Surround Processor Reviews

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Phenomenal sound quality
Software-based platform makes upgrades easy
Superior room correction processing
Minus
Pricey!
Basic remote control
Typically requires pro installation

THE VERDICT
The Altitude16 may be a luxury purchase, but for those seeking an upgradeable surround sound processor with fantastic sound quality, cutting-edge room correction, and support for all the latest immersive audio formats, it's a true standout product.

I've been reviewing A/V gear for over 15 years, and it's rare that something new comes along that will intimidate me. But all that changed when I found out I'd be reviewing the Trinnov Audio Altitude16, an $18,000 surround sound processor offering up to 16 discrete output channels plus the company's proprietary Optimizer speaker/room correction, that's arguably the most sophisticated and flexible offering of its kind on the market.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
16-channel processing and output
Extensive customization options
Dolby Atmos, DTS:X, Auro-3D support
Dirac Live with Bass Control sub integration
Minus
Setup may intimidate casual users
No onscreen display

THE VERDICT
With support for all key immersive audio formats, 16-channel output, and Dirac Live room correction, the Monolith HTP-1 surround sound processor punches well above its price class.

It's been interesting to watch the evolution of Monoprice in the home theater market following the introduction of its Monolith product line. Monolith encompasses a broad range of components, including speakers, subwoofers, and amplifiers, all produced in partnership with big names in A/V product design and development, and all offering impressive performance at a strikingly low cost. The company's latest market disruptor is the Monolith HTP-1 surround sound processor, a stunning freshman effort that includes features typically seen only on components that cost significantly more than the $3,999 HTP-1.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Supports Dolby Atmos, DTS:X, and Auro-3D formats
13 processing channels and 15 audio outputs
Clean, highly detailed sound
Minus
Very narrow remote sensor

THE VERDICT
Marantz’s new flagship surround processor makes the most of the Dolby Atmos, DTS:X, and Auro-3D formats while providing a notable sound quality improvement over its predecessor.

I remember my first flagship A/V receiver like it was yesterday. It was the year 2000, and Onkyo’s TX-DS989, which sold for a cool $3,200 and featured seven channels of built-in amplification plus support for the latest, greatest THX Surround EX and DTS-ES codecs was every home theater enthusiast’s dream. With rear surround speakers now added to the mix, a home theater could actually match the arrays found in cinemas.

Audio Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Pristine audio plus 4K passthrough video
Clean, simple, eminently usable design
Excellent proprietary auto-setup/EQ system
DTS Play-Fi streaming/multiroom wireless capability
Minus
Lacks Bluetooth, USB playback
No legacy video connections or scaling

THE VERDICT
The AVM 60 has everything you want in an A/V preamp/processor—and less. The stuff that Anthem has left off their more affordable pre/pro model contributes to simplicity and usability, and most buyers will end up thanking them in the long run.

For much of the home theater epoch, system builders who (for whatever reasons) have favored a separates-based system— built around an A/V preamplifier/processor and a suitable amplifier or amps—and have preferred such a system over the more usual A/V receiver approach have had, in essence, two choices. They could select one of a few very expensive, esoteric, high-end American or European designs, with the knowledge that they would probably lag a generation or two behind in HDMI version and latest-greatest surround and video processing. Or they could select a latest-model Japanese offering—recently, this has meant, effect-ively, Integra/Onkyo, Marantz, or Yamaha—and get more up-tothe-minute tech and more digestible pricing, at a certain cost in audiophile street-cred and (perhaps, depending on your belief system) sonic refinement.

Audio Performance
Video Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Dirac Live speaker/room EQ
Highly flexible setup and automation options
Division I sound quality
Async-USB DAC input for streaming playback
Minus
Only one Dirac curve-set at a time can be loaded
Requires personal computer for setup; no onboard auto calibration

THE VERDICT
A noteworthy addition to the high-end preamp/processor ranks, with Dirac Live a fascinating, must-hear plus.

Talar du svenska? Emotiva does. Enough Swedish, at any rate, for the Tennessee tenderer of direct-to-consumer A/V gear to bake Swedish firm Dirac’s speaker/room-correction DSP into its new preamp/processor, the long-awaited XMC-1.

If you’ll forgive a Miller analogy, Dirac is to Uppsala University as Audyssey is to USC: Dirac, too, evolved out of original academic electroacoustics research—although USC’s weather is better, and I’m pretty sure the Trojans could take the Swedes on the gridiron.

Audio Performance
Video Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Superb sonics High build quality No widgets, gimmicks, or extraneous features
Minus
No widgets, gimmicks, or extraneous features Klunky OS, incomplete instructions, non-backlit remote

THE VERDICT
Krell’s aptly named, sonically sophisticated Foundation counters a foolish industry trend toward sacrificing sound quality for useless and/or redundant features.

We live in a bizarre world where automobile commercials tout peripheral accessories while omitting mention of engines, transmissions, and brakes. What’s more important: Stopping distance or voice-activated Bluetooth?

So it’s not surprising that in much of today’s home theater electronics, sound quality takes a backseat to features and widgets. Backseat? In some, sound quality doesn’t even go along for the ride.

CX-A5000 Surround Processor
Audio Performance
Video Performance
Features
Ergonomics
Value

MX-A5000 Amplifier
Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Audiophile pre/pro sound quality
Impeccable build quality
Apple AirPlay support
Minus
Amp performance merely competent
Limited network interface

THE VERDICT
Yamaha’s new pre/pro is a surefire contender, though its matching 11-channel amplifier wasn’t quite the same caliber.

If you’re in the market for a new AVR, you can spend countless hours researching all of the various manufacturers’ Websites and, when all is said and done, still have 20 or more models to choose from that have all the bells and whistles you want. The same can’t be said for the surround processor market, which is extremely limited by comparison.

Most companies offer only one model—if that—and it’s generally a reconstruction of their flagship AVR minus the amp section. Don’t expect a discounted price, though; with such a limited audience for pre/pros, you can expect to pay top dollar even when the amps are absent. That said, this isn’t such a bad deal because you can then choose an amplifier that mates well with your particular speakers. Furthermore, by having the electronically noisy amps in a separate enclosure, energized by their own dedicated power supply, you can theoretically enjoy improved audio quality. Of course, you also get an increased footprint in your rack with additional black boxes. The quest for audio nirvana certainly isn’t easy.