7K? This week I can buy a Sony 85 inch 4K TV for 2K. That will blow this away. Okay, not a 120 inch screen which in my opinion is where you need to be for the theater experience, but for less than a third the price, close enough. An 85 inch screen turns any unused bedroom into a theater room. This requires a dedicated huge blackened space. i have that, have had that the 22 years, and I love it, but your Average Joe? projectors, except for the crazy expensive fine glassed lensed on a titanic screen for the 1%, are dead in the water. Just saying. JVC needs to marked this at a third the price, and even then, it is going to be a hard sell.
JVC DLA-RS1100 4K D-ILA Projector Review Settings
Unit-to-unit sample variations, the viewing environment, the source and, particularly in a projector, the screen size and gain, the distance from the projector to the screen, and the lamp age, might render these settings less than optimum.
The settings that are most likely to translate reliably from one sample to another are those involving specific features with only a few selections, such as Gamma and Noise Reduction. The ones most likely to be subject to sample variations are video controls offering a wide range of adjustment, such as white balance (grayscale) and color management (where available). Even relatively small differences in the common control settings, such as Contrast, Black level, and Gamma, can shift the white balance, though the resulting visible change may be minor. Production tolerances can do the same.
We strongly recommend that you find the optimum basic video settings for your sample by using one of the many available display setup discs, such as Spears & Munsil UHD HDR Benchmark. These will help you to set the basic controls, Brightness (Black level), Contrast, Sharpness, and sometimes Color and Tint, correctly. Experimenting with the more complex color calibration and other controls in the user menus will do no harm; the changes can be easily reset. But calibration is best left to a trained and properly equipped technician who has been certified by the Imaging Science Foundation (ISF) or THX.
The settings here are for 2D only. The display was not calibrated for 3D.
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Would you go with the new line of native 4k projectors or stick with pixel shifting. I have the 790R and its a great PJ, the blacks are super deep which I love and it sits on a 126 inch screen, no 85 inch TV can compare, true you can go OLED or Mini LED for 83/85 inch respectively(If your sitting less then 10ft away), but pic quality will suffer for any TV at $2k. You want a TV that shines, go OLED or Sony MiniLED. All other TVs will suffer off axis viewing and substantial blooming IMHO. Most people who purchase these products are enthusiasts and with the steaming boom, more and more people are getting into this market then ever. You wont see PJs going away until 100 inch plus TVs become available for under 7-8k.....still some time left......
Should we remain with pixel shifting, or should we go with the new range of native 4K projectors? It's true that you can get an OLED or a Mini LED for an 83 or 85 inch TV (if you're sitting less than 10 feet away from the screen), but the picture quality will suffer for any TV that costs more than $2,000 regardless of the technology. I have the 790R, and it's a great PJ. The blacks are extremely deep, which I love, and it sits on a 126-inch screen 5 letter words.
Theater Optimizer combined with Frame Adapt HDR results in great-looking HDR10 content while eliminating the hassle of having to constantly make manual Brightness and Contrast adjustments from bright to dark scenes or from movie to movie. The RS1100 also supports Hybrid Log-Gamma Candy Crush (HLG) to ensure that users are ready for live future HDR broadcasts.
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With the RS1100 having a limited three-year warranty, Quick Draw I think this is a good product to try