a-box speaker, even at $399 per pair. And the surprises didn’t end there. This is the first budget speaker I’ve reviewed that boasts a super-tweeter in addition to the usual tweeter and woofer.

Recorded music is a cozy conspiracy between conventional speaker technology and listening expectations. Most speakers are made of cones and domes, so we’ve gotten used to their particular dispersion patterns and regard them as a normal part of music. The first experience of planar speakers, like BG’s Z-62, can come as a shock to the listener who’s never heard a planar tweeter before.

Outlaw Audio has tenaciously earned a reputation as a maker of well-thought-out surround electronics, speakers, subwoofers, and other products. The company offers a favorable performance/price ratio by selling directly to the consumer via the Internet. And once in a while, it gets downright iconoclastic, dramatically rethinking flawed product genres and pushing them unexpectedly forward. The Outlaw LCR loudspeaker is one of those.

It took two fairly determined UPS delivery men to get the SVS PC-Ultra sub off the truck, up the five steps into my building, and up to my apartment. At least it’s an elevator building. They delivered it with a sunny smile, probably visualizing the red-faced sweat that would ensue when I uncrated the 85-pound product. Wondering what demented impulse made me agree to review this 4-foot-tall monster, I waltzed the massive carton into my work space, slit it down the broad side, removed a sheet of padding, tipped over the box, and wondered what the hell would happen next. The giant cylinder-shaped subwoofer obligingly solved the problem by rolling out of the carton. This seemed to be a good omen. It cheered me up immediately.