Based on incidents from writer-director Kenneth Branagh's own childhood in Belfast, Northern Ireland, and set against the outset of the Troubles in 1969, this bloody masterpiece—a joy from beginning to end—is a moving comic-tragedy on both personal and historical levels, one that's filled with warm sentiment, great Irish humor, and a touching sense of loss.
In this classy, hard-boiled, Prohibition-era noir saga by writer-director Joel Coen and co-writer Ethan Coen—with uncredited lifting from Samuel Dashiell Hammett, who actually created the memorable, colorful characters, plot, and mood in his 1931 novel The Glass Key—Tom Reagan (Gabriel Byrne) is right-hand man and wise, cool-headed adviser to powerful political boss Liam "Leo" O'Bannon (Albert Finney).
It's been a strange year for the entertainment industry, with controversial showdowns involving streaming versus the in-theater experience calling the future of both into question. We continued to hear news of physical media's demise as well, yet here we are again looking at ten gift-worthy new regular and Ultra HD Blu-ray options.
Movies can reveal a world mainstream audiences might not have been aware of, and in doing so they go beyond mere entertaining to offering actual enlightenment. Such is the case with Nomadland. Winner of 2020 Oscars for Best Picture, Director, and Actress, the film depicts a culture of folks with little in the way of material possessions—really just a vehicle and a few incidentals—who relish their freedom and mobility as they roam this great land.
The messiah here is Fred Hampton, chairman of the Illinois chapter of the Black Panther Party (BPP), preaching and gathering disciples to join him in his efforts to help feed and free the people. Judas is Bill O'Neal, the follower who's secretly working for the oppressive force—the Chicago PD and the FBI circa 1968, who see the BPP as more of a threat than the Russians or the Chinese.
As a kid in England in the late 1970s, I loathed director Mike Leigh's BBC TV dramas about what seemed like the drab lives of dull, ordinary people because they lacked the glamour and drive of Hollywood classics. Years later, I became enthralled with the pathos of universal pain and struggle shown in Leigh's Secrets & Lies, a microcosm of real relationships and feelings that is as moving and massively encompassing as any film I've seen.
Closing an almost 50-year career that began with Un Chien Andalou, writer-director Luis Buñuel—aided by screenwriting partner Jean-Claude Carrière—created a trio of subversive amusements that savagely poke fun at pillars of French society, including church, military, and figures of the establishment. The master surrealist did so by playing with and disrupting conventional narrative structures, questioning the validity of his protagonists' rationality, and reducing their self-serving behavior and values to nonsense while upsetting cinematic expectations of viewers.
The Paramount Presents line kicked off last April, reintroducing viewers to some of the most enduring titles in the studio's vast library in reverent new Blu-ray editions. Thomas J. Norton recently reviewed the 13th release, The Court Jester, and three more are now available, spanning quite different eras of filmmaking.
A professional assassin who lives by the ancient code of the samurai finds himself targeted by his Mafia bosses. Ghost Dog, a rare venture into genre films for Jim Jarmusch, allows the writer-director to frequently quote, reference, and build upon many classics in his own quirkily deadpan, deceptively honest way. Dog's unglamorous community of gangsters is reminiscent of John Cassavetes' hoods and lowlifes in The Killing of a Chinese Bookie, but—this being Jarmusch—an understated absurdist wit frequently underlies the drama.
Director David Lynch's film tells of Joseph Merrick, whose terrible deformities to head, limbs, and skin led to him being called the Elephant Man. It begins with Merrick's nightmare of his mother being attacked by elephants—supposedly the cause of Merrick's condition—in smeary, scary, surreal images as disturbing as those from Lynch's earlier fatherhood paranoia party film, Eraserhead.
"It's the getting started that's the puzzle—no way for a poor man to start. You need capital. Or you need some kind of miracle. Or a crime." These words, uttered by King-Lu, a Chinese immigrant seeking fortune in the mid-19th century Oregon Territory, set forth a series of events leading to a business selling baked goods to the hardscrabble inhabitants of Fort Tillicum. King-Lu's partner in the venture—which originates from a crime, as opposed to capital or a miracle—is Otis Figowitz, a mild-mannered cook also trying to carve out a future among the fort's traders and trappers.
Each autumn, I fret that we won't be able to find ten worthy entries for this gotta-have-'em list, and every year am genuinely surprised at the bounty that has somehow remained heretofore unreleased. I guess there will always be anniversaries and restorations and quadrilogies and the like, and as long as the studios keep investing the time and care to craft these disc-filled boxes we enjoy so much, we'll continue recommending the cream of the crop to help stoke seasonal merriment.
Supernatural horror film The Wretched, from sibling filmmaking duo The Pierce Brothers, follows a wayward teenage boy named Ben (John-Paul Howard) who goes to live with his divorced father over the summer and discovers a malevolent spirit has infiltrated the family living next door.
At first glance, Marriage Story seems like six (or so) characters in search of a Woody Allen film. But it soon settles into writer-director Noah Baumbach's own rhythm and whine as two self-absorbed, narcissistic artistic personalities move toward a break-up and into the clutches of divorce lawyers.
Composer Michael Kamen had a vision. Back in April 1999, he convinced Bay Area metal overlords Metallica to team up with the San Francisco Symphony in Berkeley, California, for S&M, a 2.2-hour concert wherein classical music met aggro-rock head-on. Not only that, but Kamen's skilled orchestral re-arrangements of 20 Metallica classics also revealed how many of the band's subversive originals were perhaps more progressively inclined than others may have previously thought.