Blu-ray Movie Reviews

Sort By: Post DateTitle Publish Date
Josef Krebs  |  Mar 04, 2016  | 
Picture
Sound
Extras
Like Hitler, Guy Ritchie has a certain style. Which doesn’t make either of them an artist. However, Ritchie has finally learned how to make a kick-ass action movie, and in adapting a somewhat silly and camp British 1960s TV series, the director has found something that fits his talents and temperament like a tight, flash suit. By far superior to his laughably bad Sherlock Holmes films, The Man From U.N.C.L.E. is a slick adventure that moves along at a clip from one set piece to the next, connected by banter—not witty, but efficient in setting up each character.
Fred Kaplan  |  Aug 30, 2011  | 
John Huston’s The Man Who Would Be King is one of those great films the likes of which “they don’t make anymore” (and, in fact, they rarely did), a grand tale of adventure and greed set against the great outdoors and the judgment of Nature. It’s based on Rudyard Kipling’s novel, but in many ways, it’s a throwback to The Treasure of the Sierra Madre, which Huston also directed, nearly 30 years earlier. This movie’s prospectors are former soldiers in Britain’s colonial army, seeking power and fortune by conquering tribal warlords in the mountains of Afghanistan, rather than American ne’er-do-wells panning for gold in the foothills of Mexico. But the outcome is the same: Our (anti-) heroes win everything then lose it all through avarice and arrogance. In Treasure, they dig up more gold than they can carry (or their capacity for mutual trust can endure); in King, they stumble into a cavern of riches, but one of them starts believing he really is a god (as they’ve tricked the natives into thinking), until the act is exposed.
David Vaughn  |  Jun 08, 2010  | 

<IMG SRC="/images/archivesart/noname.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>In <i>A Fistful of Dollars</i>, Clint Eastwood stars as a drifter who manipulates two rival gangs with the ultimate goal of destroying both. In the second installment, our hero takes on El Indio (Gian Maria Volonte), the territory's most ruthless bandit. The best film of the three concludes the series with Eastwood partnering with two gunslingers in order to obtain a fortune in gold. He discovers that teamwork isn't one of their better personality traits and staying alive isn't guaranteed.

Chris Chiarella  |  May 13, 2016  | 
Picture
Sound
Extras
Andy Weir’s bestselling novel The Martian was justly lauded for its clever use of hard science facts to tell a thrilling yet believable tale of science fiction. Of course, the characters needed to be compelling as well if this bold survival epic was to work, and on screen as well as on the page, the futuristic drama is a smashing success. We begin a couple of decades from now as a manned Mars expedition is cut short due to a violent storm on the surface of the Red Planet.
Shane Buettner  |  Sep 20, 2013  | 
Picture
Sound
Extras
Oscar again made the safe choice for 2012’s Best Picture, choosing Ben Affleck’s blandly competent Argo, virtually ignoring the most provocative film of the year, writer/director Paul Thomas Anderson’s The Master. More egregious is that Anderson’s tour de force only garnered Academy nominations in the acting categories. One can’t help but wonder if the film’s Oscar fate would have been different if the subject was any other cult than Hollywood-chic Scientology. One also suspects Argo will occupy a place in film history closer to How Green Was My Valley, Ordinary People, and Driving Miss Daisy than to Citizen Kane, Raging Bull, or Do the Right Thing.
Shane Buettner  |  Mar 03, 2007  | 

<I>The Matador</I> is an off kilter comedy that works by expertly playing on the audience's expectations without being overly manipulative. Erstwhile 007 Pierce Brosnan plays the the low down and dirty version of JB, a hit man for hire with very bad people skills. He's coming to the end of his run at the top, and has enough money to retire, but nothing or no one to retire to, not a single friend or any other human connection. While on a job in Mexico he runs into Danny, played by Greg Kinnear, who's also in town on a business trip, albeit ina different line of work! The two strike up as mcuh of a friendship as Brosnan's Julian allows, and inevitably when Julian's bosses decide he's more of a lliability than an asset Kinnear's Danny is the only friend he can turn to for help.

David Vaughn  |  Aug 10, 2018  | 
Picture
Sound
Extras
Thomas Anderson leads a double life. During the day, he is a computer drone for a big corporation; by night, he’s Neo, hacker extraordinaire. Morpheus opens Neo’s eyes to the real world, a vast wasteland where most of humanity has been enslaved by machines that use our bodies as a power source. To reclaim the Earth, Neo must reenter the Matrix in order to overthrow the machines and discover his true destiny in life.
David Vaughn  |  May 03, 2009  | 

<IMG SRC="/images/archivesart/matrixdigi.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT><i>"Have you ever had a dream, Neo, that you were so sure was real? What if you were unable to wake from that dream? How would you know the difference between the dream world and the real world?"</i>

David Vaughn  |  Sep 07, 2010  | 
After The Matrix had a huge box office and became the first title to sell over 1 million DVDs, the brothers Wachowski and Warner decided it was time to cash in on the franchise and create a trilogy (it's the Hollywood thing to do). The second of the three films debuted on May 15, 2003 and went on to earn over $280 million at the box office.

The first film is a classic due to its impeccably shot action sequences and philosophical dialog. Unfortunately, the second is filled with senseless ramblings from Morpheus (Lawrence Fishburne) although like its predecessor the stunts are fabulous, especially the highway chase scene that runs for over 15 minutes.

Brandon A. DuHamel  |  Jun 17, 2022  | 
Picture
Sound
Extras
In The Matrix: Resurrections, Neo (Keanu Reeves) is a developer responsible for the most popular game trilogy, one that ponders what would happen if AI took over the world and we didn't realize it. In his everyday life, listless and disconnected, Neo is seeing a therapist called the Analyst (Neil Patrick Harris) who has been prescribing him blue pills so he can get his head right. Turns out that Neo is back in the Matrix and he doesn't know it, but he can feel it. Thankfully, people are trying to rescue him. They also stumble across something new in the Matrix, called "modals," where incidents from Neo's past are being replayed over and over, but the outcomes are slightly different each time.
David Vaughn  |  Apr 17, 2015  | 
Picture
Sound
Extras
Thomas is disjointed and confused as he wakes up on a rising elevator not knowing who or where he is. When he finally regains his focus, he’s surrounded by a group of teenage boys and realizes he’s not in Kansas anymore. He’s in the Glade, an enclave surrounded by giant walls that hide a maze, a mostly off-limits area that’s protected by the Grievers—cybernetic organisms that come out at night and will kill anyone who has ventured into the maze and hasn’t exited when the sun goes down.
Josef Krebs  |  May 19, 2023  | 
Picture
Sound
Extras

In this darkly satiric thriller about conceptual dining, mockery is made both of foodies and society’s growing obsession with the dramatically experiential. A group of wealthy culinary enthusiasts, snobby gastronomes, and famous experts are whisked by yacht to a private island where an unforgettable meal awaits them at a highly exclusive gourmet restaurant.

Chris Chiarella  |  Nov 18, 2016  | 
Picture
Sound
Extras
In cinema, would-be cautionary tales of our current environmental crisis tend to be heavy-handed, and they frequently fall flat as a result. Maybe the secret to an effective global wakeup call is to tuck it neatly into a slapstick romantic comedy about modern-day merpeople.
Thomas J. Norton  |  Jul 18, 2014  | 
Picture
Sound
Extras
In the final months of World War II, as Allied armies smashed across Europe and into Germany, an organization called the Monuments, Fine Arts, and Archives program (the MFAA) was assigned the task of recovering and preserving countless art treasures plundered by the Nazis. It included hundreds of art experts from 13 countries, working in small cadres.
Thomas J. Norton  |  Aug 07, 2014  | 
Picture
Sound
Extras
In the final months of World War II, as Allied armies smashed across Europe and into Germany, an organization called the Monuments, Fine Arts, and Archives program (the MFAA) was assigned the task of recovering and preserving countless art treasures plundered by the Nazis. It included hundreds of art experts from 13 countries, working in small cadres.

Pages

X