SUBWOOFER REVIEWS

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Brent Butterworth  |  Feb 10, 2011  |  0 comments

I have a confession to make: I've been a woofer wuss for most of my career as an audio journalist. When I started 21 years ago, there weren't many good subwoofers, and the little ones were usually less bad than the big ones, so I stuck mostly with smaller subs for my personal systems.

Brent Butterworth  |  Oct 16, 2011  |  0 comments

Romantics see Italy as a place of rich history and sophisticated culture. Not me. As a non-romantic, I can think of Italy only as the birthplace of the Fiat 128 that often left me walking instead of driving, and the location of a honeymoon in which I fought frenzied traffic and struggled to find a decent meal.

Brent Butterworth  |  Aug 23, 2012  |  0 comments

For subwoofer designers, the laws of physics boil down to: Small box, low cost, high output — pick any two. You can always shrink the enclosure, but to get decent output from it, you’ll need a high-powered amp and a beefy driver. And if you shrink the box way down, as Sunfire did with its new Atmos subwoofer, you’ll need to go even more extreme.

Brent Butterworth  |  Oct 16, 2012  |  1 comments

Tube-shaped subs are popular with DIY-ers because they’re easy to construct. Just grab a cylindrical concrete form at Home Depot, slap some ends?on it, and you’ve got a nice subwoofer enclosure. But SVS features tube-shaped subs in its line not because they’re easy to build; it’s because the form factor makes them perfect for certain rooms. At 16.6 inches in diameter, the company’s PC-13 Ultra takes up less than half the floor space of its comparable box-shaped sub, the PB-13 Ultra. A PC-13 Ultra can slip almost unnoticed into a corner, while the PB-13 Ultra can slip unnoticed into... well, maybe an aircraft hangar.

Brent Butterworth  |  Nov 11, 2011  |  0 comments

Calling a product “the best X ever” is a foolish mistake for a reviewer to make — but it’s a mistake I’ve made on more than one occasion. There was that projector that looked really great but was completely outclassed by a less-expensive model just one month later.

Bob Ankosko  |  Dec 19, 2014  |  11 comments
At Sound & Vision, we’re constantly looking for subwoofers that outperform the competition and rise to the top of their price class. Here’s our list of the best subwoofers you can buy with recommendations in three price categories: less than $1,000, $1,000 to $4,000, and $5,000 and up.
Mark Fleischmann  |  Dec 31, 2006  |  0 comments
2.1-channel home theater is more than mere reductionism.

Home theater is the union of big-screen television and surround sound. Those are the two bedrock principles on which this magazine was founded. So, it may seem heretical to even consider modifying that second requirement. After all, the whole notion of home theater has matured in tandem with advances in both video and surround technology.

Darryl Wilkinson  |  Oct 11, 2013  |  0 comments

Performance
Build Quality
Value
PRICE $1,400

AT A GLANCE
Plus
Installer setup over IP
Options for wide, narrow, and frameless grilles
Six-band parametric EQ
Minus
Installation may be tricky for the uninitiated

THE VERDICT
Extensive tuning capabilities make for true high-end performance at an affordable price.

When it comes to architectural speakers, there are few companies I can think of that do things in a more focused, more insightful, and—most important when it comes to custom installations—more useful way than Triad. The company stands out in another way, too, in that most of Triad’s speakers are built to order in the U.S. (Portland, Oregon, to be specific) and are usually less than two weeks old by the time they arrive at the dealer’s warehouse door.

Thomas J. Norton  |  Aug 03, 1995  |  0 comments

The Vandersteen 3A is a higher-end variation on the theme established by the company's first loudspeaker, the 2C. The latter is still available, though much updated into the current, highly popular 2Ce. A four-way design, the 3A has separate sub-enclosures for each drive unit; the whole affair is covered with a knit grille-cloth "sock" with wood trim end pieces. A rear-mounted metal brace allows the user to vary the tiltback—an important consideration for best performance with this loudspeaker.

Chris Lewis  |  Feb 24, 2003  |  First Published: Feb 25, 2003  |  0 comments
Nice little sub, nice little price.

It's funny when I think back now about how long I resisted getting a cell phone. Maybe it had something to do with living in Los Angeles and watching people in their spotless, scratch-free SUVs: latte in one hand, cell phone in the other, chattering away to someone they want us to think is their agent but is more likely their dog's therapist—or no one at all. Now that I have one, though, I don't know how I lived without it. The same

Robert Deutsch  |  Dec 15, 2004  |  0 comments

Location, location, location. What's important in real estate is just as important in subwoofer perfor-mance. (And speaker performance in general, but that's a story for another day.) While agreement on recommendations for subwoofer placement is less than complete—some say "in the corner," some say "anywhere but the corner"—everyone agrees that the location of a subwoofer and its relation to the listening area can have a major influence on how the sub sounds.

Brent Butterworth  |  Aug 31, 2013  |  0 comments

When it released its Digital Drive subwoofers back in the mid-2000s, Velodyne got the jump on all of its competitors. The Digital Drive circuitry and software let you tweak a sub’s sound — manually or automatically — to perfection, and also provided several preset EQ modes to suit different types
of material.

Darryl Wilkinson  |  May 15, 2006  |  0 comments
Where there's a will, there's a way.

Say your Great-Aunt Edna died and left you $10,000 or so in her will with the stipulation that you had to spend it on a home theater system (that's why she always was your favorite great-aunt). You and I could while away the better part of an evening arguing the particulars of what gear to buy—and especially how the money should be divided between the audio and video parts of the system.

Steven Stone  |  Mar 03, 2003  |  0 comments

Vienna Acoustics likes to name their speakers after composers and classical musical forms. So far, they've covered Bach, Beethoven, Berg, Brahms, Haydn, Mahler, Mozart, Schoenberg, and Waltz. The Strauss, Oratorio, and Waltz are Vienna's three most recent additions to this distinguished list, and they form the heart of a new home-theater and surround-music system designed for folks who demand great sound without completely gutting their 401(k)s. Batons ready? And ah-one and ah-two . . .

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