Projector Reviews

AT A GLANCE
Plus
Native 4K imaging chips
HDR10 compatible
Minus
Lacks full HDMI v2.0a capabilities
Less than perfect focus uniformity
Careful setup needed for best results

THE VERDICT
Sony’s mid-cycle refresh of the VPL-VW600ES offers decent bumps in dynamic contrast, brightness, and features. While it still lacks some key future-proofing and has a few niggling issues, its compelling native 4K imagery is some of the best we’ve seen from front projectors on the market today.

Here we are now a full four years beyond Sony’s debut of the VPL-VW1000ES, the first consumer-level native 4K projector. And yet the bounty of 4K content that was promised at that time is really now just coming to fruition with an assortment of streaming options and a new Blu-ray format springing forth. In late 2015, Sony did what I’d call a mid-cycle refresh on one of our previous Top Picks, the VPL-VW600ES (May 2014; review at soundandvision.com), adding a few new features like HDR capabilities and improved contrast and brightness. But is the VPL-VW665ES the projector to buy as we head into the land of Ultra HD and all its promises?

2D Performance
3D Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Very good brightness for the price
Excellent contrast
Fully motorized lens controls
Minus
Slight enhancement artifacts

THE VERDICT
JVC’s DLA-X550R continues the company’s streak of producing high-value projectors that deliver high-contrast images.

Most projector manufacturers refresh their product lines every fall like clockwork, but JVC opted to sit things out for 2014. The main reason (I suspect) was the state of flux surrounding the HDMI standard, which at that point was evolving to a new 18-gigabit-per-second version designed to accommodate a full range of 4K/Ultra HD bells and whistles, including 60-hertz frame rate, 4:4:4 color sampling, and high dynamic range.

2D Performance
3D Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Laser light engine
HDCP 2.2 compliance
Excellent contrast and accuracy
UHD color support
Minus
Not true 4K
Pricey
Contrast not quite up to lofty claims

THE VERDICT
Few projectors can compete with Epson’s first salvo in the reflective LCD market, and the company’s laser engine delivers bright images with flagship-level contrast and accuracy.

Last year’s CEDIA Expo was a bit of a buzzkill for projectors. We continued to see a dropoff in the number of manufacturers, and two of the biggest names in consumer projectors, Sony and JVC, both decided to forgo new models altogether. But that didn’t stop Epson from unveiling one of the most exciting projectors I’ve seen in years, the PowerLite Pro Cinema LS10000. Not only is it unlike any previous Epson model, but it’s also the first laser-driven home theater projector I’ve seen—and at a sub-$10,000 price point. But can it compete with the juggernauts from Sony and JVC at these higher price levels? Let’s find out.

AT A GLANCE
Plus
Epson puts the “light” in PowerLite
Well suited for brighter environments
Adjustments galore
Includes two pair of 3D glasses
Minus
Dynamic range short of true black
Default color tracking errors

THE VERDICT
Powerful light output with quiet operation and excellent build quality partner with 3D at an attractive price.

Even for those of us within the electronics industry, the constant evolution and ascending levels of technology combined with an ever-lower price of admittance continues to astonish. In the universe of projected light, a stellar example of this can be found in the Epson PowerLite Home Cinema 3500 projector.

2D Performance
3D Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Accurate color
Ample brightness
Smooth, detailed picture
Minimal fan noise
Minus
No iris control
Doesn’t include 3D glasses

THE VERDICT
Sony’s lowest-priced 4K projector to date is packed with features and delivers a bright, beautiful picture.

When I hear someone question the value of 4K, the first thought that comes to my mind is: projection. Unless your nose is pressed up to the screen, a 4K image viewed on 50-inch flat-panel TV won’t look much different from regular old 1080p. A main advantage to 4K is that you can scale your display up to a massive size without having to worry about seeing the individual pixels that form a picture. And when you’re thinking about scaling a video display up to a massive size, nothing gives you a better return on investment than projection.

2D Performance
3D Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Razor-sharp optics
Accurate DCI and Rec. 709 color
True 4K performance
Minus
Contrast could be further improved
Pricey

THE VERDICT
The VPL-VW1100ES is a flagship projector in every sense—from its second-to-none lens to its phenomenal accuracy.

Two and a half years have already passed since Tom Norton delivered the first review of Sony’s initial salvo into the 4K projector world, the VPL-VW1000ES. It earned top marks from Tom, who called it the best projector he’d ever seen. Now, three years later, Sony has a new flagship, the VPL-VW1100ES, which includes an upgrade to the latest HDMI 2.0 connection standard and some video-processing refinements. It retains the core components of the old model but takes advantage of the small market of consumer 4K content available today.

2D Performance
3D Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Excellent contrast and black level for LCD
Capable of powerful brightness
Good overall 2D and 3D performance
Minus
Wireless transmitter needs to be in same space as projector

THE VERDICT
Powerful light output and contrast combined with impressive 3D make the 5030UBe a great projector option at an affordable price.

When Sound & Vision reviewed the Epson 5030UBe’s predecessor, the 5020UBe, in 2013, we were impressed by its exceptional brightness and its ability to convey satisfying blacks. Clearly, LCD projection has come a long way in a short time. Home theater projectors like the 5020UBe tend to get reviewed in a cluster with models from companies like JVC and Sony, and while the Epson ultimately didn’t match its LCOS competition when it came to contrast (JVC) or color accuracy (Sony), overall it held up extremely well—especially considering that the Epson cost several hundred dollars less and offers significantly greater brightness than either of those options.