OTHER TECH

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Brent Butterworth  |  Feb 09, 2011

Do you trust your ears? I don’t. By that I mean I don’t trust my ears. Frankly, though, I don’t trust anybody’s. I’ve heard laymen enthuse about systems that had little more to offer than a few notes of booming bass. I’ve heard audio veterans trash impeccably engineered speakers — and praise speakers that showed glaring technical flaws.

Brent Butterworth  |  Feb 09, 2011

Do you trust your ears? I don't. By that I mean I don't trust my ears. Frankly, though, I don't trust anybody's. I've heard laymen enthuse about systems that had little more to offer than a few notes of booming bass. I've heard audio veterans trash impeccably engineered speakers - and praise speakers that showed glaring technical flaws.

Brent Butterworth  |  Feb 09, 2011

Do you trust your ears? I don't. By that I mean I don't trust my ears. Frankly, though, I don't trust anybody's. I've heard laymen enthuse about systems that had little more to offer than a few notes of booming bass. I've heard audio veterans trash impeccably engineered speakers - and praise speakers that showed glaring technical flaws.

Mike Mettler  |  Feb 17, 2011

Some things you know right away in your rock & roll bones. When I first met Billy Corgan of Smashing Pumpkins in 1991, we bonded over the contents of a suitcase he carried with him wherever he went: an ever-growing mountain of live Jimi Hendrix cassettes (some authorized, some not). As the Pumpkins’ trippily punishing debut album, Gish, had just begun melting the ears of the alt-rock cognoscenti, Corgan was already cocksure of where he was going in the world.

Brent Butterworth  |  Feb 24, 2011

The Internet has come alive with cheers of audiophiles and jeers of audiophobes since CNN.com reported unconfirmed rumors that download services such as iTunes and Amazon MP3 would soon begin offering music files with 24-bit resolution. Technically, this is a step up from the 16-bit resolution available in most downloads. But predictably, non-audiophiles are criticizing this move as little more than a naked marketing ploy.

Mike Mettler  |  Feb 28, 2011

Trent Reznor and Atticus Ross won the Oscar for Best Original Score for The Social Network, and it's a modern and adventurous film score if ever I've heard one. It's haunting, of-the-moment, and immersive - and, best of all for us S+V types, it's available in surround sound. Go here to get yours.

Mike Mettler  |  Mar 22, 2011

Good is good. It’s a simple adage, but one that’s especially true when it comes to music. Genre and predetermined preferences should be secondary if you’re truly interested in having your ears entertained, challenged, and enriched.

Mike Mettler  |  Mar 22, 2011

Good is good. It’s a simple adage, but one that’s especially true when it comes to music. Genre and predetermined preferences should be secondary if you’re truly interested in having your ears entertained, challenged, and enriched.

Mike Mettler  |  Mar 22, 2011

Good is good. It’s a simple adage, but one that’s especially true when it comes to music. Genre and predetermined preferences should be secondary if you’re truly interested in having your ears entertained, challenged, and enriched.

Mike Mettler  |  Mar 22, 2011

Good is good. It's a simple adage, but one that's especially true when it comes to music. Genre and predetermined preferences should be secondary if you're truly interested in having your ears entertained, challenged, and enriched.

Mike Mettler  |  Apr 04, 2011

When Robbie Robertson met Jimi Hendrix in New York’s Greenwich Village in 1966, Hendrix (then going by the name of Jimmy James) was intent on learning about a subject crucial to his future as an artist. “He only wanted to talk about songwriting,” revealed Robertson. “Because I was playing with Bob Dylan then, he thought I might know something about those secrets.” What was the best advice Robertson shared with Jimi? “If everybody is writing about one particular thing, then I would not go in that particular direction, because it’s crowded over there.

Al Griffin  |  Mar 19, 2012

INEVITABLY, WHEN something cool comes out, it will influence everything that immediately follows. That’s what happened with Avatar. In 2009, we all went to see it in 3D, and the following year stores were packed with 3D TVs and 3D Blu-ray players.

Geoffrey Morrison  |  Sep 18, 2012

Close your eyes. Wait, don’t do that. You won’t be able to read. Imagine yourself sitting in the center seat, center row, of a dark and empty theater. It’s a good theater, quiet, and you can feel the space stretching out from you in all directions. A sound rises to an audible level far in front of you. It’s a bee. Okay, maybe you don’t like bees. It’s an old plane, rotary engine struggling to turn over, the sputters emanating from a center channel speaker unseen behind the screen in the dark theater. The plane taxis left. There’s no picture on the screen: You localize it just by how the sound moves toward the left speakers.

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