Subwoofer Reviews

Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Deep bass from a compact design
DSP and app control
Minus
Control app not user-friendly
Unreliable Auto On/Off function
No wireless connection option

THE VERDICT
OSD Audio’s powerhouse Trevoce 12 delivers deep bass from a compact cube. And with onboard DSP and app-based control, users can tune the sub’s output for best performance in their listening space.

OSD Audio is a maker of many audio-related things, its extensive product line covering most bases for custom residential and commercial installations. But the company also has a fair number of consumer offerings, including a sizeable range of subwoofers. Last year I reviewed its Nero TubeBass 10, a cylinder-shaped model that provided a decent wallop of bass given its compact size and $179 price. Now, for this review I'm stepping up to the Trevoce 12 EQ DSP, a flagship subwoofer from the company's swanky Black Series that still tops out at a reasonable $600. (OSD Audio also plans to launch a 15-inch model in the near future with a $799 price.)

Speakers
Performance
Build Quality
Value

Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Impressive performance for price
Surround speakers provide flexible installation options
Subwoofer with app control and room correction
Minus
Basic build quality and looks

THE VERDICT
This entry-level Paradigm speaker package delivers performance reminiscent of the company's higher end models, along with a few sophisticated and well-considered features.

Canada's Paradigm offers a truly impressive range of speakers for audiophiles and home theater enthusiasts alike. The company makes so many speakers, in fact, that I sometimes have trouble keeping track of what's what in the Paradigm lineup. With luscious, hand-lacquered cabinets and Beryllium drivers, the Persona line is the flagship offering, one that Sound & Vision reviewed in a 5.1-channel configuration in our September 2017 issue. While we found plenty to like about that Persona rig, at $31,000 it clearly represented a luxury purchase. Fortunately, the Paradigm family also includes speakers aimed at budget-conscious listeners, such as the Monitor SE series.

Persona 3F Speaker System
Performance
Build Quality
Value

Persona SUB Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Beryllium tweeter and midrange drivers
Hand-polished, high-gloss finish
Slender, curved cabinets
Minus
Expensive
Heavy

THE VERDICT
Paradigm set out to create the best, state-of-the-Paradigm-art speakers the company has ever produced, bringing together top-notch cabinet construction and finishing capabilities and advanced driver technologies in hopes of achieving something greater than the sum of its already great parts. They’ve succeeded.

Paradigm, the Canadian loudspeaker company founded in 1982, has a long and respectable history of building excellent-sounding, great-looking speakers at relatively affordable prices—not outrageously expensive but not stupidly cheap, either. Somewhere along the way, though, somebody at Paradigm accidentally said out loud at a company meeting: “What if cost were, well, not no object, but at least less of an object? What if we combined all our best technologies and maybe threw in a bit of new stuff, too? Just how awesome of a speaker could we make? We should try that someday.” And thus the company’s latest and greatest-ever series of speakers was born.

Prestige 15B Speaker System
Performance
Build Quality
Value

Seismic 110 Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Advanced driver designs
Fine-grained, transparent, dynamic playback
Compact but powerful subwoofer
Minus
Boxy, non-curved enclosures

THE VERDICT
Paradigm’s Prestige series speakers and Seismic 110 sub employ unusual driver design to achieve remarkable transparency and punch.

As I sat down to write this review of the Paradigm Prestige speaker system, I couldn’t get a seemingly unrelated subject—the Pono hate—out of my head. No joke, folks: I sat at the keyboard for hours mulling it over. What chance did I have to convince readers that a $6,145 speaker system is worth hearing when a $400 music player is greeted with language like “don’t buy” and “snake oil”?

OK, I know I’m preaching to the converted. You probably wouldn’t be reading Sound & Vision if you weren’t open to the idea that a well-designed speaker system has the power to bring you closer to music. That’s what the Paradigms did for me when I informally played a few recent additions to my high-resolution music library (more on them later). I felt as if a curtain had been lifted and music was in the room with me—not just recorded music, but music.

Canadian speaker manufacturer Paradigm Electronics is but a 90-minute drive from Niagara Falls, New York, home of the classic heart-shaped-tub honeymoon suite. The few months I spent with the Paradigms were a honeymoon of sorts. An Armenian and a sextet of Canadians—and they said it wouldn't last! Now, after two months, the honeymoon may be over—but will the magic go on?

Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Exceptional Bass Performance
High-Quality Construction
Versatile and User-Friendly
Elevates Overall System Performance
Minus
No Built-in Room Correction
Price Point is high (but still a great value)

THE VERDICT
Look, I get that there's a ton of subwoofers out there. And some of them are probably pretty good. But the Perlisten R18s is in a league of its own. This thing is an absolute beast. But it's not just about raw power. The R18s is also incredibly musical. It blends seamlessly with your main speakers and transforms just about any speaker system into a full-range one.

I love deep bass and have spent exceptional amounts of time and money over three-plus decades pursuing its clean, accurate reproduction. I bought my first pair of subwoofers over thirty years ago. At AVS Forum, where the DIY section was a hotbed of bassaholics in the pre-Facebook group era, I discovered the joys of infrasonic bass reproduced at levels you can feel. It was a brave new world and no subwoofers available to consumers seemed able to perform the tricks that the DIY monsters delivered.