2D Performance 3D Performance Features Ergonomics Value
PRICE $3,000
AT A GLANCE Plus
Impressive edge-lit local dimming
Respectable off-axis
viewing
Bright, punchy HDR
Minus
Often redundant menus
Tight remote control layout
THE VERDICT
Full-array local dimming remains the gold standard for LCD Ultra HDTVs, but Sony has now upped the ante with the best edge-lit set we’ve seen.
The last time I reviewed one of Sony’s 4K sets, it had large speaker enclosures attached permanently to the sides of the screen, with a separate “subwoofer” firing out the back. This made for an inconveniently wide design, and with the introduction of Sony’s new 2016 models, those audio “wings” are now history.
AT A GLANCE Plus
Excellent HDR in both Dolby Vision and HDR10
Blacks to die for
Solid off-center viewing
Minus
Expensive
Careful setup critical for best results
Menus tedious to navigate
THE VERDICT
Our brief time with LG’s flagship OLED for 2016 suggested it’s not perfect (what is?), but apart from the fact that LCD sets still go brighter than OLEDs, it’s unlikely that any other new HDR-equipped Ultra HDTV will be able to match or exceed the performance of this one.
While this article is structured as a Test Report, in fact it’s a good bit short of a full-fledged evaluation. The combination of the cost of LG’s flagship OLED and the limited supply of review samples in early April prompted the company to set up a couple of displays at a venue in New York City, then shuttle in groups of A/V journalists to lay hands on the set—so to speak.
AT A GLANCE Plus
Excellent color
Great screen uniformity
Artifact-free 1080p-to-UHD scaling
Minus
Poor black level and contrast
Meager streaming platform
THE VERDICT
Though it delivers solid entry-level performance, Panasonic’s CX400 faces more fully featured competition at its price.
Panasonic pulled big crowds at its CES booth in January with their CZ950 OLED, a 65-inch Ultra HD television that adds advanced processing to an LG-supplied OLED panel, with quite stunning results. Unfortunately, that set is only sold overseas for now (priced at €10,000 or about $11,000, no less), and it remains unclear when or if Panasonic will release it in the States.
2D Performance 3D Performance Features Ergonomics Value
PRICE $6,000
AT A GLANCE Plus
Blacks are truly black
Fine detail
Near-perfect off-axis
viewing
Minus
Pricey
Annoying calibration menus
THE VERDICT
LG’s recent price adjustments have made the company’s OLED sets more approachable, though hardly cheap in the biggest-screen Ultra HD models. But in today’s market, you’re unlikely to find a UHDTV that offers better performance than this one.
While OLED (organic light-emitting diode) technology offers most of the benefits of the now sadly departed plasma sets (and in some ways, more benefits), it’s been difficult to manufacture at commercially viable prices. So far, only LG is actively marketing OLED in the U.S. (though we hope others will follow). A recent drop in LG’s prices for OLED sets has rendered them more affordable, though still far from generating “Attention, Shoppers” announcements at K-Mart.
AT A GLANCE Plus
Full Ultra HD capability including HDR and wide color
Superb blacks and shadow detail
Integrated soundbar with subwoofer and surrounds
Minus
Expensive
HDR limited to Dolby Vision
Ineffective color management system (CMS)
2D only
THE VERDICT
Most current 4K sets deliver only the 4K slice of Ultra HD’s full pie. The RS65-B2 goes all the way, including 4K resolution, advanced color, and high dynamic range.
In a recent review of Vizio’s relatively affordable M65-C1 Ultra HDTV (soundandvision.com), I reflected on that company’s vision in having “sale prices low enough to attract millions of buyers.” But reality has a way of intruding on a dream, and a state-of-the-art Ultra HD set isn’t cheap to produce. With its new, two-model Reference Series (the 120-inch, RS120B3, which sells for $130,000, and the 65-incher under review here), the company now challenges the thin-aired peaks of cost-no-object sets previously dominated by older, more established brands. In fact, only selected dealers and some custom installers even carry the Reference Series.
AT A GLANCE Plus
Bright!
Good blacks
Respectable out-of-box calibration
Minus
Clips above white and below black
No 3D
Expensive!
THE VERDICT
If you want a really big screen that’s more than bright enough for a well-lit room, and you have a bank account that’s flush enough (or a very understanding loan officer), this 120-inch Vizio incorporates all the bells and whistles.
In early October, Vizio invited me to New York City to join other digital-stained A/V scribes in the official launch of the company’s new Reference series Ultra HDTVs. The featured attraction was the RS120B3 ($130,000), loaded up with more than 8 million pixels on its 120-inch-diagonal (10-foot!) screen. The considerably more affordable, 65-inch RS65-B2 ($6,000) joined in the festivities.
AT A GLANCE Plus
Impressive resolution—in both 4K and 1080p
Natural-looking color—even before calibration
Appealing price
Minus
Mediocre blacks
Image fades off-center
THE VERDICT
For a rewarding experience in watching that big game or a favorite movie, Samsung’s UN60JS7000 should please all but the fussy video perfectionist prepared to pay a lot more for his or her new Ultra HD set.
Samsung’s new 60-inch UN60JS7000FXZA joins the majority of 4K Ultra HDTVs on the market offering 4K as their main UHD calling card. But according to Samsung, it will also respond to the metadata for high dynamic range sources and display it—though not to the same brightness level as will, for example, the company’s higher-end sets, including the so-called “SUHD” UN65JS9500FXZA (Sound & Vision, September 2015 and soundandvision.com). The JS7000 is also claimed to respond to the wide color offered in some UHD material, in the same way as other Samsung SUHD sets, but it downconverts any 10-bit color source to 8 bits (which corresponds to fewer gradations of color being available for display).
2D Performance 3D Performance Features Ergonomics Value
PRICE $2,800
AT A GLANCE Plus
Accurate out-of-box color
Superb webOS 2.0 smart interface
Solid value in a 65-inch set
Minus
Moderate black levels and contrast
No future-proofing for enhanced UHD content
3D crosstalk
THE VERDICT
LG’s 65-inch Prime Series looks great with most content while offering sexy design and superb ease of use at an attractive price.
LG Electronics has impressed enthusiasts with stunning (and mostly expensive) OLED displays, but the company competes aggressively in traditional LED-driven LCD flat panels, too. The 65UF9500 reviewed here is a 65-inch Ultra HD model near the top of that line, and one of two models designated as Prime Ultra HDTVs (the other being a 79-inch version priced at $7,500). The Prime feature package includes, among other things, a wide color gamut option, enhanced brightness for highlights, and LG’s webOS 2.0 smart TV platform. Of course, it can’t boast the deep blacks and infinite contrast of LG’s OLEDs. That said, does it deserve a space among today’s top “regular” TVs? Let’s take a closer look.
As we reported last week, Vizio was in New York City on October 6 to formally introduce its much anticipated Reference Series Ultra HDTVs. Editor-in-chief Rob Sabin and video tech editor Tom Norton got a hands-on session with the big 120-inch RS120. Here's what they found.
AT A GLANCE Plus
Excellent 4K upconversion
Good blacks
Solid value
Minus
Odd gamma
Clips above white and below black
No enhanced-color or HDR future-proofing
THE VERDICT
As with most current 4K sets, the Vizio M65-C1 delivers only the 4K portion of the full Ultra HD toy box. It also has a few nagging technical issues. But for the most part, these fade into the background of the set’s compelling viewing experience.
Vizio is the value leader in a tough HDTV market. While the safest route for them to maintain their commanding share would have been to change their 1080p E series and M series models just enough for a “new for 2015” promotional campaign, Vizio chose the long view: The E series remains the company’s 1080p budget line, but the M series is now 4K, while still priced well below most of the competition.
2D Performance 3D Performance Features Ergonomics Value
PRICE $4,200 (updated 2/2/16, price was $6,499 when reviewed)
AT A GLANCE Plus
First-rate blacks and shadow detail
Superb resolution—in both 4K and 1080p Full HD
Impressive sense of image depth—even in 2D
Best 3D seen anywhere
Minus
Image degrades significantly off center
Annoying remote control
Glitchy voice- and gesture-control features
THE VERDICT
This is the first consumer Ultra HDTV out of the gate offering more than just four times the resolution of 1080p HD. While it will require more UHD program material to fully judge its ability to provide 10-bit color, a wider color gamut, and higher dynamic range than today’s content, this Samsung is still a strong candidate for the best LCD set launched to date.
Ultra HD remains very much a work in progress. Source material is still scarce, and while some is available through various forms of downloading and streaming, the promised delivery of Ultra HD on Blu-ray (the route most likely to offer the best UHD quality) is still months away. Furthermore, the UHD sets that have appeared to date offer little more than enhanced resolution—resolution that isn’t really significant unless you see it on the biggest screen you can afford and sit closer than some folks prefer. This doesn’t necessarily mean that a UHD set isn’t desirable...
2D Performance 3D Performance Features Ergonomics Value
PRICE $7,199
AT A GLANCE Plus
Stunning color
Gorgeously detailed 4K playback
A boatload of picture tweaks
Minus
Not quite plasma-like blacks and shadow detail
3D ghosting
The price
THE VERDICT
Panasonic’s statement Ultra HDTV sucks you in with its alluring image and doesn’t let go, but its high price is a deterrent.
When Panasonic left the plasma market in late 2013 to the whimpers of videophiles worldwide, the company committed to delivering an LED-backlit LCD that would rival the image of their best-ever TV—the ZT60 that was their plasma swan song. The first Panny Ultra HD LCD to follow, the edge-lit TC-65AX800U, was a fine TV, though hardly a breakout set. But in late 2014, Panasonic rolled out their flagship AX900U series at 55 and 65 inches, the latter of which we now review here.
BeoLab 18 Speaker System Performance Build Quality Value
BeoLab 19 Subwoofer Performance Features Build Quality Value
PRICE $25,625 as reviewed
AT A GLANCE Plus
WiSA wireless multichannel audio technology
All processing and switching built into the TV
Motorized TV speakers and TV stand
Minus
No backlighting on remote control
Nothing else but the price
THE VERDICT
Although most of us can’t afford this system, those who can will be treated to an amazingly moving experience that no other system can provide—every time they turn it on.
Bang & Olufsen is unusual in the AV world. In fact, I could have stopped at “unusual.” I once heard a story about B&O that perfectly sums up what I’m talking about. It’s probably apocryphal, because the person I heard it from had heard it from someone else, but I’ll tell it anyway. Years ago, when B&O still made phones—corded, landline telephones—a guy from the U.S. asked one of the Danish engineers why the handsets had their unique shape, which made them almost impossible to cradle between your ear and shoulder so you could have a conversation and still use both hands. (Twenty-some years ago, that was the era’s version of “hands free.”)
The engineer’s answer was short and to the point: “Because we don’t talk on the phone that way here.” That sort of stubborn—some might say arrogant—confidence in the belief that their way is the right way is one of the core characteristics of Bang & Olufsen. When other AV companies are busy jumping on the latest technological bandwagon, B&O is off in the woods searching for truffles.
2D Performance 3D Performance Features Ergonomics Value
PRICE $3,000
AT A GLANCE Plus
Accurate color
Good contrast and shadow detail
Customizable Home
Screen GUI
Decent price for a 65-inch UHDTV
Minus
Some picture noise
THE VERDICT
Panasonic’s 65-inch Ultra HDTV provides impressive performance and a huge array of Smart features.
Steep price declines have become the norm in the consumer electronics world, especially when it comes to TVs. Case in point: The last Ultra HDTV I reviewed, a Samsung 65-incher that arrived at the tail end of 2013, had an MSRP that was twice the $3,000 sticker price of Panasonic’s 65-inch TC-65AX800U Ultra HDTV. Now I hear that Vizio is selling sets with the same screen size and pixel count for $2,200. They might as well be giving them away.
AT A GLANCE Plus
Bargain price for a 65-inch Ultra HD set
Good blacks and shadow detail
Impressive sound
Minus
Clips above white and below black
Odd gamma
Typical LCD off-axis performance
Wobbly stand
THE VERDICT
The JVC required considerable tweaking to get the best from it, but once dialed in, it looked excellent with 4K test patterns and 1080p Blu-ray material.
AmTRAN plans to raise the 4K Ultra HD bar by lowering the price. AmTRAN who, you may ask? Based in Taiwan, the company is a major maker of video displays, both consumer and professional, for a variety of brands, the biggest of which is Vizio. In 2010, AmTRAN licensed the JVC brand to put on its flat-screen HDTVs in North America, which are sold and marketed by its U.S. subsidiary AmTRAN Video Corporation. This is the first JVC flat panel we’ve tested since that company left the TV business a few years ago to focus its display business on LCOS projectors.