<IMG SRC="/images/archivesart/office5.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>In the fifth season of this workplace comedy, the employees of Dunder Mifflin are enmeshed in surprise office hook-ups, break-ups, romantic triangles, and new business ventures. Insensitive regional manager Michael Scott (Steve Carell) still thinks he's the best boss ever—despite overwhelming evidence to the contrary. As he leaves the security of Dunder Mifflin, Andy (Ed Helms) and Dwight (Rainn Wilson) do battle for the affections of Angela (Angela Kinsey), and Jim (John Krasinski) and Pam (Jenna Fischer) finally plan their long-awaited nuptials.
1971’s Harold and Maude, a cult classic before there was such a thing, undoubtedly remains the weirdest rom-com of all times (classifying this movie as such has me laughing out loud as I type!). Harold (Bud Cort) is an odd young man who lives with his wealthy, high-society widow of a mother and gets his kicks (and much-needed attention) from elaborately acting out his own death. Over and over. While Harold’s mom’s ideas for straightening him out are to put him in the military or marry him off, another of Harold’s hobbies, attending strangers’ funerals, leads him to Maude (Ruth Gordon), a daring older woman and the freest spirit you’ve ever seen. She lives in a renovated boxcar, fights the system in her own inimitable ways, ruffles a lot of feathers, and steals a hell of a lot of cars. She’s a gas and is absolutely as obsessed with life as weird Harold is with death. They fall in love.
<IMG SRC="/images/archivesart/422orphanage.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Returning to her childhood home—a creepy, seaside orphanage—Laura (Belen Rueda) unknowingly unleashes a long-forgotten, evil spirit. When her son, Simón (Roger Príncep), mysteriously disappears, she is thrust into a chilling nightmare in which she must confront the memories of her past before the ghosts of the orphanage destroy her.
<IMG SRC="/images/archivesart/061308boleyn.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Based on the novel by Philippa Gregory, <i>The Other Boleyn Girl</i> is the story of Anne Boleyn and her sister Mary as they rival for the bed and heart of Henry VIII. Discovering that the king's wife, Katherine of Aragon, is unable to provide him with a male heir, the girls' ambitious father and uncle devise a bold plan to advance the family's power and status by courting the affections of the king.
Executive producers Tom Hanks, Steven Spielberg, and Gary Goetzman, who brought us Band of Brothers, deliver another WWII masterpiece about the battles in the Pacific. The 10-part miniseries follows the true-life stories of Robert Leckie (James Badge Dale), John Basilone (Joe Mazello), and Eugene Sledge (Jon Seda) as they fight their way across the Pacific Theater from 1941 to 1945. It all starts with the horrific conflict of Guadalcanal, continues to Cape Gloucester and Peleliu, then to the famous combat at Iwo Jima, the terror of Okinawa, and finally their return home after V-J Day and how the mental scars of battle aren't easily forgotten.
Given its massive budget (estimated to be $195 million), I expected the battle scenes to rival those in Saving Private Ryanwhich they do in their scope and visceral impactbut it's the psychological struggles of our three heroes that kept me riveted. Not only do they have to fight a relentless enemy in the Japanese, but they must cope with the elementssuffocating heat, malaria, tropical rainstormsand somehow keep a grasp on their own humanity. If they're fortunate enough to survive and return home, how will they acclimate to the civilized world after spending four years in hell?
Preston Sturges, whose rise and fall were as sudden and steep as any in cinema (except for that of Orson Welles), had his peak years from 1940–44, writing and directing seven of the greatest American film comedies ever, and The Palm Beach Story sprung forth in precisely the middle of the run. A head-spinning romp through the joys and foibles of love, marriage, money, and class, it practically defines “screwball comedy,” with its Alpine plot twists, nonstop mayhem, rapid-fire dialogue, razor-sharp wit, and madcap but extremely good-natured characters.
When ten atomic warheads disappear in the former Soviet Union, a newly promoted U. S. nuclear specialist (Nicole Kidman) teams with Colonel Thomas Devoe (George Clooney) to track down the missing weapons before they fall into the wrong hands.
For some odd reason, I missed this in theaters and on DVD last century. The story grabs you in the very first scene and doesn't let go until the end. My one criticism of it is the third act is a little far-fetched with Clooney and Kidman running around New York bossing everyone around and taking matters into their own hands, but hey, it's Hollywood.
I’ve always wondered about Charlie Brown’s crush on the Little Red-Haired Girl. He’s of an age where girls are little more than a nuisance. But no matter: The Peanuts Movie’s plot centers on Charlie Brown’s stumbling attempts to convince her, and himself, that he’s something and not nothing.
<IMG SRC="/images/archivesart/Perfectstorm.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Based on the book by Sebastian Junger, <i>The Perfect Storm</i> centers around one of the deadliest storms in recorded history. In 1991, three weather fronts collided in the North Atlantic—one of them being Hurricane Grace—which caused swells 100 feet tall and winds that reached 160MPH.
For me, the perfect storm is the one that stays far away. But today, I powered up the equipment, strapped myself in, and let loose the sound and the fury of Wolfgang Petersen's film.
One of the most sensual movies I have ever seen, The Piano owes much to Holly Hunter's central depiction of the voluntarily mute Ada, who communicates through her music (she tickled her own ivories for the role), through sign language, and through her remarkably expressive face. A single mother dispatched with her daughter from Scotland to New Zealand for an arranged marriage, Ada soon finds herself the unwitting target of the affections of an unexpected admirer, igniting love, lust, and no small measure of understandable jealous rage.
<IMG SRC="/images/archivesart/polarexpress3d.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>A boy (Daryl Sabara) has lost the Christmas spirit and doesn't believe in Santa Claus. He awakes on Christmas Eve to the sound of a train arriving in his front yard. Invited to join the Polar Express on its journey to the North Pole by the train conductor (Tom Hanks), a magical world opens his eyes to the spirit of Christmas.
In one sense this film is an unexpected gift. I would never have imagined such intense, mesmerizing human drama could be culled from the story of two rival magicians trying to destroy each other personally and professionally around the turn of the century. Of course, in another sense the success of a film made from such a talented pool of people on both sides of the camera shouldn't seem surprising at all.
Tiana (voiced by Anika Noni Rose) is a beautiful and driven young woman determined to open her own New Orleans restaurant, but her plans take a detour when Prince Naveen (Bruno Compos) struts into town and is turned into a frog by the evil Dr. Facilier (Keith David). A kiss from Tiana should restore him, but the plan backfires and turns her into a frog. The two must then travel into the bayou in search of a priestess who can hopefully remove the curse.
This is the first 2D hand-drawn animated title from Disney since 2004's Home on the Range. After the mainstream birth of computer animation with 1995's Toy Story, many studios, including Disney, got the impression that families are tired of "classic" animation and only interested in computer-animated titles. Surprisingly, Disney seemed to forget that not only does a film need to look pretty, it needs to have a good story. However, the studio has redeemed itself here, even though the trailers weren't that impressive.
<IMG SRC="/images/archivesart/proposal.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>There's no other way to put it—Margaret Tate (Sandra Bullock) is not a very nice person. In fact, co-workers, especially her personal assistant Andrew Paxton (Ryan Reynolds), fear her because of her management style. But when Margaret discovers she's being deported back to her native Canada because she neglected her immigration paperwork, the quick-thinking executive announces that she and Andrew are engaged to be married.