Bookshelf Speaker Reviews

AT A GLANCE
Plus
Rich, powerful sound
Robust build quality
Easy to set up
Minus
Glitchy volume control
No Wi-Fi streaming or multiroom capability
No visual feedback
No app or remote control
Expensive

THE VERDICT
The Shinola Bookshelf Speaker delivers powerful sound from a relatively compact speaker of impeccable build quality but lacks key features that would make it much easier to use.

Exquisite—that was the first thought that popped into my head when I cued up one of my go-to test tracks: a 24/96 download of Holly Cole singing “Larger Than Life” from 2007’s Holly Cole. Her rich, sultry voice was in the room, accompanied by the gentle underpinnings of an accomplished quartet. Everything sounded just right: the sparkling piano, sumptuous bass, understated brushwork, and tasteful sax fills. With the lights down and my eyes closed, it was easy to imagine sitting close to the stage in a small jazz club.

Q Series Q350 Speaker System
Performance
Build Quality
Value

The Kube 12b Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Atmos add-ons
Coincident Uni-Q drivers
Sub has three placement EQ modes
Minus
Grilles not included
Not as dressy as other KEF products

THE VERDICT
KEF’s Q series combined with its new Kube subwoofer line brings the trademark Uni-Q driver array and a potent bottom end to a lower price point, with reliable performance and an Atmos add-on option.

One of the headlines I considered for this review was “What Becomes a Legend Most.” It’s a poignant song from Lou Reed’s New Sensations. Before that, it was an advertising slogan that sold mink coats in ads featuring Judy Garland, Lauren Bacall, and Marlene Dietrich, among others. Somehow, it fits KEF, the British speaker manufacturer responsible for numerous driver-related innovations, including the Uni-Q coincident array. KEF’s Muon and Blade towers have the fragrance of luxury about them.

Demand Series D11 Speaker System
Performance
Build Quality
Value

SuperCube 6000 Subwoofer
Performance
Features
Build Quality

AT A GLANCE
Plus
Appealing neutral voicing
Laterally offset tweeter
Active 8-inch sub integrated in center speaker
Minus
D11 top radiators complicate placement of Atmos add-ons

THE VERDICT
The Demand Series lives up to Definitive Technology’s pedigree with satisfying, well-balanced sound that offers loads of resolution.

Nature abhors a vacuum, but wasting cabinet real estate is standard operating procedure among loudspeaker designers. With the notable exception of Atmos-enabled speakers and the occasional tweeter pod, the top panel of most speakers is a blank nothing. But does it have to be that way? Definitive Technology answered no, in effect, with its original Studio Monitor Series of bookshelf/stand-mount speakers (circa 2012) and does so again in this new update, the Demand Series.

AT A GLANCE
Plus
Solid build quality
Handsome fit and finish
Easy setup
Good overall sound quality with bountiful bass
Minus
No Wi-Fi streaming
No tone controls
Disappointing phono preamp

THE VERDICT
Klipsch’s beautifully crafted Sixes deliver fine sound with the bonus of onboard power, but vinyl playback is shortchanged by its pedestrian phono preamp.

I’ve been talking about pulling my old turntable out of mothballs since I moved to my current home, oh…20 years ago. Which is why I jumped at the chance when asked if I had any interest in auditioning The Sixes, the latest entry in Klipsch’s Heritage Wireless series and big brother to The Three, the superb all-in-one wireless music system we reviewed in May. I know what you’re thinking: What does reviewing speakers have to do with setting up a turntable? Bear with me.

THE VERDICT
Emotiva’s BasX surround processor, five-channel amp, and speakers offer an affordable and high-performing starter system that puts you into audio separates without breaking the bank.

Surround separates are generally regarded as a step up from receivers. If you want the biggest and best, and have to ask their prices, you probably can’t afford them. But ask me the prices of Emotiva’s new BasX surround preamp/processor and multichannel amplifier, along with a set of compact speakers from the same series. The answers are $599, $499, and $1,045, totaling $2,143 for a 5.1-channel system of electronics and speakers. That would buy a midpriced receiver and a decent (but probably smaller) satellite/subwoofer set.

Performance
Build Quality
Value

AT A GLANCE
Plus
I-PAShd cabinet design
Planar magnetic folded tweeter
Minus
Bass extended but not slammin’
No matching center speaker
Low rated sensitivity

THE VERDICT
The Solus Audio Entré II is a well-rounded performer whose special attribute is an elaborate bass-enhancing enclosure.

Life has a way of setting us up for disappointment. So we develop a hard shell of skepticism and rote responses: There is no free lunch. You can’t get blood from a stone. If it seems too good to be true, it probably is. There’s no such thing as an honest politician. Don’t order the fish on a Monday. And to that list, add: You can’t get big bass out of a small speaker. Little speakers that try to sound big just end up with a bloated bass hump and a turbulent, chuffing port.

CG3 5.1 Speaker System
Performance
Build Quality
Value

Speedwoofer 10S Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Rigorously balanced sound
Plays surprisingly loud
Easy, excellent sub/sat blending
Minus
Sats can be a bit power-hungry in larger rooms

THE VERDICT
Given its low cost, solid dynamics, and impressive neutrality, it would be tough to find a better or more honest small speaker system for the price than RSL’s latest.

When it comes to loudspeakers, how big is big enough? How small is too small? What size is j-u-u-ust right? Speaker buyers have been asking these questions, and speaker makers have been answering them, ever since a certain Brand B shook the world years ago with micro-sized satellites employing 2.5-inch drivers that struggled to reach down to 200 hertz, mated with similarly challenged Lilliputian subs. Physics notwithstanding, buyers took to them in droves—and since then, the race to the bottom, cubicvolume-wise, has been on.