Mike Mettler

Mike Mettler  |  May 21, 2020
One thing our ongoing pandemic lockdown continues to remind many of us music lovers of on a daily basis is just how much we all miss attending live concert events.
Mike Mettler  |  May 15, 2020
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It would be easy to characterize Chuck Berry, who passed away at age 90 in 2017, as one cantankerously acrimonious fellow, but after revisiting Taylor Hackford's astute 1987 documentary Hail! Hail! Rock 'N' Roll, now available on Blu-ray for the first time via Shout Select, I'm reminded of how captivating, creative, and downright business-savvy the pioneering, guitar-playing singer/ songwriter actually was.
Mike Mettler  |  May 07, 2020
Okay, you got me. I freely admit before all my fellow music lovers and audiophiles alike that I had a very specific ulterior motive when I noted in a recent Remaster Class column that the title track to Yes' September 1972 magnum opus Close to the Edge was my "second-favorite 5.1 mix." Following my primary intention of encouraging listeners to marvel at the fully enveloping scope of that song's truly amazing surround sound mix, I figured the next thing anyone reading said comment might wonder would be along the lines of, "Yeah, cool cool cool, that's great and all—but what's No. 1?"
Mike Mettler  |  Apr 30, 2020
So . . . seen anything good lately? Now that we have almost nothing but time on our hands as we collectively self-quarantine behind closed doors and chill in front of our screens, there's no better time than the here and now to catch up on all the great rock documentaries we've been meaning to delve into via the streaming universe. Naturally, we here at S&V assume you've already devoured—and loved—the half-dozen rock docs I recommended here just a few short weeks ago, so what should you watch next?
Mike Mettler  |  Apr 24, 2020
Yes may have hit the roundabout motherlode with November 1971's Fragile, but their true zenith came with the following album, September 1972's Close to the Edge. Edge was the perfect intersection of envelope-pushing, multi-movement compositions and beyond-heady lyrical mysticism, permanently cementing Yes' status as top-tier progressive rock progenitors.
Mike Mettler  |  Apr 17, 2020
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Prince was determined. While he had made some inroads on both the sales charts and urban radio with his first four hot-button, mostly one-man-show albums of the late-'70s and early-'80s, an opening slot on The Rolling Stones' 1981 tour exposed the narrowmindedness of many concertgoers who outright booed and/or threw things at Prince and his band while they were onstage.
Mike Mettler  |  Apr 02, 2020
The always-must-be-fed M.O. of today’s streaming services has produced a plethora of rock documentaries. Here are six you don’t want to miss.
Mike Mettler  |  Mar 26, 2020
Some bands have sonic innovation flowing through their veins, right from conception. Case in point: Nektar, the progressive European collective who initially made their bones in Germany in the 1970s, even though their founding members were all from the U.K. Early, mind-expanding Nektar albums like 1971’s Journey to the Centre of the Eye, 1972’s A Tab in the Ocean, and 1973’s Remember the Future were all said to have influenced the always exploratory likes of Pink Floyd. I sat down with Derek “Mo” Moore and founding drummer Ron Howden to discuss the enduring legacy of their deep canon and how they address their history on their recent album The Other Side.
Mike Mettler  |  Mar 17, 2020
Pandora was one of the world’s leading Internet radio entities when it debuted 20 years ago. Now under the mighty SiriusXM corporate umbrella, can its Pandora Premium tier deliver an experience on par with the competition?
Mike Mettler  |  Mar 06, 2020
Few artists have oh-so-quantifiably defined their own uncopiable sound as definitively as King Crimson did with their October 1969 debut, the full-title-mouthful In the Court of the Crimson King: An Observation by King Crimson. This five-track, beyond-progressive salvo brought together forward-thinking pastoral, orchestral, jazz, and blues-rock sounds into a distinctive blend that only served to widen the overall aural palette of the most formative decade in popular music.

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