It’s hard to believe 40 years have passed since John Lennon was fatally shot outside his home on Manhattan’s Upper West Side on this very day. We’re marking the anniversary of Lennon’s untimely passing with a review of the new Gimme Some Truth: The Ultimate Mixes box set and Matt Hurwitz’s story on the production of tracks remixed in stereo, 5.1, and Dolby Atmos.
It seemed like a miracle when Christopher Nolan’s new film Tenet was released in theaters a few weeks ago. But there was a dilemma. I live in New York State, and the governor hadn’t yet cleared movie theaters for reopening. And that’s still the case.
TAP, TAP, TAP. . . is this thing on? We’re back! If you’re a print subscriber I’m sure you’re wondering what happened to the June/July issue of Sound & Vision so here’s the deal.
In a recent letter, long-time reader David K. Johnson laments the changes that have impacted the content of Sound & Vision in the years following its merger with Home Theater magazine back in 2013. My response to David attributes these changes to a resurgence in audio gear, spanning a number of categories.
Looking over the list of products that earned a Sound & Vision Top Pick award in 2019, one entry towered over the others: JVC’s DLA-NX9 D-ILA projector. Congratulations to JVC for a job well done in being selected as S&V’s overall Top Pick for 2019!
Depending on how you look at it, the arrival of Apple TV+, Disney+, and other streaming options — some still on the horizon — is either a glut or an embarrassment of riches.
In May I had an opportunity to attend High End in Munich, Germany, an event considered by many to be the world’s leading hi-fi show. It was the second consecutive Munich show I had attended, and this one was even more bustling with activity than the last. While the show does provide trade-only days, it’s primarily a consumer-focused event — audiophiles from all over Europe flock in to look at and listen to the latest gear, much of it on active display in rooms that pump out nonstop music.
Road trips are a common enough activity in the U.S., but most, if not all, drivers leave their loudspeakers behind. Not Wendell Diller. The marketing mind behind Magnepan hit the road earlier this year with the company’s 30.7 Magneplanar loudspeaker, a flagship model, in tow. The plan? To visit every one of the company’s U.S. dealers and demo the new $30,000/pair loudspeaker.
A persistent theme I’ve observed in recent articles from several long-time Sound & Vision contributors is a sense of unease over the encroachment of AI (Artificial Intelligence) into the traditional consumer electronics space.
DALI (Danish Audiophile Loudspeaker Industries) was founded in 1983 by Peter Lyngdorf, who is also the founder and owner of high-end audio company Steinway Lyngdorf. The company currently employs 300 people, with the bulk of its manufacturing carried out in a 220,000-square-foot factory located in farm country midway between Aarhus and Aalborg. DALI produced 250,000 speakers in 2018, and exported products to 70 countries.
As someone who has spent the past two-plus decades writing about and reviewing TVs, projectors, and associated gear, I have to say that the addition of high dynamic range to video is among the more impressive developments I’ve encountered. Not since high-definition TV took over the airwaves back in 1999 and then made its way to Blu-ray (and HD DVD) discs a few years later have video enthusiasts been treated to such a massive leap in visual quality. Oh right, there was the launch of Blu-ray 3D back in 2010, a format that required a new player and TV, goggles, and a 50 percent hit in screen brightness, but…oh, never mind.
Last year — oh, around the same time that I’m sitting down to write this — I penned an editorial lamenting changes to the Consumer Electronics Show in Las Vegas that made it inhospitable to writers covering the high-end audio and home theater categories. The gist of my article was that for us CES had become mostly irrelevant, and that I would sit the 2018 show out and quite possibly future ones as well.
Clockwise from top left: Josef Krebs, Mike Mettler (right) with Graham Nash, Tom Norton, David Vaughn, Chris Chiarella with the comedian Gallagher.
A recent reader comment on this site gave high praise to the magazine’s AV equipment reviews, but then went on to condemn our “weak” attempts to review movies on Blu-ray disc. The gist of the message was that movie disc reviews are best left to websites that can cover them on a timely basis, as opposed to the weeks or even months that it can take for Sound&Vision to turn out reviews of the same titles.
Our “Flashback” feature “Speaker Cables: Can You Hear the Difference” (link below) offered as part of the ongoing celebration of our 60th year, is a juicy tidbit from 1983 that proved one of the most controversial articles in our predecessor Stereo Review ’s history.