Projector Reviews

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Impressive blacks
Wide color gamut
Crisp, natural detail
Minus
Not native 4K
No automated lens cover

THE VERDICT
We’d like to see JVC offer a true 4K design, rather than a pixel-shifted one, at a consumer-friendly price. But you’ll forget about all of that after your first two minutes viewing this outstanding projector—with either a 2K or a 4K source.

True native 4K projectors (those that deliver full UHD resolution to the screen with no reliance on pixel-shifting) are thin on the ground when it comes to prices that most home theater fans are likely to consider. As I write this, only Sony offers one model for as little as $5,000, the VPL-VW285ES.

AT A GLANCE
Plus
True 4K (4096 x 2160) SXRD panels
HDR support, including HLG
Laser light engine
Minus
Middling dynamic contrast
Limited HDR adjustments

THE VERDICT
With the new VPL-VW885ES, Sony has added a premium laser model to its consumer projector line, but even at $25,000, it comes with some compromises.

These days, if you want a true native 4K projector (no pixel-shifting required) that doesn't have a Sony badge on it, you'll have to spend $35,000 and up for the privilege. Meanwhile, Sony now has four different models below that mark, starting at $5,000. Since the debut of the VPL-VW1000ES (in 2011!), we've been waiting for other manufacturers to join the native 4K fray—and yet, here we are.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Good resolution in HD and UHD
Impressive HDR
Low price
Minus
Contrast and black level could be better
Manual HDR/SDR switching

THE VERDICT
The Epson 4000 offers an effective combination of HDR and SDR projection at a price that seemed impossible a year ago.

Native 4K imaging—where the chips display all 8.3 million individual pixels (3840 x 2160) in each frame simultaneously—is still rare in an affordable consumer projector. Currently, the entry price is $5,000, for Sony’s new VPL-VW285ES. But last year, Epson introduced two 3LCD models that use pixel shifting to achieve an apparent resolution close to 4K. The less expensive of the two was the PowerLite Home Cinema 5040UB, still selling, as I write this, for around $2,700. (Its virtual twin, the Pro Cinema 6040UB, was reviewed in the October 2016 Sound & Vision.)

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Standard-setting blacks
Impressive HDR
Solid color and resolution
Minus
Complex setup menus
Some black crush

THE VERDICT
It may not have true native 4K imaging chips, but the JVC DLA-X790R shouldn’t be overlooked by those upgrading a projection system or looking for their first projector. It’s a knockout.

One of the key features of the Ultra HD format is 4K resolution. But to date, the catalog of true native 4K home theater projectors — those with imaging chips featuring a minimum of 3840 x 2160 pixels without relying on any pixel-shifting tricks — is pretty thin. JVC has the laser-lit DLA-RS4500K at $35,000, and Sony has its own premium models above $10,000. But if you're looking for something priced more affordably, you’re currently limited to Sony’s new VPL-VW285ES ($5,000) and VPL-VW385ES ($8,000).

AT A GLANCE
Plus
Great optics
Accurate color adjustments via CMS
Long-life LED light engine
Minus
Lack of key features
Disappointing contrast performance
No HDR support

THE VERDICT
The BenQ HT9050 has DLP’s latest 4K chip design, but its poor contrast and lack of key features result in an uninspiring package that can't compete with other projectors at or near this price point.

It wasn’t long ago — just 10 years, in fact — that the home projection market was all about DLP. It dominated nearly every price point and was always at the cutting edge of features. But eventually, things changed. Texas Instruments stagnated on DLP development. Meanwhile, new technologies like LCOS emerged, taking onscreen performance to an entirely new level, particularly for native black level and contrast. DLP has stuck around, but it's often found on the budget side of the market, with entry-level home/business designs, or at the opposite end of the spectrum, with cost-no-object three-chip designs.

AT A GLANCE
Plus
Crisp 4K image
Projects 120-inch picture from 10-inch distance
Can be used in average room-lighting conditions
Minus
Below-average picture uniformity
So-so contrast
Pricey

THE VERDICT
Sony’s ultra-short-throw projector can dazzle for daytime viewing and fulfills its promise as a big-screen panel TV alternative, but dark-room home theater enthusiasts may be less impressed.

When it comes to setting up a home theater, the main goal should be to get the largest image that your space and budget will allow. In many cases, that’s going to mean hanging a projector from a ceiling mount at the back of the room and attaching a screen to the wall up front. Next come the light dimmers and blackout shades—both necessities if you want to get the best picture possible from your projection rig.

2D Performance
3D Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Calibrates well for accurate color
Better-than-average contrast ratio
Backlit remote control
Minus
Limited installation features
High fan noise in Normal Lamp mode
Not as bright as competition

THE VERDICT
The better-than-average contrast and accurate color potential offered by BenQ’s low-cost projector make it a great option for a budget home theater.

Budget 1080p projectors targeted at sports fans are a staple of many manufacturers’ lineups. These usually come with a promise to “transport you to the stadium” by projecting a bright, 100-inchdiagonal picture from just a few feet out from a wall or screen, and they include a Sports picture mode to give Astroturf that hyper-real, greener-than-green look. In some cases, however, such projectors can deliver surprisingly accurate images. Pair one of them with an equally affordable screen, and you’ll get a satisfying big-screen movie-viewing experience for under $1,000.