OTHER TECH

There once was a time when audio/video components didn't have USB or Ethernet ports. When "kilobits per second" was not a hi-fi term. When a kid who stumbled over a stack of LPs in a dumpster actually knew what they were.

Compared with the "in the lab" box for one of our test reports on, say, an A/V receiver, the lab data for a TV review may seem skimpy. While there aren't a lot of numbers, the ones we do generate can give you a pretty good idea of what to expect from the set - particularly its color reproduction, which is arguably the most important aspect of a TV's performance.

The steady progression of compressed digital audio into all sorts of places (do you really need to listen to Mozart on a PDA?) is raising all sorts of issues. But none is more important to readers of Sound & Vision than the ability of the codecs - the encode/decode software - to faithfully reproduce music after compressing CD tracks to file sizes that can be easily downloaded or stored.

If you're one of the 1,000 acts playing SXSW - the South by Southwest Music Festival, which despite its name and its Austin, Texas, location is the nation's biggest live-music shebang - how do you get noticed? I didn't notice Braxton Hicks two years ago.

Arrive at a high-tech hotel, and you're in for a refreshing experience. Imagine being greeted curbside by a bellman bearing a PDA who registers you in just moments, eliminating what can be a frustrating trip to the front desk. In more and more hotels, new technology is making agonizingly long check-in lines and the risk of getting stuck with a lousy room nuisances of the past.