"Eventually," one of my musical idols once told me in an interview, "everything you said you'd never do, you do. If you're lucky, you get to shake hands with Arnold Schwarzenegger." Those words of Robyn Hitchcock came back to me as I wrestled the JL Audio Fathom f113 subwoofer out of its carton. (The Governator himself couldn't weigh much more.) I've told other manufacturers that I just couldn't see myself working up a thousand-plus-word lather about a sub. What was it about this one that made me change my mind?
JL Audio is best known for its car audio products. But when it first showed its line of home subwoofers at a CEDIA Expo a couple of years back everyone was blown away—in more ways than one.
Price: $6,300 At A Glance: Automatic Room Optimization (A.R.O.) with microphone • XLR output to connect one or more slave f212 subwoofers • Dual 12-inch active drivers
Unless you live in South Florida or are heavily into car audio, there’s a good chance you don’t recognize the name JL Audio. That’s because while these guys make dozens of products for automobiles and boats, they only make a few for home theaters. And the cheapest ones—the just announced 10-inch E110 and 12-inch E112, cost $1,300 and $1,600, respectively.
AT A GLANCE Plus
Enclosure designed for walls with standard 2 x 4 construction
13.5-inch low-profile driver
1,000-watt external amp with Automatic Room
Optimization
Minus
Retrofit install can be difficult
Expensive
THE VERDICT
This subwoofer system does the seemingly impossible in an impossibly seeming way by hiding an amazingly shallow, high-excursion 13.5-inch woofer, along with the 70-inch-tall cabinet it requires, inside a wall having standard 2 x 4 construction, with only a driver-hiding grille screen as evidence—and it does this surprising feat without causing excessive wall vibrations. Even better, it does all that while performing like a top-end in-room sub.
If I needed additional proof of how much Rob Sabin, our esteemed editor-in-chief (and part-time male stripper for the visually impaired) dislikes me, this would be it. He asks me the other day if I’d want to review another JL Audio subwoofer, one similar to the company’s ginormous Fathom f212, which I reviewed in 2012. I have fond memories of, bruises from, and a partial hernia caused by that 220-pound behemoth.
AT A GLANCE Plus
Incredible extension from incredibly small design
Highly flexible controls and features
Wireless option
Elegant finish
Minus
Limited peak output
Pricey
THE VERDICT
KEF’s KC62 delivers impressively deep bass in an elegant, ultra-compact package, though its output is best suited for smaller rooms or listening at more moderate levels.
Mankind has sought to get more and deeper bass from smaller and smaller designs ever since the first Neolithic audiophile blew through a conch shell and thought, "Damn, I wish this went lower, louder!"
Q Series Q350 Speaker System Performance Build Quality Value
The Kube 12b Subwoofer Performance Features Build Quality Value
PRICE $3,150 as reviewed
AT A GLANCE Plus
Atmos add-ons
Coincident Uni-Q drivers
Sub has three placement EQ modes
Minus
Grilles not included
Not as dressy as other KEF products
THE VERDICT
KEF’s Q series combined with its new Kube subwoofer line brings the trademark Uni-Q driver array and a potent bottom end to a lower price point, with reliable performance and an Atmos add-on option.
One of the headlines I considered for this review was “What Becomes a Legend Most.” It’s a poignant song from Lou Reed’s New Sensations. Before that, it was an advertising slogan that sold mink coats in ads featuring Judy Garland, Lauren Bacall, and Marlene Dietrich, among others. Somehow, it fits KEF, the British speaker manufacturer responsible for numerous driver-related innovations, including the Uni-Q coincident array. KEF’s Muon and Blade towers have the fragrance of luxury about them.
Subwoofer Performance Features Build Quality Value
PRICE $10,200 (as tested)
AT A GLANCE Plus
Sweet, clean highs
Superb dialogue clarity
Detailed but not aggressive sound
Minus
Slightly limited treble diffusion
R3s make for pricey surrounds
THE VERDICT
With a sweet balance on music and potent, but not aggressive, manner with movies, KEF’s R-series system delivers all-around outstanding performance.
KEF'S R Series speakers have long occupied the middle range of the British manufacturer's offerings. While the previous R Series was starting to get a bit long in the tooth, I found the performance of those speakers to be superb, having reviewed the last generation R700 for Sound & Vision's sister publication Stereophile in 2014.
KEF R900 Speaker System Performance Build Quality Value
KEF R400b Subwoofer Performance Features Build Quality Value
Price: $9,400 At A Glance: Sweet, clean highs • Big, generous soundstage • Flawless fit and finish
If you’ve been passionate about audio for more than a few years, or can name five loudspeaker companies with names that don’t rhyme with rose and begin with a B, you’ve certainly heard of KEF. In the late 1980s, KEF introduced a new concentric driver that placed the tweeter in the throat of the midrange cone. Dubbed Uni-Q, the design has been continually refined for over 20 years and remains the centerpiece of most KEF loudspeakers.
SW-100 Subwoofer Performance Features Build Quality Value
Price: $1,050 At A Glance: Molded reinforced polymer enclosure • Vertically expanded Tractrix horn • Conventional sub
Compact satellite/subwoofer sets are often affordable, mate well with budget receivers, allow more speaker-placement width than soundbars, lend themselves to wall mounting—and best of all, they don’t hog the room, even if you place them on stands (which would usually produce the best sonic results). What Justice Anthony Kennedy’s swing vote is to the Supreme Court, the spouse acceptance factor is to loudspeaker genres, and the elegant compactness of a sat/sub set just may be the tiebreaker, the factor that makes the difference between having or not having a surround system. Sat/sub sets continue to be the most underrated product category in home theater.
Subwoofer Performance Features Build Quality Value
PRICE $996 (as tested)
AT A GLANCE Plus
Dynamic and lively sound
Good stereo and surround sound imaging
Minus
Requires careful setup for best performance
Basic black finish only
THE VERDICT
Klipsch’s R-41M speaker system amply demonstrates how a 5.1 surround package can outperform a same-priced soundbar. Enthusiastically recommended for both movies and music.
Putting together a home theater system on a limited budget can be a daunting task. That's why so many people instead take the easy route and buy a soundbar to handle audio. Sure, a one- or two-box (with subwoofer) solution is simple to shop for and a snap to hook up, but what about the sound quality? With soundbars, the amplifiers, speakers, and signal processing are all designed to work together in an integrated unit, so it's often possible to squeeze surprisingly big and powerful sound out of the bar's tiny drivers.
RP-150M Speaker System Performance Build Quality Value
R-110SW Subwoofer Performance Features Build Quality Value
PRICE $2,399 as reviewed
AT A GLANCE Plus
Titanium-dome tweeters in 90x90 Tractrix horns
Tractrix-shaped rear ports
Wireless sub option
Minus
Sacrifices some warmth for analytic detail
Sub subdued
THE VERDICT
Klipsch’s Reference Premiere achieves high resolution at a low price, though it can be too revealing for some content.
Klipsch is built on concepts so fundamental that they have transcended changes in audio fashion and even ownership. Chief among them is the concept of horn-loading, promulgated by the legendary Paul W. Klipsch (1904–2002) and marketed by him, his family, and their successors. It enables reasonably priced speakers to play louder, and to many listeners sound clearer, with less power. Klipsch speakers also look like no one else’s, thanks to the tangerine/copper color of the woofers, another of the brand’s 20th-century traditions.
Reference Theater Pack Performance Build Quality Value
R-8SWi Subwoofer
Performance Features Build Quality Value
PRICE $999
AT A GLANCE Plus
Klipsch’s classic horn-loaded sound at a budget price
Minus
Enclosure adds some coloration
THE VERDICT
This redesign of Klipsch’s bestselling sat/sub system makes some compromises from its predecessors—but still produces excellent sound.
Some people are just good at things. People like Rembrandt van Rijn, who could make a painted image gaze into your soul; or Meryl Streep, who can be Anna Wintour one moment and Julia Child the next; or Warren Buffett, who’s been known to make his shareholders a dollar or two; or Billie Holiday, who could sing like Louis Armstrong’s trumpet and fit a lifetime of hard loving into a single phrase.
Metro Subwoofer Performance Features Build Quality Value
Price: $10,580 (standard finish, updated 3/10/15)
At A Glance: Folded-planar magnetic tweeters • Treble and bass trim switches • Biwire and biamp capable
Every company has its genesis story, be it the back of a napkin or something more grandiose. Apple, of course, is famous for starting out in Steve Jobs’s parents’ garage. Lutron’s backstory isn’t quite as well known, but its unassuming beginnings were in the bedroom founder Joel Spira and his wife intended to use as their first child’s nursery. (“Sorry, kid, you’ll have to sleep on the couch. Daddy’s got a solid-state dimmer to invent.”) Similar to Apple, Legacy Audio’s birthplace was in a garage; but this garage was far from Cupertino. Instead, it was located in the midst of the cornfield-filled upper Midwest where, according to Legacy, Bill Dudleston and “a stubborn Dutch craftsman,” Jacob Albright, built the company’s first speaker, the Legacy-1, in 1983. Thirty years later, though, what the heck does any of this have to do with Legacy Audio’s loudspeakers today? Really, who gives a flying flip about two dudes, a garage, cornfields, and some woodworking equipment? (Hmm…cornfields. Wasn’t there a movie about that? “If you build it, they will listen.”)
We all long for big, bodacious home theater systems. Unfortunately, many of us, especially urban dwellers, find ourselves shoehorning 100 pounds of gear into a 10-pound space. Some videophiles even resort to pitiful little satellite speakers the size of Ping-Pong balls.