Subwoofer Reviews

PRICE $1,099.95

AT A GLANCE
Plus
Versatile configuration options
Excellent iOS/Android control app
Music and movie optimization modes
Minus
Wireless module costs extra
Only available in black finish

THE VERDICT
The Dynamo 1100X subwoofer's impressive performance is enhanced by room correction, flexible setup options, and an excellent control app.

When I was a kid, the closest thing my family had to a remote control was me. As the youngest child, it was my job to get up off my butt and turn the knob if someone wanted to watch a different TV channel. Today, it seems that just about any device that plugs in can be remotely operated with a clicker from the comfort of your chair, but a subwoofer? Isn't that the kind of set-and-forget product that completely takes care of itself? As it turns out, remote control adjustment, a key feature of MartinLogan's revamped Dynamo line, can be a really handy feature in a subwoofer, but we'll talk more on that in a bit.

Price: $4,550 (updated 3/10/15)
At A Glance: Folded Motion tweeters • Dual 6.5-inch aluminum cone woofers • Custom five-way bi-wire tool-less binding posts

A couple of years ago, I took a tour of the Ben & Jerry’s ice cream factory in Waterbury, Vermont. Whilst there, I heard the tour guide refer to Ben & Jerry’s ice cream as super-premium. I was intrigued because: 1) I’m thinking about using it as a nickname for myself; 2) I’d never heard the term used in reference to ice cream before; and 3) I wondered if there were additional levels of premium-ness. (Ultra-super premium? Super-duper premium? Maximum-ultra-super-duper premium?) I was disappointed to discover that, although the FDA sets standards for the use of nutrient descriptors. Less air and more butter fat promotes higher premium-ness—all the way up, I assume, to the heart-valve-clogging, airless, 100-percent pure, frozen-block-of-butter-fat variety.

In the case of loudspeakers, it’s the opposite. More air and less fat—no one likes tubby bass—results in super-smooth, premium sound.

PRICE $6,695 as reviewed

AT A GLANCE
Plus
Powerful, punchy sound
Excellent sonic match among speakers
Fine upper-octave detail
Minus
Clunky interface for Perfect Bass Kit
Marketing not withstanding, they can’t image like ML’s dipole speakers

THE VERDICT
While they don’t have much in common with MartinLogan’s electrostatic offerings, the Motion XT speakers let you keep a foot in both the music and home theater camps with little compromise.

Coming up with a good slogan for your company can be tricky. You want something that tells people what you do, but you don’t want it to tie your hands as the company evolves. For years, Burger King ran commercials using the catchphrase “Have It Your Way,” but they had to drop it when they wanted to reduce the bottlenecks being caused at restaurant counters by custom orders. Now they’re back to being the “Home of the Whopper.” Of course, you could simply ignore the historical inaccuracy of your catchphrase, as the H.J. Heinz Company has done; after all, they probably have 5,700 varieties today, not just 57.

Until the introduction of the Mirage M-1 a decade or so ago, all audiophiles knew what dipolar radiation meant. It was an inherent characteristic of flat, planar, enclosure-free speakers in which the rear radiation was 180° out of phase with the front, producing a null at the sides. This null made the spacing from the sidewalls less critical. Beyond this, open-baffle dipole designs attracted a strong following for their unique spatial characteristics and a sound free of cabinet colorations.

PRICE $5,925 ($6,600 as shown in gloss black)

AT A GLANCE
Plus
Crisp, open sound
Superb imaging
First-rate fit and finish
Minus
Two-way center channel
Limited subwoofer output

THE VERDICT
The center speaker suffers the usual off-axis quirks of a two-way design, and the small sub came up short for the deepest movie bass, but Monitor’s Silver series is a triumph, a treat to hear, and well worth seeking out for a serious audition.

Monitor Audio offers an exceptionally wide range of speakers, from the decidedly expensive (but not nosebleed high-end) to the modestly priced. In 2010, I reviewed the company’s relatively affordable Silver RX system. That line has now been completely redesigned, losing its RX moniker and morphing into the Silver series. Like the RXs before them, the Silvers were designed at Monitor’s U.K. headquarters and are built in a company-owned plant in China. For this review, we’ve selected the largest of the floorstanders, the Silver 10, along with the Silver Centre, the Silver W-12 subwoofer, and, instead of the Silver FX dedicated surround speakers, a pair of Silver 2s to serve the surround channels.

PRICE $1,700

AT A GLANCE
Plus
Reference-level extension and output
Exceptionally flat, controlled response through crossover octaves
THX Ultra Certified
Minus
No auto-EQ/correction or remote control
Very big and heavy
No pass-through outputs

THE VERDICT
Monolith by Monoprice's 13THX is huge, heavy, and lacks the convenience of app-controlled on-board automated EQ and curve-selection. But if you have more-than-generous space and budget, it's all the subwoofer you or anyone else will ever need.

Got bass? I do. Boy, do I ever: Monolith by Monoprice's newest THX Ultra Certified 13-inch behemoth. You might think that a "13-inch" sub would be just a bit bigger than a typical 12-inch job, maybe 15 or 16 inches wide, and perhaps as heavy as 70 or 80 pounds. Think again.

PRICE $800, $1,300

AT A GLANCE
Plus
Clean, copious, and articulate bass
Outstanding build quality
Five-year replacement warranty
Minus
No parametric equalizer
No app control
Extremely heavy

THE VERDICT
Entry into the crowded internet-direct subwoofer market is a bold move from Monoprice, but the performance of these subs will surely make some waves and breed some fierce competition.

Reproducing a movie soundtrack in a home environment isn’t an easy task. At your local cinema, the theater will hopefully have sound dampening so you don’t hear outside noise. And if you’re lucky, the system will be calibrated properly and provide enough headroom so there’s no clipping or distortion during the dynamic portions of the soundtrack.